FSI 2008

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John Atkinson Posted: Apr 07, 2008 4 comments
The are small amps, there are large amps, there are stereo amps, there are mono amps, and then there are Vladimir Lamm's ML3 Signature two-chassis monoblocks, demmed at FSI with Verity Lohengrin speakers, a Lamm L2 Reference preamplifier, LP2 phono preamp, NeoDio CD transport and DAC, and Kubala-Sosna cables, and Critical Mass Systems racks.
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Wes Phillips Posted: Apr 03, 2008 0 comments
Kevin Wolff, Vienna Acoustics' new international sales manager, poses next to the new $25,000/pair The Music loudspeakers.That rotating section of the cabinet contains Vienna Acoustics' revolutionary (hah!) new, flat, concentric 7" tweeter-midrange unit, which handles frequencies from 200Hz to 20kHz. A separate super-tweeter takes over above the audioband.
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Robert Deutsch Posted: Apr 04, 2008 2 comments
Never mind all those fancy audio components; this is all you need. Well, maybe not if you're the typical Stereophile reader or FSI attendee. This RCA console stereo (model SFA 1091) is circa-1968, and I note that it's "All Transistor." It was a part of a display of vintage audio equipment at FSI from the Emile Berliner exhibit at the Montreal Musee des Ondes.
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John Atkinson Posted: Apr 07, 2008 3 comments
It has been 20 years since Montreal-based Totem Acoustics made its name with the Model One minimonitor, and the speaker has both remained in production and been featured in Stereophile's "Recommended Components" listing all that time. I am working on a follow-up of the current production One, but taking pride of place in Totem's FSI suite was the limited-edition Model One Signature ($3595/pair). Only 2000 pairs will be made, and differences over the regular Model One include upgraded drivers, a bevel-edged, mahogany-veneered cabinet stained "root brown," and the WBT connector panel you can see in my photo. Despite the speakers' diminutive stature, the system, based on an Accuphase CD player, Plinius integrated amplifier, and Totem's own biwire cables, filled the relatively large suite with satisfying sound.
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Robert Deutsch Posted: Apr 05, 2008 0 comments
It's been said often enough to be considered as a truism that FSI is an occasion for snow: at the show's opening, during the show, or at least when the show is closing. But it looked like this year was going to be an exception; the weather forecast for the three days of the show called for temperatures well above freezing, with rain on Friday.
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Robert Deutsch Posted: Apr 05, 2008 1 comments
What's an audio show without a party? Sponsored by Stereophile, the party on the first day of the show was for the exhibitors, trade visitors, and the press, and featured the Quebec rock group Give, with lead singer Caroline St. Louis.
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Wes Phillips Posted: Apr 03, 2008 0 comments
A closer look at Vienna Acoustics' coaxial tweeter-midrange unit. The central dome is supported by the magnet pole-piece of the flat midrange driver—and the strengthening ribs are said to dissipate standing waves on the surface of the driver.
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Robert Deutsch Posted: Apr 04, 2008 1 comments
One of the things I look forward to at these shows is a visit to the Wilson Audio room, and the chance to listen to master recordings made by Peter McGrath. The system at this year's FSI, in the room sponsored by dealer Coup de Foudre, featured the WATT Puppy 8s and Watchdog subs, VTL TL-6.5 preamp and MB-450 amps, with Nordost interconnects and Transparent speaker cables. (I guess they didn't want to be accused of favoritism when it came to cable choice.) As usual, the sound was clean and dynamic, with a deep soundstage, and voices sounding very natural. Peter played a recording he had made of Renee Fleming singing Richard Strauss's Four Last Songs heartbreakingly beautiful. Luke Manley (VTL, left) and Peter McGrath (Wilson, right) are looking appropriately pleased.
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Wes Phillips Posted: Apr 06, 2008 3 comments
Both examples of the Verity Sarastro IIs ($40,000/pair) that I heard at FSI sounded amazing. I say this with some surprise, since I was never entirely comfortable with the original Sarastro. Go figure, new and improved.
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Robert Deutsch Posted: Apr 07, 2008 0 comments
On Saturday at noon, the John Atkinson trio (JA on bass, Bob Reina on piano, and Mark Flynn on drums) performed their own takes on some jazz standards, to the appreciation of a fairly substantial audience. (As usual, Saturday was the best attended day at FSI.) There were also two original items on their program: one of which was a tribute to Frank Sinatra, composed by Bob Reina. It's an interesting piece, with no actual quotes from any of the numbers that are associated with Sinatra, but somehow capturing the spirit of the songs in his repertoire. I think Ol' Blue-Eyes would have approved.

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