The Replay Turntable ($3499) is Revolver's re-entry into the turntable market after a lengthy absence. It comes packaged with a Jelco tonearm although the company might eventually supply a top plate that can be drilled for any arm. It has a decoupled suspension—which is not sprung–and a large flat belt driven by an AC motor with an outboard power supply. At 50 lbs, it's no lightweight.
The highlight of the VRS Audio Solutions room was witnessing VRS' Vincent R. Sanders and Neil Sinclair (high-end pioneer and former owner of Theta Digital) engage in a heated discussion over optimal methods for achieving hard disk-stored music playback. These two went at it as if dealing with life and death itself. Which, in the case of high-end audio, isn't far from the truth.
It was great to again encounter Andy Payor of Rockport Technologies and hear the stunning 200 lb Ankaa loudspeaker ($26,500/pair). Of all the speakers I heard on the first two days of T.H.E. Show, the Ankaa produced images so large and lifelike that it made other speakers (including several wonderful-sounding models I’ve already discussed) seem like pipsqueaks. I have no doubt that the expensive, neutral-sounding Gryphon Antileon Signature stereo amplifier ($31,000 for 150Wpc) and Mirage preamplifier ($25,000), as well as the debuting Purist Audio Design Proteus Provectus cabling had a lot to do with Andy's triumph. As he rather selflessly noted, "The real reason for a good image lies in the collaboration."
We were stunned to see Roger Skoff in the Ultralink/XLO room—we thought he'd retired years ago. "I did," he explained, "but I was asked to design some new stuff incorporating new technologies and more advanced versions of our existing designs."
The ever-lovely Rosemarie Torcivia and Cynthia Fontaine, running the Stereophile room at the Venetian. They'd appreciate it if someone would bring them a decent sounding stereo to listen to. An ipod even.
If one were to judge by the new product introductions from Ayre and Jeff Rowland Design, $18k seems to be the price point for high-end solid-state preamplifiers. Rowland's new Criterion preamp uses NiMH batteries in the power supply; these are more easily available than the lead-zinc ones that were used in Rowland's previous top preamp—and, of course, the design of the Criterion features a number of improvements from its predecessor. Rowland also introduced the new Continuum integrated amp, available in two version: 350Wpc ($7200) or 500Wpc
($8800), the latter featuring power-factor correction.
As much as I had hoped to write about new companies at T.H.E. Show this time around, I keep finding myself drawn to "old friends" for one overriding reason: their sound is the best I encounter. Such was the case with veteran audio designer Peter Ledermann's Soundsmith. Despite Peter's 1960s-holdover proclivity to turn his consistently impressive, housed-in-wood electronics into multi-colored light shows—thank God you can dim the lights or turn them off entirely—the former Director of Engineering at the Bozak Corporation continues to astound with the sound of his phono cartridges and the amazing frequency response of his small Firefly speakers.
Immedia's Allen Perkins was running not one, but two Spiral Groove turntables. He was running the original SG1 ($20,000) with Continuum's new Copperhead tonearm ($12,000), but he was also debuting his new SG2 ($15,000) with a Triplanar Ultimate tonearm ($4200).