CEDIA 2007

Magnepan's Wendell Diller promised to demonstrate "an intriguing solution to the center channel," which was nebulous enough. Imagine my surprise when he demoed his new solution with a stereo! A three channel stereo, true, but a stereo nonetheless.

Dynaudio actually had a "production prototype" of its $16,500 Sapphire 30 30^th anniversary loudspeaker at CEDIA, seen here photographed by Kal Rubinson. All of the drivers are "Evidence-grade," Michael Manoussellis told us. The drivers are Dynaudio's 1.1" (28mm) soft-dome tweeter, 5.5" (15cm) MSP-cone midrange, and two 8" MSP-cone woofers. The cabinet is faceted, hence the jewel reference. It's pretty dramatic looking. Now we're slavering to hear it.

Naim's long time a-borning $4750 Supernait is finally here. The Supernait's 80Wpc amplifier section is based upon that of Naim's NAP200, giving it 400VA output transient capability.

Linn was showing its new reference standard digital player, the Klimax DS, which it is dubbing "the first authentic hi-fi product to stream digital music over a standard home network." Not impressed? How about this: it is capable of utilizing Linn's 24/96 downloads and, according to Rikke Ravnborg, director of marketing, is sonically superior to Linn's long-term digital reference, the CD-12.

Meridian’s collaboration with Ferrari bore fruit as the F80 CD-Radio. "CD-Radio," by a long shot, is an unworthy designation for such an unusual device. Sure, it is an AM/FM radio of high quality and, yes, it will play CDs and DVDs and do all sorts of other neat things but you can go to www.thef80.com for all that info. What I want to tell you is that this $2999 clock-radio is drop-dead gorgeous and is a serious audio instrument. In a press conference room that I estimate was 25'x50' with 15' ceiling, Meridian's Bob Stuart popped in first one disc and then another to the amazement of the press crew. The f80 really filled that larger-than-domestic and nearly bare room with balanced sound. Now, I am not saying that it will replace a full component system for you or me, but I cannot think of another product that compares with it for size, appearance, or performance.

MIT's Bruce Brisson was determined to shrink his Multipole technology so that his patented networks did not requite bulky boxes near their cables' termination. Naturally, he thought surface-mount components were the way to go. That was until he began measuring them and discovered that SM components were variable and many didn't measure well.

All of us have excuses for why we cannot acoustically treat our rooms but a lot of the underlying reason is that many are not convinced that they should make the physical or financial effort. I’ve discovered what I think of as training wheels for room acoustics. Tom Gorzelski of mytheater acoustic panel showed me his simple and inexpensive kits; these are enough to get anyone started. The panels are only 1" thick and, with their polyester filling, light enough to hang with a single nail. Don't expect them to work into the bass, therefore, but Tom acknowledges that they are most effective at 1–2kHz. Also, they come in packages of four 24x40 panels ($120) or two 24x24 panels ($45) because you cannot expect just one to make a difference. Still, hanging a 4pack of the bigger panels should reduce reflections if placed at ear level and, especially, at the first reflection points on the side-walls. It's likely you'll like it enough, perhaps, to do even more.