was the third of four albums that Sonny Rollins recorded for Blue Note, and it's the second reissued by Music Matters Jazz, the audiophile house that does up the Blue Note classics right, each title mastered at 45rpm and spread out across two extremely quiet slabs of vinyl. MMJ has already released Sonny Rollins, Vol. 1
. That leaves Sonny Rollins, Vol. 2
and Night at the Village Vanguard
(itself a 2-volume album). I hope they put them out too at some point. If they do (does this need to be said?), get them all.
Rollins was signed to Blue Note in 195657, one of several transitional periods and an almost absurdly prolific one. He recorded not only the four Blue Notes but also Saxophone Colossus and Freedom Suite for Prestige, Way Out West for Contemporary, and over a dozen sessions as sideman, for various labels, with Miles Davis, Max Roach, Thelonious Monk, Dizzy Gillespie, Kenny Dorham, and Abbey Lincoln. Listening to all these albums (for the most part, a riveting experience), you can hear the subtle-then-transformative changes in Rollins' soundand thus in modern jazz itself.
Newk's Time is particularly revealing in this sense. . .