Tribute records are only as good as the person being feted. Their success or failure is also directly linked to how much energy the performers put into the project. Most tributes operate via telephone and UPS, meaning everyone uses the telephone to figure out what song they want to cover, and then UPS (or if you’re really sexy and rich, Fedex) delivers the finished tape. Actually, in some really impersonal cases, the music might be sent via email. Gee, ain’t this `ol digital world great?
I love Bob Dylan: the man, the music, the whole enchilada. I even like the endless tour, (currently playing triple A ballparks), which he seems determined to continue on until, to use that famous line from Midnight Cowboy, he "dies on the stage."
Perhaps the most interesting thing on satellite radio has been Bob Dylan’s Theme Time radio show on XM, where he uses big themes like “baseball” or “eyes,” and builds shows around music that somehow connects to the theme. The idea for this show, which is worth listening to if only for Dylan’s raspyvoiced patter, may have come from a previous Fortiesera radio program hosted by one of Dylan’s heroes, Woody Guthrie.
The minidustup over Etta James saying she “can’t stand” Beyonce and was gonna “whip” or “whoop” her ass is a hoot. First of all, Etta’s legacy is in no danger. No one will ever top her rendition of “At Last.” That performance, her greatest single track, is in no danger of being superseded.
Many if not most of the world’s most admired albums attained their fame slowly. In the case of Exile on Main Street which was released forty years ago on May 12, 1972, it took years for its ragged, bluesy charms to percolate into the collective psyche and eventually emerge as if not the best, then one of the contenders in the Stones catalog.
Why rage against an ill wind? I realize that complaining incessantly about the ongoing plundering of rock, classic and otherwise, by Madison Avenue ain't gonna make it stop but is there no one who can resist the allure of cash?
They were quite a couple. Like a pair of Octopi in heat. First, he was grabbing her ass. Then he had his hands up the back of her shirt. Then, up the front. Then he had his hands down the back of her pants. Then, down the front. Both hands and about half of his forearms. Her only reaction was to smile, swoon and stick her tongue in his mouth. I'm damned impressed that she was able to keep her clothes on during this determined assault upon her New Jersey virtue. Best of all, during this entire spectacle, they were simultaneously kissing and falling down at the same time. Groping does not begin to get what was happening in my section on Thursday night at the Beacon Theatre.