Stephen Mejias

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Stephen Mejias  |  Jul 24, 2009  |  19 comments
If you're new to hi-fi, you might not be aware of the fiercely controversial and seemingly endless argument regarding the importance of blind listening in determining a component's worth. Essentially, there are those who believe that if differences in sound cannot be perceived while listening blindfolded, or under similarly exhausting, stressful, and inhumane conditions, then differences do not exist, and we're all just full of shit when we tell you that the $30,000 Musical Fidelity Titan sounds nothing at all like the $159 Sonic Impact Super T, that, in fact, they're basically the same amp, so you might as well buy the cheaper one.
Stephen Mejias  |  Mar 20, 2006  |  4 comments
I've been paying more attention to my trembling hands. I wonder if they shake while I'm playing guitar. Does it contribute to my style? Has it determined the way I fret and strum?
Stephen Mejias  |  Oct 25, 2005  |  3 comments
On our way home last night, at your request, we found shelter from the relentless rain near a bit of dancing fire. White candles melted into soft wings and waves and fingertips, beckoning us closer. We sat at the fun table beneath so many beaded chandeliers, and ordered the best drinks in all of Manhattan—pineapple coconut mojitos and razzle dazzles—which were far too strong, but perfect, nontheless. The older woman in the strange hat offered us one of her piggyback dates—stuffed with almonds and wrapped in bacon, sprinkled with Cabrales bleu cheese—but we, of course, declined, and decided instead to order some of our own.
Stephen Mejias  |  Jan 15, 2007  |  1 comments
in-wall
custom installation
active speaker systems
multi-channel processors
Stephen Mejias  |  Apr 01, 2010  |  1 comments
JA struggles while I take a photo: In the back of JA’s Land Cruiser, the Wilson Sasha’s WATT head unit fits perfectly behind its partnering Puppy.
Stephen Mejias  |  Dec 10, 2008  |  1 comments
She had short brown hair, brown eyes, and wore a brown bomber and a blue and green checked ivy cap. Every ten minutes, we'd have to stop so she could take a picture of something.
Kristina Roman, Editorial Intern  |  Aug 09, 2006  |  10 comments
Your enthusiastic response has inspired Kristina to come out of blog-retirement. She could only stay away for an evening. Ladies and gentlemen, it seems she may be hooked. Any suggestions for an amp and CD player?
–SM
Stephen Mejias  |  Jul 09, 2012  |  3 comments
From time to time, I’ve written about my interest in cassettes. While I still haven’t purchased a Nakamichi cassette deck—the decks are out there, I’m just waiting for the right time and the right deck—I’ve nevertheless kept an eye on cassette trends. For a long while, I saw very specific, very underground labels releasing tapes; and, though new cassette-only labels seemed to pop up regularly, those, too, were extremely underground and extremely independent.
Stephen Mejias  |  Feb 16, 2010  |  12 comments
There is a proper procedure for taking advantage of any investment.
Music, for example. Buying music is an investment.
To get the maximum you must
Stephen Mejias  |  Aug 08, 2011  |  0 comments
Dan Schmalle and Luke Manley smile in the background, while Brian Damkroger and I sit in the engineers' seats. Photo by Philip O'Hanlon.

On the first day of the California Audio Show, I heard some of the most beautiful music in a room hosted by Acoustic Analysis, The Tape Project, and Bottlehead, featuring a system made of Focal Diablo Utopia loudspeakers, Focal SW1000 Be subwoofers, a VTL TL-6.5 Signature line preamp and MB-450 Signature III monoblock power amplifiers, Siltech cables, and a Bottlehead-modified Otari tape machine. The music had such a smooth, effortless quality to it, unlike anything else I heard at the show: The sound of tape. It was an awesome listening experience.

On the following evening, I got to visit the mastering studio where the team from The Tape Project does its work.

Stephen Mejias  |  Feb 06, 2007  |  2 comments
When people ask me if I miss it, I'm quick to make a face. My left eye might scrunch up tight, while the right shoots out like a feathered arrow, raising its brow like an exclamation mark. My nose and lips tighten, become wrinkled. Everything about this face expresses some sort of pain, maybe even disgust. Like I've been slapped, like I've just downed a mouthful of sour milk. Do I miss it? Are you out of your mind? What is there to miss: Late nights?; Heavy gear?; Bad crowds?; No crowd?
Stephen Mejias  |  Jun 10, 2010  |  1 comments
I’ve told you a bit about my favorite cassette label, Al Bjornaa’s Scotch Tapes, out of Batchawana Bay, Ontario, Canada. In this Impose article, Al goes into more detail, explaining how he built the label, and revealing some of his big plans for the remainder of the year, which include 60-70 new tapes, 4-5 vinyl releases, approximately 20 lathe cuts, a dozen zines, a couple of 8-tracks, and a monster summer compilation. (You can also download a Scotch sampler.)

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