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The End of "Out of Print"?
Stereophile Staff  |  Jun 13, 1999  |  0 comments
Last Thursday, Virgin Entertainment Group announced an agreement with RedDotNet, a Digital on Demand company, that Virgin says will allow its customers to download music and create custom CDs, DVDs, and MiniDiscs in-store. Virgin describes the deal as "a revolutionary development heralding a new wave of music retailing." As part of the agreement, Virgin will become a shareholder in Digital on Demand, RedDotNet's parent company.
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The End of Analog As We Knew It?
Jon Iverson  |  Mar 21, 1999  |  0 comments
First with CD players, then digital preamps, and recently amplifiers, digital technology has ground inexorably through the audio chain. Several companies have been developing ways to shorten the analog path or remove it entirely. Meridian's "digital" loudspeakers come to mind, as well as the amplifiers from manufacturers Spectron and TacT.
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The End of the Audiophile Nightmare?
Jon Iverson  |  Sep 26, 1999  |  0 comments
Last week, Cirrus Logic unveiled two new Crystal digital-to-analog converters that the company says will support both dueling high-definition audio standards: DVD-Audio and Super Audio CD (SACD). As a result, the new DACs should enable the creation of universal DVD players for both the mass and high-end audio markets. The new DACs are the CS4397 "SuperDAC," which the company describes as a "high-performance audio DAC on a single chip" with 120dB dynamic range performance; and the CS4391, a lower-cost DAC also supporting DVD-Audio and SACD and sporting a 108dB dynamic range.
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The Ever-Mutating CD
Jon Iverson  |  Aug 31, 2003  |  0 comments
Although the CD was successfully released into the music industry gene pool 20 years ago, several companies are still tinkering with its DNA in order to assist record labels in restricting how consumers use their discs.
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News
The February Issue Is Here!
Stereophile Staff  |  Jan 07, 2018  |  1 comments
MBL's mighty N31 CD player-DAC is featured on the new issue's cover and gets an in-depth review from John Atkinson inside, but February is also our annual "Records 2 Die 4" feature: Our team of writers put their heads together and came up with 61 albums that they will take with them when they go.
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The February Issue's Here!
Stereophile Staff  |  Jan 17, 2016  |  3 comments
"The Record Player Reborn" declare the new issue's cover, referring to reviews of LP players from Oracle, Acoustic Signature, and VPI. But digital isn't forgotten, with John Atkinson raving about about Chord's new $599 portable DAC, Larry Greenhill upgrading his Bryston BDP-2 file player with a new soundboard, and Digital Audio Review's John Darkø kicking off the issue with a guest editorial on the boom in personal listening in Japan. And topping it all off is our annual "Records to Die For" listing: 56 albums every audiophile should have in their collection.
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News
The First Issue of 2016 Has Arrived
Stereophile Staff  |  Dec 14, 2015  |  12 comments
Technics’ little gem of a speaker, the two-way SB-C700, signifies both the Japanese brand’s return to the high-performance audio scene and the start of Stereophile’s 54th year of continuous publication. Paradigm’s Prestige 95F tower speaker also gets the full review treatment, along with an idiosyncratic two-box CD player from the UK’s Audio Note, BAT’s cost-no-object Rex II tube preamplifier, and Apogee’s affordable but great-sounding Groove D/A headphone amplifier.
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Munich 2022News
The Forthcoming Vitus RD-101 Mk.II DAC/Streamer
Jason Victor Serinus  |  May 25, 2022  |  0 comments
Vitus Audio, now in its 27th year, introduced its forthcoming entry-level RD-101 Mk.II DAC/Streamer ($15,000, release date TBD) at Munich High End. The unit sports a redesigned streaming module—the old one is obsolete—a newly optimized power supply, and significant noise reduction. There's also a new DAC chip, the ESS9038 Pro, which replaces the 9028 Pro.
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News
The FTC Proposes Eliminating Its "Amplifier Rule"
John Atkinson  |  Feb 08, 2021  |  47 comments
When I joined Hi-Fi News in the mid-1970s, one of that magazine's stable mates reviewed cars. An automotive writer appeared in the pub one lunchtime—"I rolled another one," he said, as he joined us at the bar. It turned out that one of his tasks was to take a car he was testing to the skid pad to see how many lateral G's the car could handle. Of course, the chances of a consumer turning that car over were minimal, but the reviewer was investigating the edges of the performance envelope.

As I became familiar with audio measurements, it struck me that the equivalent of the skid pan test was the thermal preconditioning we perform when we get an amplifier on the test bench. Even if an end-user doesn't drive his amplifier into thermal meltdown, the edges of the envelope need to be explored.

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The Future of Music Distribution?
Jon Iverson  |  Aug 02, 1998  |  0 comments
New companies are springing up all around the web to provide songs for custom CD compilations. (See previous articles 1, 2.) You go to the site, choose up to 70 minutes of music from their catalog, and the finished disc is mailed back to you in a couple of days for between 10 and 20 bucks. The challenge for these companies is to have an attractive catalog of artists and songs to choose from.
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The Good Rats' Peppi Marchello dies at 68
Robert J. Reina  |  Jul 17, 2013  |  0 comments
Peppi Marchello, founder, lead singer, composer, and arranger for the rock band, The Good Rats, died on July 10, 2013 from cardiac arrest. He was 68. The band's sophisticated, yet catchy and accessible rock anthems fostered a rabid following among fans in their home base, New York City's Long Island suburb. However, despite five strong albums of original material released between 1974 and 1981, three of which were distributed with major label support, the band was virtually unknown outside of Long Island . . . Rolling Stone dubbed The Good Rats, "The World's Most Famous Unknown Band."
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The Graham Audio LS8/1 Loudspeakers Debut in the US
Jason Victor Serinus  |  Oct 13, 2021  |  11 comments
Jake Snider of Gig Harbor Audio and band Minus the Bear stands between Philip O'Hanlon of On A Higher Note (left) and Gig Harbor co-owner Erik Owen (right).

After two years of COVID-enforced isolation, the ever-dapper Philip O'Hanlon, founder and president of On A Higher Note distribution, flew to the PNW (footnote 1) to present, on October 2, the US premiere of the Graham Audio Limited Anniversary Edition LS8/1 loudspeaker. At $9700/pair with stands, the Graham Anniversary Edition LS8/1 looked right at home in the tastefully appointed, main floor showroom of three-floor Gig Harbor Audio, a dealership located a major swim or easy drive from the Seattle-Tacoma metropolitan area.

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News
The Great Debate...and Then Some
Jason Victor Serinus  |  May 04, 2005  |  First Published: May 05, 2005  |  0 comments
"Some say it dates back to 1927, when Gramophone magazine's editor thundered that electrical reproduction was a step backward in sound quality," said the promotional copy for Home Entertainment 2005's opening-day event, "The Great Debate: Subjectivism on Trial." It continued: "But whenever it started, the Great Debate between 'subjectivists,' who hear differences among audio components, and 'objectivists,' who tend to ascribe such differences to the listeners' overheated imaginations, rages just as strongly in the 21st century as it did in the 20th." On April 29 at the Manhattan Hilton, Stereophile editor John Atkinson and one of the Internet's most vocal audio skeptics, Arnold B. Krueger, debated mano a mano where the line should be drawn between honest reporting and audio delusion.
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The Great Rocky Mountain Audio Fest Starts Friday
Jason Victor Serinus  |  Oct 06, 2014  |  1 comments
Could it only be the 11th time the annual Rocky Mountain Audio Fest has welcomed thousands of audiophiles to Denver? The three-day gathering, which takes place Friday, October 10–Sunday, October 12 at its comfortable location, the Marriott Denver Tech Center, has become such an essential part of the international audio scene that it feels like it's been here forever.
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Music and Recording FeaturesNews
The Greatness of Baritone Dietrich Fischer-Dieskau
Jason Victor Serinus  |  May 19, 2012  |  17 comments
If any single voice was synonymous with the flowering of the LP era, it was that of German baritone Dietrich Fischer-Dieskau. The great artist's death at his home in Bavaria on Friday, May 18, 10 days short of his 87th birthday, sets the final seal on an age in which art song, oratorio, and opera received equal respect from record companies and the listening public.

Equally adept at all three disciplines, Fischer-Dieskau became perhaps the most recorded baritone in history. There was a period in which nary a month went by without another LP from Fischer-Dieskau on which he sang either solo or in ensemble. Even today, when so many recordings have gone out of print, and large number of LPs have never been remastered for CD, arkivmusic.com lists no less than 490 titles that include Fischer-Dieskau's voice. The most recent release, a four-SACD remastered compilation of some of the monaural Schubert lieder (art song) recordings he made with pianists Gerald Moore and Karl Engel early in his career, became available on the website on May 8. Its 39 performances are but a fraction of the Schubert recordings he made in his five decades before the microphone.

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