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Wes Phillips Posted: Aug 20, 2006 0 comments
This is old news, but you may not have read it anywhere: Warner Classics no longer exists as an "active" label. Gramophone published a news item breaking the story on June 2 and Norman Lebrecht apparently analyzed and excoriated the move in his La Scena Musicale web log shortly thereafter. We say "apparently," since Lebrecht's site now reads is now expired.
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Wes Phillips Posted: Nov 21, 2007 0 comments
Speaking at the GSMA Mobile Asia Congress in Macau on November 13, Warner Music Group (WMG) chairman and CEO Edgar Bronfman, Jr. warned mobile phone executives to heed the mistakes of the record industry as it moved forward.
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Stereophile Staff Posted: Jun 23, 2002 0 comments
Things are looking up for high-resolution audio, with price drops for DVD-Audio discs announced by one major record label in a move to attract a larger audience.
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Wes Phillips Posted: Dec 30, 2007 0 comments
On December 27, and Warner Music Group announced that WMG's entire 2.9 million-song catalog would be available on Amazon's DRM-free, à la carte MP3 store—the first time the entire Warner catalog has been available online and the first time it has been offered sans DRM.
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Stereophile Staff Posted: Oct 08, 2000 0 comments
After a difficult gestation, DVD-Audio may finally be moving toward becoming a market reality now that a major record label has stepped forward to support it. Warner Music Group (WMG) has issued several recordings in the new format, covering a range of genres. DVD-A is "the most significant industry format launch since the introduction of the CD nearly 20 years ago," according to an October 2 WMG press release.
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Stereophile Staff Posted: Sep 17, 2000 0 comments
One of the industry's most ambitious digital distribution programs has been announced by Warner Music Group. In November, WMG will make more than 1000 albums and singles available as downloads through several online music retailers, using RealNetworks' RealPlayer software. Music fans in the US and Canada are the target audience for the download program, according to a September 11 press release.
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Jon Iverson Posted: Mar 08, 2004 0 comments
As promised earlier in January, Warner Music Group has announced a major restructuring that it hopes will put it in better shape to compete in the "challenging business environment of today's music industry." The move comes after the recent closing of WMG's $2.6 billion acquisition by Edgar Bronfman, Jr. and a group of investors.
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Wes Phillips Posted: Feb 17, 2007 0 comments
Many people remember the 1990 Milli Vanilli scandal, in which Rob Pilatus and Fabrice Morvan were stripped of their Best New Artist Grammy award when it was revealed they hadn't actually performed on the disc. Of course, "borrowing" has long been a part of the pop music world, as George Harrison's "My Sweet Lord," Led Zeppelin's "Whole Lotta Love," and almost any sampled recording can attest; however, most listeners have probably assumed things are a lot more straightforward in the world of classical performance and recording.
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Barry Willis Posted: Feb 03, 2002 0 comments
The Telecommunications Act of 1996 loosened many long-established constraints on the ownership and operation of radio and television stations in the United States. The regulatory changes launched waves of mergers and acquisitions through the nation's broadcasting industry, consolidating what had been many regional companies into a few large conglomerates in just a few years. Backed by vice president Al Gore and the then chairman of the Federal Communications Commission (FCC), William Kennard, the changes were intended to make the broadcasting industry more responsive to the "free market."
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Jon Iverson Posted: Jul 22, 2001 0 comments
There appears to be nothing more important to the music business today than controlling the distribution and use of digital content on the web and in the home. Proprietary schemes to prevent or control the use of audio files have become hot commodities and valuable assets for many companies. Liquid Audio recently announced that the US Patent Office has awarded the company a patent (#6,219,634) for its watermark technique used for distributing secure digital music files.
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Jon Iverson Posted: Mar 23, 2003 0 comments
Record labels have found that CDs with built-in restriction technologies have not worked in all CD players, have been incompatible with some computers, and have engendered considerable backlash from irate consumers. But why should that stop them?
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Barry Willis Posted: May 06, 2001 0 comments
Can pirate chasers attend to business while accusing each other of piracy? Digimarc and Verance Corporation, two competitors in the digital watermarking race, have been swapping accusations over patent infringements.
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Jon Iverson Posted: Jul 27, 2003 0 comments
As digitally recorded music moves through the recording and production chain, it can be handed off to a variety of studios, musicians, producers, record label executives, and mastering engineers. Sometimes this is done with a recordable CD or DVD, sometimes with a portable hard disk, and sometimes via a high-bandwidth Internet connection. Somewhere along the way, a good percentage of those files (some estimate up to 80%) get copied in an unauthorized manner and quickly end up on the Internet or on the street as pirated CDs before any official discs are released.
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Barry Willis Posted: Oct 01, 2000 0 comments
For the 109th convention of the Audio Engineering Society, the main floor of the L.A. Convention Center was transformed into a bazaar of new tools for audio professionals—but the panel discussions upstairs were where the real action took place. On Friday, September 22—just an hour before researchers Dr. Stanley Lipshitz and John Vanderkooy of Ontario's University of Waterloo presented a paper offering a mathematical proof for the "imperfectability" of one-bit delta-sigma recording systems—Sony Corporation issued a clarification of the technical standards for its Direct Stream Digital technology, the basis of the Super Audio Compact Disc. DSD, it now appears, is a one-bit technique as it applies to consumer playback systems, but uses a multi-bit PCM quantizer [presumably within a delta-sigma converter negative-feedback loop; see an article on this subject in the forthcoming November issue of Stereophile—Ed.] at the recording and mastering ends of the business. (The Lipshitz/Vanderkooy paper is available as AES preprint #5188.)
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Barry Willis Posted: Jul 30, 2000 0 comments
In December, after months of conducting listening tests with audio professionals in the US, the Secure Digital Music Initiative (SDMI) choose a watermarking technology from Verance Corporation for DVD-Audio copyright protection. Test results had indicated that Verance's system was the least detectable of the contenders under consideration.


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