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Jon Iverson Posted: Oct 10, 1999 0 comments
This may come as no surprise to Stereophile's website audience, but a report released last week finds that the heaviest users of the World Wide Web are also avid consumers of traditional media, listening to CDs and radio and watching television as they point their browsers to e-commerce, informational, and recreational sites.
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Jon Iverson Posted: Apr 18, 2005 0 comments
When I submitted my Records 2 Die 4 selections this past winter, it seemed inevitable that I include a web radio station. Not only had I enjoyed listening to www.techwebsound.com more than anything else last year, but it had exposed me to more new music and led to more music purchases than any other source—by a wide margin.
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Barry Willis Posted: Oct 13, 2002 0 comments
A long-running dispute between the music industry and small webcasters may have come to an amicable conclusion. Over the weekend of October 5-6, representatives from both sides agreed on a system of royalties to be paid to record labels and artists based on a percentage of webcaster revenue or expenses, rather than on a per song basis. Last summer, Librarian of Congress James Billington decreed that all webcasters should pay a royalty rate of 0.07¢ per song per 1000 listeners. Many small webcasters, including many college radio stations, chose to go offline rather than face fees they couldn't afford.
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Barry Willis Posted: Oct 20, 2002 0 comments
Legislation establishing royalties to be paid by small webcasters is stalled in the US Senate until after the November elections.
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Barry Willis Posted: Aug 31, 2003 0 comments
The Recording Industry Association of America (RIAA) may spend the rest of its associated life in litigation—as either as the initiator or the recipient of actions intended to determine who can use its products, under which circumstances they can do so, and how much they should pay, assuming they are allowed to use them.
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Barry Willis Posted: Aug 11, 2002 0 comments
The US Copyright Office is being pulled in opposite directions over a recent decree establishing royalty rates for music played by webcasters. On one side are radio stations and Internet-only music sites, which claim that the rates are too high. On the other side is the Recording Industry Association of America (RIAA), which claims that the rates are too low. Both sides have filed separate appeals in US federal court.
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Stereophile Staff Posted: Dec 22, 2002 0 comments
On December 14, the music industry and small webcasters concluded their long and often-acrimonious negotiations on royalties. The two parties—the Recording Industry Association of America's (RIAA) "SoundExchange," a royalty-collecting body, and the Voice of Webcasters (VOW)—filed an agreement with the US Copyright Office in Washington that details generalities agreed to under the Small Webcaster Settlement Act (SWSA), signed December 4.
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Jon Iverson Posted: Nov 08, 1998 0 comments
The WebNoize three-day conference took place last week in Los Angeles, mixing record-company executives with Internet geeks, all trying to find profitable ways to distribute music online. Tom Roli, publisher of the Webnoize website, set the tone for the event, stating that "the industry is facing great change and uncertainty due to emerging technologies, shifting global markets, and media revolutions."
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Stereophile Staff Posted: Jun 22, 2013 1 comments
Our corporate IT department has informed us that they will be performing some server and network upgrades in the production data center today (June 22). Starting at 3:00PM Eastern (12:00PM Pacific) this website will be offline for several hours. Our apologies for any inconvenience.
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Wes Phillips Posted: Mar 17, 2007 0 comments
Over the last several weeks, one newspaper after another has made note of Nielsen Soundscan's 2006 point-of-purchase data, which showed classical record sales up 22.5%, making it the "fastest growing" category for the year. Hip-hop was down (-20.7%), R&B was down (-18.4%), alternative was down (-9.2%), jazz was down (-8.3%)—soundtracks were up (+19%), but everybody dismissed that, attributing it to the dominance of a single title, High School Musical.
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John Atkinson Posted: Jan 03, 1999 0 comments
It is with regret that I announce that Wes Phillips has resigned from Stereophile in order to take a position, beginning January 1, 1999, with PR company J.B. Stanton Communications, Inc. Wes and his wife, Joan, will be relocating to Connecticut. I wonder how Wes's unreconstructed Virginia ancestors will take to his becoming a Yankee!
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Jon Iverson Posted: May 04, 2003 0 comments
You've got to give the audiophiles who post at the Audio Asylum online forum credit. Not only is AA one of the more informative and constructive audiophile communities, some of its members provide the audio industry much-needed feedback on how it's doing—for better or worse.
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Jon Iverson Posted: Jul 05, 1998 0 comments
For the last few months, random postings kept appearing on internet newsgroups and in my e-mail box: "Anybody know what happened to Counterpoint?" At last count there were 10,000 Counterpoint preamps, power amps, and loudspeakers fanned out across the planet, some dating back to 1977, when the company launched its first product: the SA-1 tube preamp, designed by Ed Semanko.
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Stereophile Staff Posted: Oct 11, 1998 0 comments
An audio system even Nero could love: Pyrotechnical effects have apparently gotten slightly out of control with Philips Consumer Electronics MX920 speaker systems, 25,500 of which have been recalled due to fire hazards from overheating voice coils. Four such incidents have been reported since the MX920 went on sale in June 1997. No one has been injured, and property damage has been limited to one scorched rug.
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Jon Iverson Posted: Sep 06, 1998 0 comments
In a recent bake-off, online retailer CDnow was named top music banana by the New York consulting firm eMarketer. Although placing further down the list based on price alone, CDnow gained the highest overall score in an averaging of the rankings of six criteria. Rated on a scale of 1 to 5, these were: Selection, Price, Service, Usability, Presentation, and Features.

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