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Barry Willis  |  Nov 04, 2001  |  0 comments
Audiophiles know that cleaning up their AC supplies can yield a cornucopia of sonic benefits, including a quieter background, better retrieval of detail, and a subjectively wider dynamic range. The phenomenon is so well-recognized that it has spawned an entire industry devoted to making electrical conditioners, line filters, noise suppressors, and specialty power cords.
Stereophile Staff  |  Jun 24, 2001  |  0 comments
The compact disc has given rise to all sorts of questionable accessories: magic pens with green ink, reflective stickers, rim dampers, absorbent mats, spindle weights, cleaners, buffers, polishers, and demagnetizers. It's amazing how many products are needed to make perfect sound perfect.
Jason Victor Serinus  |  Jun 17, 2022  |  0 comments
First things first. This was one of the best-sounding rooms at T.H.E. Show. Given its sheer size, I have no question that some of the success was due to the various and sundry magical Synergistic Research accouterments—I counted 10 so-called "Acoustic Room Treatment" devices and 5 Synergistic Power Conditioning devices (including Purple fuses)—along with new Synergistic Racks (intended for internal use) and, no surprise, Synergistic Research cabling.
Jon Iverson  |  Aug 26, 2001  |  0 comments
Music lover Dennis Cassidy had an itch years ago to start an audiophile label dedicated to releasing the particular kinds of music he liked with the best vinyl and packaging available. Cassidy was involved with music distributor Sound Advice at the time, which sold the standard audiophile favorites from Mobile Fidelity Sound Labs, and others.
Barry Willis  |  Apr 29, 2001  |  0 comments
Back in September, the Secure Digital Music Initiative issued a public challenge that offered cash rewards for successfully uncovering and removing watermarks from recorded music. The challenge was met by a number of hackers, most notable among them Professor Edward Felten of Princeton University's Computer Science Department.
Barry Willis  |  Aug 08, 1999  |  0 comments
After months of wrangling, the Secure Digital Music Initiative (SDMI) has selected Aris Technologies' MusiCode as its recommended form of digital audio copy protection, according to an inside source at SDMI. The decision came at the end of weeks of testing various watermarking techniques on the music industry's "golden ears"—recording and mastering engineers, music producers, and professional audiophiles. The official announcement is expected later this week.
Barry Willis  |  Jul 04, 1999  |  0 comments
Folk wisdom has it that it's wiser not to lock the gate after the horses have escaped. The Secure Digital Music Initiative, a consortium of 140 music, software, and hardware companies, has taken that adage to heart. In a significant departure from its original intent to block the distribution of free music on the Internet, the Secure Digital Music Initiative announced in the last week of June that its forthcoming specification for music software and hardware will accommodate the "legacy content" already in existence. There are reportedly as many as 500,000 songs available in the MP3 format, and they will continue to be available even as new, robustly encrypted music comes onto the market.
Barry Willis  |  Oct 15, 2000  |  0 comments
Last night I saw him on the stair—
the little man who wasn't there.
I saw him there again today;
oh, how I wish he'd go away.
Barry Willis  |  Jan 28, 2001  |  0 comments
In a move that some cynics are calling "the beginning of the end" for the Secure Digital Music Initiative, the group's director has abruptly resigned. Leonard Chiariglione, who has headed the cross-industry anti-piracy organization since its inception more than two years ago, made the announcement Wednesday, January 24 at the first SDMI meeting of 2001.
Barry Willis  |  Sep 26, 1999  |  0 comments
Sudden awareness of free digital downloadable music on the Internet sent the music industry into a panic last year. The Secure Digital Music Initiative, a coalition of record labels, software companies, and electronics manufacturers, worked overtime developing standards for encrypting music in an attempt to thwart piracy. Preliminary guidelines for copyright protection were issued in June. Most recently, the SDMI completed a series of listening tests intended to find the least intrusive form of encryption. The organization seemed to present a united front in the anti-piracy war.
Barry Willis  |  Oct 22, 2000  |  0 comments
With $60,000 in award money as incentive, the hacker community is helping the Secure Digital Music Initiative find out just how secure six proposed watermarking technologies really are. On October 12, as SDMI representatives were testing the audibility of three of the watermarks, the organization announced the closure of a month-long challenge it had offered hackers: break the code. According to the terms of the challenge, each defeated technology will mean $10,000 to a successful hacker.
Barry Willis  |  Jun 10, 2001  |  0 comments
Which has more value in the 21st century: the constitutionally-guaranteed right to free speech or the music industry's right to protect its encryption technology? Princeton University professor Edward W. Felten intends to find out.
Stereophile Staff  |  Dec 12, 1999  |  0 comments
Phase One of the Secure Digital Music Initiative (SDMI) will incorporate watermarking technology for DVD-Audio from Verance Corporation. The agreement was announced at a meeting of the SDMI in Hawaii early in December. Verance Corp. was formed recently by the merger of ARIS Technologies Corporation and Solana Technology Development Corp. ARIS's technology was announced a few months ago as the SDMI's choice for watermarking.
Barry Willis  |  Jul 18, 1999  |  0 comments
After months of wrangling, the Secure Digital Music Initiative (SDMI) has announced its first set of standards for portable digital music devices. Manufacturers can now incorporate these standards into the designs of new products. Many industry observers believe that portables will be the next big wave in consumer audio, expected to hit the market by the winter holiday season.
Barry Willis  |  May 28, 2000  |  0 comments
The Secure Digital Music Initiative's move to establish a copy-prevention technology for commercial recordings has rankled audio engineers, who claim that the audible watermarking technique chosen by the organization could mar high-resolution recordings. Of particular concern are SDMI's testing methods and its rush to get a standard in place without commentary from engineers or the music-buying public.

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