SunnComm and others have been trying for years to find ways to prevent consumers from copying music discs. While their success in preventing digital copies has been mixed, lurking in the background was a problem many felt could never be solved.
Efforts to restrict the ways consumers use music they have purchased continue unabated. SunnComm (along with its sales and marketing arm MediaMax) has announced that its "newest patent-pending passive technology makes it even more difficult to bypass or 'hack' the copy protection structure contained on the MediaMax CDs."
The last few weeks have been a roller-coaster ride for CD copy-restriction developer SunnComm. The company was riding high in early September when it was announced that BMG and Arista had chosen its MediaMax CD-3 Technology to restrict how discs are used.
More than 70 producers, engineers, and representatives from consumer and professional equipment manufacturers, record companies, and recording studios recently came together in Europe to discuss new ways to promote and establish Super Audio CD. After a two-day conference in London, the attendees say they have agreed to establish the Super Audio Forum to foster a "supportive environment for the exchange of knowledge and marketing information, as well as providing a platform for industry-wide collaboration."
Long-simmering disputes about peer-to-peer file sharing, or P2P, will finally come to a boil sometime next year. On Friday, December 10, the US Supreme Court agreed to examine whether online services Grokster Ltd. and StreamCast Networks, Inc. are liable for copyright infringement. Both services enable users to share music and other forms of copyrighted material, and both derive revenue from advertising.
One of the drawbacks of the new DualDiscs released by the major labels to date is a lack of consistency when it comes to portability—the ability to easily transfer the music to any device the listener prefers, such as an iPod, media server, PC, or MP3 player, or to make a back-up CD for car use.
The Swedes have found a new way to kill time on those long, cold Scandinavian winter nights. On February 7, Swedish Radio (SR) announced that it had begun multichannel test transmissions from the Sirius 2 satellite, utilizing DTS's Coherent Acoustics compression/ decompression algorithm. The tests are intended to run until the end of April 2003.
DVD-Audio and SACD are offering record companies a chance to re-release their back-catalogs of "classic" material once again. But the results will not necessarily resemble the CD re-releases of the last two decades. Artists, producers, and labels now have an opportunity to go beyond the standard "re-mastered for (insert new format here)" process when updating an older title for DVD-Audio or SACD. For better or worse, they can entirely remix the master tapes for multi-channel surround sound.
We received a e-mail recently from long-time reader Sharon Churchill, which linked to an article in the New Scientist Invention blog concerning a recent Sony patent application for a system that will automatically recalibrate its response to put the sweet spot where the listener is, wherever that might be.
Two highly respected product lines, one founded 32 years ago, and another whose pedigree dates from 1932, have returned to the North American market. Theory & Application Elektroakustic (T+A) products, from Germany, has returned to the US and Canada thanks to Dynaudio North America, and the venerable line of Wharfedale loudspeakers will once again reach the US from the UK, thanks to the dedication of Sound Import, LLC, of Hopedale, Massachusetts.
One of my fondest memories of CES 2005 was spending a spare (well, technically, stolen) hour in T+A's room, listening to the German company's $4500 SACD-1245 CD/SACD player through T+A's $8500 V-10 integrated amplifier and a pair of Amphion's $1150/pair Helium two-way loudspeakers. Accordingly, when Quartet Marketing's Stirling Trayle called me to announce that he was in New York with the first sample of T+A's new tubed $9500 D-10 CD/SACD player, I was eager to hear it.
With well over 115 individual exhibits and hundreds of high-end audio and home theater brands making music just steps away from a wine show, auto show, a cigar show, and live jazz, T.H.E. Show: Newport promises to raise the bar for consumer audio shows in Southern California.
Scheduled for next Friday through Sunday, June 35, in the Newport Hilton, adjacent to Orange County's John Wayne International Airport, T.H.E. Show: Newport is the brainchild of Bob Levi, President of the successful Los Angeles & Orange County Audio Society, and Richard Beers, President of T.H.E. Show. Levi came up with the idea, selling Beers on the notion of a new show that would open the audiophile fiefdom to the area's 24 million inhabitants. Beers in turn summoned forth over a decade of knowledge on show organization, and provided the infrastructure to make the event possible. . .
No sooner has the Munich Show ended than T.H.E. Show Newport Beach is set to commence. Running from May 30 through June 1 in the Hilton/Atrium hotel complex that lies directly across the street from Orange County's John Wayne Airport, Southern California's installment of T.H.E. Show promises well over 300 exhibitors in 180 active sound rooms, 4045 additional headphone exhibits scattered over two Headphoniums and other locations, and at least 15 vendor booths crammed with goodies galore.