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Wes Phillips Posted: Mar 11, 2007 0 comments
(This article has been edited to reflect factual changes and comments from our learned colleague, Dr. Kalman Rubinson, Associate Professor at NYU's Department of Physiology and Neuroscience, who is careful to point out that he is commenting, not on the research, which he has not read, but only Heimburg's and Jackson's criticisms of current understanding and terminology—areas with which he has more than a passing acquaintance.)
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Jason Victor Serinus Posted: Apr 07, 2013 8 comments
What, another audio show? Yes, barely three weeks after the close of Salon Son et Image in Montreal, and five weeks after AXPONA Chicago, the UK-based Chester Group's New York Audio Show gets underway. Running April 12–14 in the New York Palace Hotel (455 Madison Avenue at 50th Street), the show promises perhaps the largest numbers of seminars and live music events of any current audio show in the US.
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Wes Phillips Posted: Jun 19, 2006 0 comments
When I visited NHT's manufacturing facility in early May, I was struck by a comment managing director Chris Byrne made when describing NHT's Xd loudspeaker, which employs sophisticated digital signal processing (DSP) for its crossovers and equalization functions. "You do realize that we could have never incorporated such complex slopes in a physical crossover," Byrne proselytized.
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Jon Iverson Posted: Nov 10, 2002 0 comments
The latest figures for the music industry remain grim: Online sales of recorded music have dropped 20% through the first half of 2002 compared with the same period last year, losing ground faster than the overall US music market, which lost 7% during the same period, according to the Recording Industry Association of America (RIAA). And the trend is accelerating. The latest numbers show online sales down 25% in the third quarter over last year.
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Jon Iverson Posted: Feb 18, 2001 0 comments
Napster has been taking its share of hits this past week from the music industry and the RIAA as a result of the Ninth US Circuit Court of Appeals' ruling last Monday that will likely pave the way for shutting down the file-sharing service. In its findings, the Court states that "Napster users who upload file names to the search index for others to copy violate plaintiffs' distribution rights. Napster users who download files containing copyrighted music violate plaintiffs' reproduction rights."
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Jason Victor Serinus Posted: Jan 23, 2009 0 comments
As reported on this website on December 9, Joseph Cohen of the Lotus Group, exclusive distributor of Oyaide products in North America, discovered that Chris Johnson of Parts ConneXion was selling counterfeit Oyaide AC plugs at regular Oyaide prices. Given that Johnson had previously signed a contract with the Lotus Group to distribute genuine Oyaide plugs, Cohen immediately attempted to reach Johnson to resolve the matter.
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Jon Iverson Posted: Jun 24, 2001 0 comments
Times are obviously tough for personal computer manufacturers, who, in the quest for new sources of revenue, are increasingly dipping their toes into consumer electronics waters. The latest firm to join IBM, Intel, and Compaq (see previous) in the rushing stream is Hewlett-Packard which announced last week the expansion of the company's drive into the living room. HP says that its new initiative is intended to "blend interactive product innovations with easy-to-use services and offer consumers new ways to enjoy digital music, streaming video, and Internet information in the living room."
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Wes Phillips Posted: Sep 24, 2006 0 comments
The Philadelphia Orchestra, one of America's prestigious "Big Five" orchestras, has established its own digital online music store to directly market its soundboard recordings of current Philadelphia Orchestra performances.
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Jon Iverson Posted: Dec 08, 2003 0 comments
CD prices have been a sore spot for many music lovers. Our own online polls indicate that Stereophile readers think CDs cost too much (most think they should be under $10), while Stereophile editor John Atkinson has pointed out that for smaller labels, the economics of CD production only work when the prices are kept higher.
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Wes Phillips Posted: Jan 06, 2007 0 comments
We've written frequently about the lawsuits brought by the recording industry against alleged downloaders, but here's an interesting fact: None of the cases has actually gone to trial yet. Many have been dropped by the labels when it appeared they had targeted the wrong defendants; even more have been settled by defendants intimidated by the $750-per-song damages claimed by the labels. Now an attorney is vigorously seeking a trial—and one of his big arguments is that the labels' math doesn't add up.
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Barry Willis Posted: Dec 01, 2003 0 comments
With few exceptions, 2003 has been a slow year for specialty A/V retailers. In late November, both Ultimate Electronics and Tweeter Group reported disappointing figures for their third and fourth fiscal quarters, respectively. New York's Harvey Electronics, however, posted respectable gains given the stagnant economy.
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Wes Phillips Posted: Aug 15, 2005 0 comments
Name change: Ultimate Acquisitions Partners, the company that operates the Colorado-based Ultimate Electronics chain, has announced that it is converting all nine of its Colorado SoundTrack consumer electronics superstores to the Ultimate Electronics brand name this September. That will allow all 32 of the company's retail stores to "deliver a consistent, unified message to consumers in all of its markets and more clearly communicate its offerings and store experience," according to a press release.
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Jon Iverson Posted: Dec 22, 2003 0 comments
One of audio's true originals, Irving "Bud" Fried first made his mark in the late 1950s by becoming an early US importer of Lowther corner horn and Quad electrostatic loudspeakers. By 1975, he had established his own company and began releasing speaker models under the Fried nameplate.
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Jason Victor Serinus Posted: Mar 11, 2007 0 comments
Marquis Classics, a Toronto-based CD label specializing in classical, jazz, world, and crossover recordings, recently issued its second batch of "Orion Master Recordings." Drawn from the large classical catalog of the defunct Orion LP label, the CDs include prized rare recordings by Robert Silverman, Steven Staryk, Joel Krosnick, Leonid Kogan, and other fine artists.
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Wes Phillips Posted: Nov 06, 2005 0 comments
The hits just keep on coming in fair-use land. The Recording Industry Association of America (RIAA) has proposed legislation that requires that all digital radio content be encrypted, including works that now exist in the public domain. The proposed legislation would apply to satellite radio (Sirius, XM) as well as conventional terrestrial broadcasting. As proposed by the RIAA, content could be recorded only in blocks of 30 minutes or longer, and the recorded data could not be exported from the recording device (in other words, you could only play it back on the device you had recorded it on—no more recording programs on your hi-fi to listen to on your way to work). To learn more about this legislation, go to Public Knowledge's two-page summary. While you're there, you might want to check out "Why These Issues Matter."

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