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Stereophile Staff Posted: Jun 25, 2000 0 comments
While Thiel Audio is primarily known for highly refined floorstanding speakers, John Atkinson thought it might be a good idea to give the stand-mounted Thiel PCS loudspeaker a spin. In doing so, he confirmed, once again, that wire is not wire when it comes to speaker cables. But what of the speaker? JA's conclusions may surprise a few audiophiles.
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Stereophile Staff Posted: Dec 03, 2000 0 comments
First up is Stereophile's 2000 Products of the Year. This is an important resource for readers, and Stereophile editor John Atkinson has once again decided to post this oft-requested article in our online archives in the same month the original appears in the paper edition.
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Stereophile Staff Posted: May 13, 2001 0 comments
Chip Stern provides us with a mini-review of the Sony SCD-777ES . Find out why this SACD player prompted him to exclaim: "At $2500, the SCD-777ES is not merely a Class A component, it's a steal."
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Stereophile Staff Posted: Jan 06, 2002 0 comments
Martin Colloms reviewed the Sonus Faber Guarneri Homage loudspeaker back in 1994, finding that "Sonus Faber provides a fascinating and challenging insight into the art of high-quality sound reproduction." But does the diminutive Guarneri breathe real music? Colloms reports.
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Stereophile Staff Posted: Aug 08, 1999 0 comments
Tonal accuracy vs. soundstage? "Achieving an optimum balance between the two philosophical extremes of recording is where much of the art lies. It also begs the question, of course, of why it's impossible to have both: a recording with a virtual-reality sense of imaging that also captures all the sound without any coloration." While recording the Sonata CD for Stereophile, John Atkinson wrestles with every recording engineer's dilemma. Read about the struggle to capture Robert Silverman performing Liszt's monumental B-Minor Piano Sonata and the ultimate solution in "Fate, I Defy You," added this week to the archives.
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Stereophile Staff Posted: Oct 25, 2004 0 comments
From the October 2004 issue, Michael Fremer reviews the mbl 101E Radialstrahler loudspeaker, enthusing, "In one night's listening orgy, I tore through albums by the Weavers, Harry Belafonte, Sweet Honey in the Rock, Tony Bennett, etc—all recorded live in Carnegie Hall. The results were nothing short of astonishing."
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Stereophile Staff Posted: May 31, 2004 0 comments
"It costs as much as a car—and not a used jalopy, either," remarks Michael Fremer. "That's what goes through your head as you contemplate this magnificent $20,190 piece of audio jewelry." The jewelry in question is the Jadis RC JP80 MC Mk.II preamplifier, which MF compliments for "breathtaking" workmanship and parts quality. He also listens to the thing and reveals what some might consider the most important part: how it sounds.
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Stereophile Staff Posted: Aug 13, 2000 0 comments
When a manufacturer makes extraordinary claims about a product, the result is sometimes an extraordinary review. That's what happened when Jonathan Scull examined the Richard Gray's Power Company 400S AC line conditioner last June. His report raised a chorus of reader and industry reactions, all of them included here along with some additional unpublished observations.
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Stereophile Staff Posted: Aug 15, 1999 0 comments
Wes Phillips explains that Adcom is one of those companies that is easy to take for granted. "To break through our complacency, Adcom would have to produce an outright unlistenable turkey—or a product that raised the bar so high that any audio manufacturer would get a hernia just thinking about raising it again."
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Stereophile Staff Posted: Jul 25, 1999 0 comments
While decidedly "niche products," as Martin Colloms describes them, single-ended (SE) tube amplifiers have still found a happy home in many audiophile systems. But a trap awaits those who wish to evaluate the differences between an SE and a solid-state or push-pull tube amplifier, or between two SE amps. In "The Unseen Variable," Colloms digs to the bottom of this complicated matter.
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Stereophile Staff Posted: Nov 03, 2003 0 comments
From the May 2002 issue, Michael Fremer positions the Odeon La Traviata loudspeaker in his listening lair, writing, "Interest in super-efficient, horn-loaded, compression-driver loudspeakers has grown in the past few years." But as MF finds, horns may not always do the trick.
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Stereophile Staff Posted: Aug 03, 2003 0 comments
In his 1987 review of the Celestion System 6000 loudspeaker system, Martin Colloms notes, "In the audio field, the British have traditionally thought 'small,' scoring hits both with their compact loudspeakers and with medium-priced amplifiers." MC reveals why the compact but fullrange Celestions are one such hit.
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Stereophile Staff Posted: Sep 10, 2000 0 comments
Jonathan Scull writes that "with its latest series of FPB (Full Power Balanced) amplifiers, Krell is taking careful aim at the seam between classic high-power two-channel systems and quality multichannel installations where sound is yet paramount. Nevertheless, Krell founder Dan D'Agostino was adamant: Krell's Class A components were designed for music playback. 'I'm a purist, like you, Jonathan!' he told me." In his review of the Krell Full Power Balanced 350mc monoblock amplifier, Scull determines whether or not Krell has struck its musical target.
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Stereophile Staff Posted: Oct 17, 1999 0 comments
Madrigal Audio Labs designed the original Mark Levinson No.30 nearly 10 years ago with the idea that, as a Reference Series product, it would never be made obsolete. John Atkinson reviews the No.30's latest upgrade, the Mark Levinson No.30.6 Reference D/A processor, after sending his personal unit from 1992 back to the factory for the required work. What he got back included new D/A converters in the unit's twin towers. Was it worth the effort, and does this processor still define the state of the art? You'll want to read his report to find out.
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Stereophile Staff Posted: Mar 16, 2003 0 comments
John Atkinson finishes his survey of pricey floor-standing speakers with a review of the Dynaudio Confidence C4 loudspeaker. JA notes that, "despite its $16,000/pair price, the C4 has much in common with its cost-no-object cousins in Dynaudio's Evidence line."

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