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Stereophile Staff Posted: Mar 26, 2000 0 comments
For "Fine Tunes" #16, Jonathan Scull offers sage advice on handling the often ephemeral problem of microphonics in audio systems. "So here I am expounding on the tendency of audio components—especially tubes, capacitors, and resistors—to become microphonic, and you're wondering how you can find out if there's any of that shakin' goin' on in your system. And you want to do it easily and for next to nothing," he sez. The solutions await.
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Stereophile Staff Posted: Aug 17, 2003 0 comments
From the August issue, Robert Deutsch gives the Audio Research VS110 power amplifier and SP16L line preamplifier the full treatment. RD reveals how he finds products to review, and more importantly, what he found appealing in the ARC amp and preamp.
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Stereophile Staff Posted: Nov 25, 2001 0 comments
Jonathan Scull takes a gander at the dCS Purcell D/D converter, and tries to make sonic sense out of the merits of upsampling. Scull writes, "So while the true differences between upsampling and oversampling remain murky, my pleasant mission is to report on the sound of the Purcell and compare it to the latest version of the pro-audio version, the 972."
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Stereophile Staff Posted: Jun 30, 2002 0 comments
Earlier this year, Kalman Rubinson spent some time with the Rotel RB 1080 power amplifier. "What could be easier to review than a power amplifier? No features or functions aside from inputs, outputs, and a power switch," remarks KR. But as Rubinson finds, it's the details that count.
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Stereophile Staff Posted: Dec 02, 2001 0 comments
In his review of the Soliloquy 5.3 loudspeaker, Kalman Rubinson says that when he heard a pair, his first thoughts were, "Gotta get my hands on these!" After careful listening, did the speaker live up to Rubinson's first impressions? KR tells the whole story.
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Stereophile Staff Posted: Jun 13, 1999 0 comments
Writer Robert Deutsch takes an in-depth look at the Hales Design Group Revelation Three loudspeaker in an attempt to determine whether the product lives up to its name. He also checks into the manufacturer's claim that "what we made will forever change the world of dynamic loudspeakers . . . an instant classic, a benchmark against which others of its type are measured."
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Stereophile Staff Posted: Jul 13, 2003 0 comments
Brian Damkroger ponders the Classé Omega monoblock power amplifier. "The Classé Omega is expensive, costing $25,000/pair," notes BD. But he also finds the amp a "drop-dead-gorgeous, massive, industrial-art chunk of aluminum and steel set off with a subtle mix of curves, contours, finishes, and textures." And then there is that Classé sound.
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Stereophile Staff Posted: Jun 07, 2004 0 comments
From the June 1999 issue, Jonathan Scull surveys the Pass Labs X1000 monoblock power amplifier. JS notes, "Pass Laboratories' X amplifier series represents the efforts of designer Nelson Pass to prove that simple linear amplifier topologies can be scaled to provide high-quality audio performance at very high power levels."
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Stereophile Staff Posted: Mar 09, 2003 0 comments
Dick Olsher and various other writers take a spin with the Apogee Stage loudspeaker, whose "resemblance to the rest of the Apogee family is unmistakable" in spite of its small size. But the real story is that, "surprisingly, the sound quality does not take a back seat to its more expensive relatives."
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Stereophile Staff Posted: Oct 04, 2004 0 comments
Jack English noted in March 1994, "I lobbied ProAc designer Stuart Tyler tirelessly to take a crack at a truly full-range speaker which would preserve the strengths of the Response lineup. My wish came true in mid-1993, with the release of the monstrous ProAc Response 4 loudspeaker."
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Stereophile Staff Posted: May 05, 2002 0 comments
At the start of his review of the Balanced Audio Technology VK-D5 CD player, Jonathan Scull observes, "Man, has Balanced Audio Technology come a long way in a short time." Scull goes in-depth with the VK-D5 to explain just what he's found.
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Stereophile Staff Posted: Jul 29, 2001 0 comments
Larry Greenhill says he'll never forget his first encounter with the Krell LAT-1 loudspeaker at a meeting of the Westchester Audiophile Society. Suitably impressed, Greenhill reports, "I'd been bitten. I made arrangements to continue the audition in my own listening room." His complete analysis awaits.
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Stereophile Staff Posted: Jul 18, 1999 0 comments
Winter had just touched down in Santa Fe two days before the recording sessions were to begin, leading Wes Phillips to wonder if the damp air would wreak havoc with tuning. But he needn't have worried, writing that violinist Ida Levin "played with such intense concentration that sometimes she seemed about to levitate off the floor as she chased a melodic line into the ether." In Duet: And Two to Carry Your Soul Away, Ida Levin and John Atkinson join Wes Phillips in chronicling the recording from both musical and technical perspectives.
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Stereophile Staff Posted: Feb 06, 2000 0 comments
Spring typically sees Stereophile release its coveted "Records To Die For" feature, wherein everybody working for the magazine gets to make like a music critic and add their two cents about what gets them excited (musically speaking). R2D4 2000 is on newsstands right now, in the February issue of Stereophile; to commemorate its publication, we add the 1999 "Records To Die For" to the online archives.
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Stereophile Staff Posted: Aug 05, 2001 0 comments
Wes Phillips is hesitant as he takes a listen to a revised version of the first speaker he ever reviewed for Stereophile. Will the new ProAc Response One SC loudspeaker vindicate his original positive assessment of its predecessor, the ProAc Response One S? Phillips admits all.

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