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Stereophile Staff Posted: Jan 12, 2004 0 comments
Sam Tellig and Lonnie Brownell both provide trenchant analyses of the Bryston B-60R integrated amplifier. Tellig notes, "With Bryston gear, you get solid engineering and impeccable—I was going to say unimpeachable—build quality. This is what you pay for; not bulletproof faceplates, gold-plated name badges, or the like."
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Stereophile Staff Posted: Jan 05, 2004 0 comments
As Paul Messenger states in his 2000 review of the Linn Arkiv B phono cartridge, "This Stereophile review is long overdue. Furthermore, this review addresses a complaint often directed against reviews and reviewers: that we rarely spend enough time with a component to gain a properly balanced, long-term perspective."
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Stereophile Staff Posted: Apr 29, 2001 0 comments
Jonathan Scull asks "What's it take to compete on the bleeding edge of digital?" Apparently more than what's offered by the "large international manufacturing and marketing concerns stalking the earth today." Will the Accuphase DP-100 Super Audio CD transport & DC-101 Digital Processor make the cut? Scull's incisive report reveals all.
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Stereophile Staff Posted: Jan 12, 2003 0 comments
Robert Deutsch tackles the Balanced Audio Technology VK-40 preamplifier, noting "Few topics will get audiophiles into an argument more readily than a discussion of the relative merits of tubed and solid-state equipment."
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Stereophile Staff Posted: Aug 20, 2000 0 comments
Audiophiles aren't taking to the streets just yet, but John Atkinson is more than a little riled about the proposed watermarking of SACD and DVD-Audio recordings. In this month's "As We See It," "Watermarking: the Devil's Work!," JA exhorts the audiophile masses to rise up in protest.
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Stereophile Staff Posted: Jul 22, 2001 0 comments
While doing research for his analysis of the Totem Acoustic Forest loudspeaker, Larry Greenhill uncovered a legacy of great reviews for the company's previous products each ending with a final "but . . ." comment. But . . . does Greenhill discover any killer "buts" with the Forest? He explains in detail.
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Stereophile Staff Posted: Mar 19, 2000 0 comments
Regardless of what the skeptics claim, Jonathan Scull is a firm believer in resonance-control devices. For "Fine Tunes" #15, Scull investigates some products he has found useful. "Pssst," Scull whispers. "Hey you. Yeah, you . . . we know you're a tweaker. It's nothing to be ashamed of. You just wanna make it better, right? Even as everyone around you wants to know when enough's enough already."
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Stereophile Staff Posted: Mar 28, 1999 0 comments
Last week, in Book Review: High Fidelity Audio/Video Systems: A Critical Guide for Owners, we ran Corey Greenberg's scathing review of an audio book that misses the mark by a wide margin. This week, in Book Review: The Complete Guide to High-End Audio, we examine a book written by erstwhile Stereophile consulting technical editor Robert Harley. He does not emerge unscathed!
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Stereophile Staff Posted: Jan 05, 2003 0 comments
From 1989 and 1992, John Atkinson reviews the Celestion SL600si loudspeaker and the DLP600 digital equalizer. "Given that conventional equalizers are quite correctly regarded in Audioland as being poor-sounding pieces of cheap, amusical junk," JA asks, "what I am doing reviewing what, for want of a better word, is an equalizer?"
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Stereophile Staff Posted: Dec 24, 2000 0 comments
DVD-Audio has been brewing for a couple of years now, finally going public with the Technics DVD-A10 DVD-Audio player. Jonathan Scull got his eager hands on this groundbreaking machine last September, only to find that evaluating a new format is a complicated affair. Will this player, and DVD-Audio in general, soothe the audiophile heart? Scull takes a listen and spills the bits.
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Stereophile Staff Posted: Apr 22, 2001 0 comments
Sam Tellig may apologize for contributing to the audiophile empty wallet syndrome, but that doesn't stop him from ranking the Monarchy Audio Digital Interface Processor 24/96 "a must-have if you want to get the most from your upsampling MSB Link DAC III."
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Stereophile Staff Posted: Oct 14, 2001 0 comments
It's a Mac attack! First up is Jonathan Scull's take on the McIntosh MC1201 monoblock power amplifier. Festooning his listening loft with a pair of the "Great American Icons," J-10 is ready to rumble with "the biggest power meters you ever saw this side-a Milwaukee."
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Stereophile Staff Posted: Jul 07, 2002 0 comments
Jonathan Scull gets intimate with the HeadRoom BlockHead headphone amplifier stating, "I listen to headphones for hours at a stretch while writing my reviews. The equipment I listen to spoils me to death, and I need a headphone rig to match." Has J-10 found the ultimate headphone amp? We'll see.
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Stereophile Staff Posted: Dec 23, 2001 0 comments
As Jonathan Scull reports in his review of the Classé Omega Super Audio CD player, "Classé has guts. These are uncertain times, but here they are with an audiophile classic: an expensive two-channel Super Audio CD player." Read how one of the first SACD machines from a high-end audio company stacks up.
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Stereophile Staff Posted: May 14, 2000 0 comments
With their simple circuits and low, even zero, levels of loop negative feedback, the sound quality of single-ended triode amplifiers is very dependent on the specific output tubes used. In "In Search of the Perfect 300B Tube," Peter van Willenswaard finds that not all tubes are created equal. Measured and auditioned in his survey of 300B power tubes are samples from Golden Dragon, JJ Electronics, KR Enterprise, Sovtek, Svetlana, Valve Art, and Western Electric. "If you want the best," sums up Mr. W, "there's only the . . . "—well, you'll have to read the article to find out!

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