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Stereophile Staff Posted: Dec 13, 1998 0 comments
Audiophiles have more than just piles of equipment and music to wrestle with in their quest for audio ecstasy. The listening room often colors a system's performance as much as any component in the chain. Tom Norton decided it was time to examine the subject, writing, "although the perfect room does not exist, there are things that can be done to make the most of even an admittedly difficult situation." See his report in "Enough Room?"
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Stereophile Staff Posted: Aug 18, 2002 0 comments
John Atkinson gets his hands on "the very strange-looking" MBL 111B loudspeaker to determine how "upper-frequency drive-units resembling an array of orange segments" could possibly sound. As JA discovers, thinking different can sometimes be a plus.
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Stereophile Staff Posted: Nov 04, 2001 0 comments
From the March 2001 issue, Michael Fremer finds that, although homely in appearance, the Herron Audio M150 monoblock power amplifier has several endearing qualities. As Fremer explains, "Herron approaches the marketplace in a cautious, stealthy manner, working from the ground up to grab the ears of audiophiles." MF tells us where this amp grabbed him.
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Stereophile Staff Posted: May 06, 2001 0 comments
Brian Damkroger's audio world may have been in a disorienting flux the last several months, but one thing remained a bastion of stability: the Simaudio Moon Eclipse CD player. Damkroger explains why in his complete report.
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Stereophile Staff Posted: May 11, 2003 0 comments
For Listening #5, Art Dudley tackles audio moderation, Lowther Land, and the audio puritans spying on the nudists next door. AD also explains the statement, "Just because I have a job in the lunch line doesn't mean I have to keep serving the kid who shows off for his friends by spitting out his food."
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Stereophile Staff Posted: Jun 24, 2001 0 comments
As Michael Fremer reports, critics have universally hailed Infinity's $8k flagship Prelude MTS. But can the success of the MTS trickle down to the lower price points? For his review of the $2000/pr Infinity Intermezzo 2.6 loudspeaker, Fremer set out to determine if the more modest sibling is a "worthwhile chip off the old block or just a marketing divot."
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Stereophile Staff Posted: Dec 31, 2000 0 comments
Kalman Rubinson didn't expect to complete a full review of the Revel Ultima Studio loudspeaker, planning instead to investigate only the company's F30 (also available in the online archives). But after the Studios ended up spending several months in his home, there was only one honorable option available: 'fess up and submit his true feelings.
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Stereophile Staff Posted: May 26, 2002 0 comments
Back in 1987, J. Gordon Holt & Martin Colloms set their sights on the Audio Research M300 monoblock power amplifier. "After having proven that vacuum tubes could do some sonic things better than transistors, Audio Research is now endeavoring to show that transistors can do most things better than tubes," says JGH, adding that the then-new M300 is a "hybrid amplifier . . . it's half tube, half solid-state."
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Stereophile Staff Posted: Feb 16, 2003 0 comments
Michael Fremer investigates the Parasound Halo JC 1 monoblock power amplifier, exclaiming, "The 5-to-1 ratio of cost to retail price suggests that the "raw" cost of the JC 1 is about $600—a number almost impossible to believe, given the superb build quality and sheer heft of this powerhouse monoblock." And then there is the sound.
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Stereophile Staff Posted: Jan 14, 2001 0 comments
Writer Chip Stern has regarded the form-over-function products from "lifestyle" companies, such as Bose and B&O, for years now with great amusement. But can audiophiles find a product that looks as good as it sounds? Stern calls the Linn Classik CD receiver a "sleek, unobtrusive, uncomplicated design that does double duty as a lifestyle system and—for those who don't want the hassle of separate components—a true high-end performer." Too good to be true? Stern expounds.
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Stereophile Staff Posted: Jan 07, 2001 0 comments
Writer Brian Damkroger had always wanted "a really good, big solid-state amp" to match his Magnepan loudspeakers. So when the Classé CAM 350 monoblock power amplifiers arrived, it seemed like at least one of his dreams had finally come true. But was it a match made in heaven? Damkroger lays out the details in his January, 2001 review.
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Stereophile Staff Posted: Dec 10, 2000 0 comments
Robert Deutsch asks, "How can you tell an audiophile from a normal person?" RD's answer involves the name of the Vienna Acoustics Mahler loudspeaker, which Deutsch reviewed for the April 2000 issue of Stereophile. Deutsch writes, "I find Gustav Mahler's music to be on the ponderous side, but when I heard the Vienna Acoustics Mahlers at HI-FI '99, I was sufficiently impressed that I began the process of getting a pair for review." The results of his careful listening are not ponderous at all.
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Stereophile Staff Posted: May 13, 2001 0 comments
Chip Stern provides us with a mini-review of the Sony SCD-777ES . Find out why this SACD player prompted him to exclaim: "At $2500, the SCD-777ES is not merely a Class A component, it's a steal."
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Stereophile Staff Posted: Feb 27, 2000 0 comments
How many of you out there know what a Nuvistor is? Michael Fremer takes a look at this unique device and its application in the Musical Fidelity Nu-Vista 300 power amplifier. "Enclosing its vacuum in metal rather than glass, the Nuvistor was designed as a long-lived, highly linear device with low heat, low microphony, and low noise—all of which it needed to have any hope of competing in the brave new solid-state world emerging when RCA introduced it in the 1960s." Musical Fidelity decided to use the Nuvistor in a limited-run amplifier, and therein lies an interesting tale, which Michael skillfully uncovers.
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Stereophile Staff Posted: Dec 01, 2002 0 comments
Paul Bolin reviews the EgglestonWorks Andra II loudspeaker, noting, "It's always tough to follow an award-winning act." Bolin listens carefully to determine if "the lofty ambitions of the Andra II project" have made significant and meaningful improvements to the original design.


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