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Stereophile Staff Posted: Feb 23, 2004 0 comments
Does the SLP in the Cary SLP-98P tube preamplifier's name stand for "sweet little preamplifier"? Art Dudley sets out to determine if Cary's latest version in the SLP preamp series lives up to the moniker.
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Stereophile Staff Posted: Jan 13, 2002 0 comments
Kalman Rubinson admits to having plenty of Sony trinkets, including clocks, VCRs, and TVs. But until the Sony SCD-XA777ES multichannel SACD/CD player, he's always preferred other brands when it came to audio. Rubinson reveals whether this latest expression of SACD engineering from Sony has changed his perception of the company as a serious audiophile contender.
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Stereophile Staff Posted: Jul 20, 2003 0 comments
Listening room not up to snuff? Kalman Rubinson fires up the Rives Audio PARC 3-Band Parametric Equalizer to see whether it can tame a wild acoustic beast. KR reports that at "low frequencies, electronic EQ can be implemented without introducing significant distortion or noise in the midrange, where the ear is most sensitive."
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Stereophile Staff Posted: Sep 14, 2003 0 comments
We kick off three speaker reviews from the September issue with Brian Damkroger's assessment of the Audio Physic Virgo III loudspeaker. A perfect meld of minimonitor and full-range bass extension? BD reveals all.
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Stereophile Staff Posted: Aug 04, 2002 0 comments
Chip Stern heads this week's list with an evaluation of the NAD C370 integrated amplifier from the January 2002 issue. With the units priced to sell, at $699, CS wants to know if the C370 can satisfy audiophiles as well as budget-conscious shoppers.
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Stereophile Staff Posted: Jan 05, 2003 0 comments
From 1989 and 1992, John Atkinson reviews the Celestion SL600si loudspeaker and the DLP600 digital equalizer. "Given that conventional equalizers are quite correctly regarded in Audioland as being poor-sounding pieces of cheap, amusical junk," JA asks, "what I am doing reviewing what, for want of a better word, is an equalizer?"
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Stereophile Staff Posted: Aug 31, 2003 0 comments
"At a mere $65,000," Martin Colloms states, the Wilson Audio Specialties X-1/Grand SLAMM loudspeaker system "could be regarded as something of a bargain." MC then goes on to explain himself in great detail. The "longest, most thorough speaker review we have ever published!" notes John Atkinson, wiping the sweat from his brow.
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Stereophile Staff Posted: Dec 30, 2002 0 comments
Sam Tellig triggered a hailstorm of comment with his original review of the RadioShack Optimus CD-3400 portable CD player. After Tellig suggested that the modest player just might be a cheapskate audiophile delight, writers Corey Greenberg, Jack English, John Atkinson, Barry Willis, and Robert Harley each added his two cents. Some revealing but hitherto unpublished measurements are also included.
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Stereophile Staff Posted: Jun 24, 2001 0 comments
As Michael Fremer reports, critics have universally hailed Infinity's $8k flagship Prelude MTS. But can the success of the MTS trickle down to the lower price points? For his review of the $2000/pr Infinity Intermezzo 2.6 loudspeaker, Fremer set out to determine if the more modest sibling is a "worthwhile chip off the old block or just a marketing divot."
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Stereophile Staff Posted: Mar 29, 2004 0 comments
From the March 2004 issue, Kalman Rubinson files his report on the Adcom GFA-7805 five-channel power amplifier. KR notes, "It was easy for me to decide on their top-of-the-line five-channel powerhouse, the GFA-7805, because it embodies the same spirit that the GFA-555 did in its time: lots of power, no frills, good value."
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Stereophile Staff Posted: Sep 20, 2004 0 comments
From the September 2004 issue, Art Dudley gets his mitts on the Spendor S5e loudspeaker, remarking, "I'm never more conservative than when the subject turns to home audio . . . . Give me thin-walled hardwood cabinets, obsolete tweeters, and handmade polypropylene woofers . . . ."
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Stereophile Staff Posted: Jun 11, 2000 0 comments
Sure, we review a lot of big-bucks equipment in Stereophile, but readers constantly remind us to try the cheaper stuff as well. John Atkinson does exactly that in his review of the Acoustic Energy Aegis One loudspeaker. As JA puts it, "Acoustic Energy has introduced the Aegis One; its price is one-tenth that of the AE1 in its current, Signature guise. Does the Aegis One live up to what its heritage promises? I asked the company's US distributor, Audiophile Systems, to send me a pair so I could find out."
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Stereophile Staff Posted: Apr 06, 2003 0 comments
Back in 1996, Martin Colloms reviewed the Krell KAV-300i integrated amplifier, asking, "Is Krell risking its reputation?" He needn't have worried, as the 300i has gone on to become a popular audiophile classic.
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Stereophile Staff Posted: May 17, 2004 0 comments
"Is there anything genuinely new under the audio sun?" asks Michael Fremer as he describes the technology behind the T+A V10 integrated amplifier. "For the most part, industry cynics say 'No,'" MF remarks, "claiming that most new amplifier designs merely rehash well-worn circuits. [But] T+A developed a new circuit for the V10 that it calls the SPPP, for 'Single Primary Push-Pull.'"
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Stereophile Staff Posted: Mar 25, 2001 0 comments
As Shannon Dickson puts it, the Audio Artistry Beethoven loudspeaker system "is a four-piece, bi-amplified, dynamic dipole design which has been taken to the nth degree of refinement." After much time spent reveling in the speaker's sonic splendor, Dickson arrives at his aural conclusion.

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