News

Sort By: Post Date | Title | Publish Date
Filed under
Stereophile Staff Posted: Aug 18, 2002 0 comments
John Atkinson gets his hands on "the very strange-looking" MBL 111B loudspeaker to determine how "upper-frequency drive-units resembling an array of orange segments" could possibly sound. As JA discovers, thinking different can sometimes be a plus.
Filed under
Stereophile Staff Posted: Nov 04, 2001 0 comments
From the March 2001 issue, Michael Fremer finds that, although homely in appearance, the Herron Audio M150 monoblock power amplifier has several endearing qualities. As Fremer explains, "Herron approaches the marketplace in a cautious, stealthy manner, working from the ground up to grab the ears of audiophiles." MF tells us where this amp grabbed him.
Filed under
Stereophile Staff Posted: Dec 23, 2001 0 comments
As Jonathan Scull reports in his review of the Classé Omega Super Audio CD player, "Classé has guts. These are uncertain times, but here they are with an audiophile classic: an expensive two-channel Super Audio CD player." Read how one of the first SACD machines from a high-end audio company stacks up.
Filed under
Stereophile Staff Posted: Jul 09, 2000 0 comments
Kalman Rubinson had tried to get his hands on the Revel Performa F30 loudspeakers back in January 1999, but was thwarted until later in the year, when J-10 decided to send them his way. Kal was clearly excited about these speakers, and explains in detail exactly why.
Filed under
Stereophile Staff Posted: May 11, 2003 0 comments
For Listening #5, Art Dudley tackles audio moderation, Lowther Land, and the audio puritans spying on the nudists next door. AD also explains the statement, "Just because I have a job in the lunch line doesn't mean I have to keep serving the kid who shows off for his friends by spitting out his food."
Filed under
Stereophile Staff Posted: Dec 31, 2000 0 comments
Kalman Rubinson didn't expect to complete a full review of the Revel Ultima Studio loudspeaker, planning instead to investigate only the company's F30 (also available in the online archives). But after the Studios ended up spending several months in his home, there was only one honorable option available: 'fess up and submit his true feelings.
Filed under
Stereophile Staff Posted: May 26, 2002 0 comments
Back in 1987, J. Gordon Holt & Martin Colloms set their sights on the Audio Research M300 monoblock power amplifier. "After having proven that vacuum tubes could do some sonic things better than transistors, Audio Research is now endeavoring to show that transistors can do most things better than tubes," says JGH, adding that the then-new M300 is a "hybrid amplifier . . . it's half tube, half solid-state."
Filed under
Stereophile Staff Posted: Mar 11, 2001 0 comments
With the April issue of Stereophile, the "Recommended Components" list is again on its way to subscribers' audiophile homes around the world. But there has always been controversy surrounding the popular feature. George Reisch explores the problem in "Recommended Components"—the St. Hubbins' Syndrome!
Filed under
Stereophile Staff Posted: Feb 16, 2003 0 comments
Michael Fremer investigates the Parasound Halo JC 1 monoblock power amplifier, exclaiming, "The 5-to-1 ratio of cost to retail price suggests that the "raw" cost of the JC 1 is about $600—a number almost impossible to believe, given the superb build quality and sheer heft of this powerhouse monoblock." And then there is the sound.
Filed under
Stereophile Staff Posted: Jan 14, 2001 0 comments
Writer Chip Stern has regarded the form-over-function products from "lifestyle" companies, such as Bose and B&O, for years now with great amusement. But can audiophiles find a product that looks as good as it sounds? Stern calls the Linn Classik CD receiver a "sleek, unobtrusive, uncomplicated design that does double duty as a lifestyle system and—for those who don't want the hassle of separate components—a true high-end performer." Too good to be true? Stern expounds.
Filed under
Stereophile Staff Posted: Jan 07, 2001 0 comments
Writer Brian Damkroger had always wanted "a really good, big solid-state amp" to match his Magnepan loudspeakers. So when the Classé CAM 350 monoblock power amplifiers arrived, it seemed like at least one of his dreams had finally come true. But was it a match made in heaven? Damkroger lays out the details in his January, 2001 review.
Filed under
Stereophile Staff Posted: Apr 05, 2004 0 comments
From the January 1996 issue, Jonathan Scull listens closely to the Wavelength Audio Cardinal XS monoblock amplifier. Single-ended tube designs such as the Wavelength can inspire controversy within audiophile ranks, so Scull carefully sorts the plusses and minuses.
Filed under
Stereophile Staff Posted: Sep 08, 2002 0 comments
For his review of the Nagra VPA monoblock power amplifier, Jonathan Scull lived a life of danger, noting that readers should "Respect the VPA as the hot-running, high-voltage device it is and It Will Provide. Cold-nosed pets and curious little fingers have no business around these Swiss Guards of quality sound engineering."
Filed under
Stereophile Staff Posted: May 02, 1999 0 comments
In the latest article to appear in the Archives, Robert Harley comes right out and asks, "How many of you actually read the 'Measurements' sections of Stereophile's equipment reports and understand what's being measured, and why? I suspect that many readers skip over the technical assessment of the reviewed product and make a dash for the 'Conclusion.' "
Filed under
Stereophile Staff Posted: Feb 27, 2000 0 comments
How many of you out there know what a Nuvistor is? Michael Fremer takes a look at this unique device and its application in the Musical Fidelity Nu-Vista 300 power amplifier. "Enclosing its vacuum in metal rather than glass, the Nuvistor was designed as a long-lived, highly linear device with low heat, low microphony, and low noise—all of which it needed to have any hope of competing in the brave new solid-state world emerging when RCA introduced it in the 1960s." Musical Fidelity decided to use the Nuvistor in a limited-run amplifier, and therein lies an interesting tale, which Michael skillfully uncovers.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading