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Stereophile Staff Posted: Aug 04, 2002 0 comments
Chip Stern heads this week's list with an evaluation of the NAD C370 integrated amplifier from the January 2002 issue. With the units priced to sell, at $699, CS wants to know if the C370 can satisfy audiophiles as well as budget-conscious shoppers.
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Stereophile Staff Posted: Aug 30, 2004 0 comments
In a landmark special feature, Chris Dunn & Malcolm Omar Hawksford thoroughly dissect the vicissitudes of the digital interface and jitter in Bits is Bits? The authors note, "The theoretical performance obtainable from the 16-bit linear PCM format sampled at 44.1kHz is superior to any analog sources available to the consumer."
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Stereophile Staff Posted: Jun 15, 2003 0 comments
"Does the modern audiophile want a sleek, compact, powerful, remote-controlled, microprocessor-driven, two-channel integrated amplifier?" Michael Fremer seeks the answer as he reviews the Perreaux R200i integrated amplifier. It may be small, but as MF finds, it also packs a punch.
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Stereophile Staff Posted: Sep 12, 1999 0 comments
Back in 1985, J. Gordon Holt wrote: "It seems, these days, that many of us audiophiles have become so preoccupied with the minutiae of sound reproduction that we haven't even noticed that it doesn't sound like music any more." He was talking about the obsession with soundstaging and detail at the expense of musical accuracy. In "Getting the Notes Right (Midrange Madness)," he renders his lesson in classic JGH style, observing that "I have played on this old saw in these pages for so many years that it has turned into a dead sawhorse, but somehow the message never seems to get through. There should be no harm done by beating it into the ground a little farther."
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Stereophile Staff Posted: May 06, 2001 0 comments
Brian Damkroger's audio world may have been in a disorienting flux the last several months, but one thing remained a bastion of stability: the Simaudio Moon Eclipse CD player. Damkroger explains why in his complete report.
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Stereophile Staff Posted: Jun 24, 2001 0 comments
As Michael Fremer reports, critics have universally hailed Infinity's $8k flagship Prelude MTS. But can the success of the MTS trickle down to the lower price points? For his review of the $2000/pr Infinity Intermezzo 2.6 loudspeaker, Fremer set out to determine if the more modest sibling is a "worthwhile chip off the old block or just a marketing divot."
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Stereophile Staff Posted: Dec 10, 2000 0 comments
Robert Deutsch asks, "How can you tell an audiophile from a normal person?" RD's answer involves the name of the Vienna Acoustics Mahler loudspeaker, which Deutsch reviewed for the April 2000 issue of Stereophile. Deutsch writes, "I find Gustav Mahler's music to be on the ponderous side, but when I heard the Vienna Acoustics Mahlers at HI-FI '99, I was sufficiently impressed that I began the process of getting a pair for review." The results of his careful listening are not ponderous at all.
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Stereophile Staff Posted: Jun 06, 1999 0 comments
Conrad-Johnson has been on a roll with their Anniversary Reference Triode preamplifier, aka the ART, which garnered the Stereophile Product of the Year award in 1998. (See previous article.) According to Lew Johnson, "We realized that Conrad-Johnson is coming up on its 20th anniversary, so we thought we might produce something special to celebrate. This is a version of the preamplifier we use in our listening room at the factory---we never even thought about producing it because it would be god-awful expensive. But it really is our last thought on what a preamp should be, so we figured we'd produce a limited edition, say 250 total, as a way of commemorating our 20 years in the business."
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Stereophile Staff Posted: Apr 30, 2000 0 comments
Jonathan Scull thinks he has uncoverd the hot audiophile topic for the new millennium—e-commerce. He lays out the situation in "Fine Tunes" #19. Find out what various manufacturers are up to, and why.
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Stereophile Staff Posted: May 13, 2001 0 comments
Chip Stern provides us with a mini-review of the Sony SCD-777ES . Find out why this SACD player prompted him to exclaim: "At $2500, the SCD-777ES is not merely a Class A component, it's a steal."
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Stereophile Staff Posted: Dec 01, 2002 0 comments
Paul Bolin reviews the EgglestonWorks Andra II loudspeaker, noting, "It's always tough to follow an award-winning act." Bolin listens carefully to determine if "the lofty ambitions of the Andra II project" have made significant and meaningful improvements to the original design.
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Stereophile Staff Posted: Oct 17, 1999 0 comments
Madrigal Audio Labs designed the original Mark Levinson No.30 nearly 10 years ago with the idea that, as a Reference Series product, it would never be made obsolete. John Atkinson reviews the No.30's latest upgrade, the Mark Levinson No.30.6 Reference D/A processor, after sending his personal unit from 1992 back to the factory for the required work. What he got back included new D/A converters in the unit's twin towers. Was it worth the effort, and does this processor still define the state of the art? You'll want to read his report to find out.
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Stereophile Staff Posted: May 24, 2004 0 comments
"Size does matter," John Atkinson discovers, as he fits the Shure E3c in-ear headphones into his ears. Once fitted, JA hooks the mini "cans" up to his iPod and PowerBook to discover how much audiophile sound a little set of ear buds can produce.
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Stereophile Staff Posted: Oct 22, 2000 0 comments
John Atkinson shuffles his feet a little and finally mutters, " . . . Convergence." He laments, "I swore I wasn't going to use the 'C' word, but when you're faced with writing about a product that smashes the boundaries between component categories as completely as the CardDeluxe does, you have little choice." JA reviews the Digital Audio Labs CardDeluxe PC soundcard and answers the pointed question: "But it's only a PC soundcard. What's the big deal?"
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Stereophile Staff Posted: Jul 21, 2002 0 comments
Taking the measure of the Chord Electronics DAC64 D/A processor, John Atkinson finds nice things can come in strange packages. "Such is the pace of development in digital technology these days that it is hard not to become convinced that digital playback is a solved problem." But, as JA discovers, not all solutions are identical.

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