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Stereophile Staff Posted: Dec 24, 2000 0 comments
DVD-Audio has been brewing for a couple of years now, finally going public with the Technics DVD-A10 DVD-Audio player. Jonathan Scull got his eager hands on this groundbreaking machine last September, only to find that evaluating a new format is a complicated affair. Will this player, and DVD-Audio in general, soothe the audiophile heart? Scull takes a listen and spills the bits.
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Stereophile Staff Posted: Aug 01, 1999 0 comments
While recording the Encore CD for Stereophile, John Atkinson had to decide: "Should I add some artificial reverberation?" After much gnashing of teeth, he plowed ahead. Read about the process in "Encore," an in-depth look at the recording techniques, the artists, and the music.
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Stereophile Staff Posted: Jun 14, 2004 0 comments
"No company has done more to vigorously fly the audio tricolor as has Focal-JMlab," declares Paul Bolin, who visits the Focal factory and then reviews the Focal-JMlab Nova Utopia Be loudspeaker. PB adds, "One thing about the Utopia line has not changed: the exquisite level of finish." But what about the sound?
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Stereophile Staff Posted: May 14, 2000 0 comments
With their simple circuits and low, even zero, levels of loop negative feedback, the sound quality of single-ended triode amplifiers is very dependent on the specific output tubes used. In "In Search of the Perfect 300B Tube," Peter van Willenswaard finds that not all tubes are created equal. Measured and auditioned in his survey of 300B power tubes are samples from Golden Dragon, JJ Electronics, KR Enterprise, Sovtek, Svetlana, Valve Art, and Western Electric. "If you want the best," sums up Mr. W, "there's only the . . . "—well, you'll have to read the article to find out!
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Stereophile Staff Posted: May 12, 2002 0 comments
John Atkinson heads across America's great plains toward Kansas to engineer a brand-new recording that he and Les Berkley document in A Mosaic of Music: Stereophile's Clarinet Quintet CD. For the new CD, JA returns again to Chad Kassem's audio Mecca, noting that "105 takes of the Mozart and 102 takes of the Brahms later, we had gotten everything down on tape in two days of intense music-making."
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Stereophile Staff Posted: May 24, 2004 0 comments
"Size does matter," John Atkinson discovers, as he fits the Shure E3c in-ear headphones into his ears. Once fitted, JA hooks the mini "cans" up to his iPod and PowerBook to discover how much audiophile sound a little set of ear buds can produce.
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Stereophile Staff Posted: Jun 09, 2002 0 comments
Brian Damkroger finds that the Magnepan Magneplanar MG1.6/QR loudspeaker and a 1973 Porsche 911 have much in common: "Each has grown out of the vision of a single, brilliant designer. Each reflects the long, steady evolution of a basic design, and the consistent focus on a core set of engineering criteria." BD then listens for the fruits of this approach to speaker design and writes up the results.
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Stereophile Staff Posted: Oct 05, 2003 0 comments
Wes Phillips slips into his well-worn flame-proof underwear as he bravely introduces audiophiles to the musical merits of the Apple iPod. WP finds he likes living at the edge of audio trendiness, exclaiming, "Holy cow! I'm running with the fashionistas! Can I still be an audiophile, too?"
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Stereophile Staff Posted: Oct 06, 2002 0 comments
The Adcom GFA-555 power amplifier has long been regarded as a classic design and still commands decent prices on the used market. Anthony H. Cordesman and various other Stereophile writers check in with their opinions.
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Stereophile Staff Posted: Aug 23, 2004 0 comments
In his report on the MartinLogan Depth powered subwoofer, Larry Greenhill laments, "Reviewing subwoofers is a lonely job that brings no respect." But can the Depth upset one of LG's longstanding prejudices to earn his respect?
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Stereophile Staff Posted: Dec 22, 2002 0 comments
Larry Greenhill wonders, "In crossing over into transistor products, would Conrad-Johnson be able to retain the simplicity, low distortion, and musicality of their tube designs?" LG fires up the Conrad-Johnson Premier 18LS line preamplifier to satisfy his curiosity.
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Stereophile Staff Posted: Jul 15, 2001 0 comments
Several months back, Stereophile editor John Atkinson asked David Rich to investigate the technical merits of SACD. With Super Audio CD: The Rich Report, DR discovers that there is both more and less than meets the ear to the new format, including why it is being promoted in the first place.
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Stereophile Staff Posted: Oct 31, 1999 0 comments
Robert Deutsch writes that "There's a well-known tradeoff in speaker design between sound quality for one listener vs. multiple listeners." But his review of the Dunlavy SC-IV/A loudspeaker reveals that, in the hands of a great designer, these limitations can sometimes be transcended. How did John Dunlavy do it? Deutsch gets to the bottom of this, and more.
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Stereophile Staff Posted: Feb 03, 2002 0 comments
Jonathan Scull found himself in awe of the beautiful and ingenious construction lavished on the Boulder 1012 D/A preamplifier. "Its design and build qualities are icons to elegant engineering know-how. No screws show on the rectangular box . . .", J-10 enthuses. And as Scull finds, this D/A preamp combines both beauty and brains to create sheer audio pleasure.
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Stereophile Staff Posted: Oct 20, 2003 0 comments
From the October issue, John Atkinson gets acquainted with the Morel Octwin 5.2M loudspeaker, noting, "Once you become accustomed to its admittedly weird looks, it is actually visually appealing and has a small footprint in the listening room." But there's something about the Morel's sound that causes JA to raise an eyebrow.

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