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Stereophile Staff Posted: Nov 26, 2000 0 comments
First up, from the November, 2000 issue, is the Hovland HP-100 preamplifier. Michael Fremer writes, "While the HP-100 is Hovland's first publicly traded audio component, it is . . . the fulfillment of what's been Robert Hovland's goal all along: to bring such a product to market. Or so I was told. It's just taken 'some time to get it all right.' Given the company's history of more than 20 years, that sounds like an understatement." Fremer offers his sonic assessment.
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Stereophile Staff Posted: Dec 08, 2002 0 comments
John Atkinson and Stephen Mejias tally the writer and editor votes to present "The 2002 Products of the Year." As JA comments, "For more than a decade now, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period."
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Stereophile Staff Posted: Sep 16, 2001 0 comments
Wes Phillips pries a hard-to-acquire Ayre Acoustics V-3 power amplifier out of company hands and puts it to the sonic test. Does the amp live up to its legendary "Best of Show" status? Phillips has the answer.
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Stereophile Staff Posted: Nov 28, 1999 0 comments
In his third installment of "Fine Tunes," Jonathan Scull encourages readers to stick their heads in a corner. "Notice how strongly the bass loads up there, how exaggerated and out of control it sounds," he writes. With the help of Jeff Joseph, Scull also reveals a trick for dealing with square rooms.
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Stereophile Staff Posted: Oct 13, 2002 0 comments
Amplifier of the year? We'll have to wait until the votes are tallied in the December issue, but Paul Bolin reviews the Halcro dm58 monoblock power amplifier and reveals what the fuss is all about. As Bolin notes, "the sheer audacity of Halcro's claims generated much curiosity and interest."
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Stereophile Staff Posted: Dec 30, 2002 0 comments
Sam Tellig triggered a hailstorm of comment with his original review of the RadioShack Optimus CD-3400 portable CD player. After Tellig suggested that the modest player just might be a cheapskate audiophile delight, writers Corey Greenberg, Jack English, John Atkinson, Barry Willis, and Robert Harley each added his two cents. Some revealing but hitherto unpublished measurements are also included.
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Stereophile Staff Posted: Feb 13, 2000 0 comments
Kal Rubinson gets right to the point: "I am biased: On very little evidence, I remain convinced that, in the near future, high-quality music reproduction will be multichannel." The Meridian Digital Theatre surround-sound music system is therefore a product that puts Kal's vision to the test. Kal details the system, which consists of two DSP6000 front L/R speakers, one DSP6000C center-channel speaker, two DSP5000 speakers used for surround, the Reference 800 DVD/CD player, and the Reference 861 System Controller. But does the Meridian system live up to his expectations regarding the potential of surround-sound for music?
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Stereophile Staff Posted: Feb 02, 2004 0 comments
From the January 2004 issue, Michael Fremer writes about the "SUV-like, limited-edition, 20th-anniversary" Musical Fidelity Tri-Vista kWP preamplifier & Tri-Vista kW Monobloc power amplifier. No doubt the "bank-vault-like" designs will get your attention, but as Fremer discovers, after you close your eyes, it's "sheer sonic pleasure."
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Stereophile Staff Posted: Mar 29, 2004 0 comments
From the March 2004 issue, Kalman Rubinson files his report on the Adcom GFA-7805 five-channel power amplifier. KR notes, "It was easy for me to decide on their top-of-the-line five-channel powerhouse, the GFA-7805, because it embodies the same spirit that the GFA-555 did in its time: lots of power, no frills, good value."
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Stereophile Staff Posted: Jan 23, 2000 0 comments
Recognizing that high-end audio is anything but plug'n'play, Jonathan Scull examines the details of getting the best from alternating current in "Fines Tunes" #8. As Jonathan writes: "Bill Gates would have you believe we live in a plug'n'play world. Apple has proselytized same since day one. But I'm here to tell you it just isn't so for high-end audio."
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Stereophile Staff Posted: Mar 16, 2003 0 comments
John Atkinson finishes his survey of pricey floor-standing speakers with a review of the Dynaudio Confidence C4 loudspeaker. JA notes that, "despite its $16,000/pair price, the C4 has much in common with its cost-no-object cousins in Dynaudio's Evidence line."
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Stereophile Staff Posted: Nov 18, 2001 0 comments
Michael Fremer wraps his ears around the Westlake Audio Lc5.75F loudspeaker in an effort to figure out "what's a pro audio company doing at CES?" Fremer discovers why a brand that, until recently, was rarely heard outside of recording studios is now selling 70% of its products to consumers.
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Jon Iverson Posted: Dec 06, 1998 0 comments
Last week's Vote! question about vibration control garnered one of the most interesting groups of comments from readers so far. Everything from bicycle tires to bubble wrap is being employed in audiophile homes around the world in an attempt to subdue the dreaded curse of the shakes.
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Stereophile Staff Posted: Aug 01, 1999 0 comments
While recording the Encore CD for Stereophile, John Atkinson had to decide: "Should I add some artificial reverberation?" After much gnashing of teeth, he plowed ahead. Read about the process in "Encore," an in-depth look at the recording techniques, the artists, and the music.
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Stereophile Staff Posted: Jun 14, 2004 0 comments
"No company has done more to vigorously fly the audio tricolor as has Focal-JMlab," declares Paul Bolin, who visits the Focal factory and then reviews the Focal-JMlab Nova Utopia Be loudspeaker. PB adds, "One thing about the Utopia line has not changed: the exquisite level of finish." But what about the sound?

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