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Stereophile Staff Posted: Dec 08, 2002 0 comments
John Atkinson and Stephen Mejias tally the writer and editor votes to present "The 2002 Products of the Year." As JA comments, "For more than a decade now, Stereophile has recognized components that have proved capable of giving musical pleasure beyond the formal review period."
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Stereophile Staff Posted: Nov 25, 2001 0 comments
Jonathan Scull takes a gander at the dCS Purcell D/D converter, and tries to make sonic sense out of the merits of upsampling. Scull writes, "So while the true differences between upsampling and oversampling remain murky, my pleasant mission is to report on the sound of the Purcell and compare it to the latest version of the pro-audio version, the 972."
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Stereophile Staff Posted: Dec 02, 2001 0 comments
In his review of the Soliloquy 5.3 loudspeaker, Kalman Rubinson says that when he heard a pair, his first thoughts were, "Gotta get my hands on these!" After careful listening, did the speaker live up to Rubinson's first impressions? KR tells the whole story.
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Stereophile Staff Posted: Feb 13, 2000 0 comments
Kal Rubinson gets right to the point: "I am biased: On very little evidence, I remain convinced that, in the near future, high-quality music reproduction will be multichannel." The Meridian Digital Theatre surround-sound music system is therefore a product that puts Kal's vision to the test. Kal details the system, which consists of two DSP6000 front L/R speakers, one DSP6000C center-channel speaker, two DSP5000 speakers used for surround, the Reference 800 DVD/CD player, and the Reference 861 System Controller. But does the Meridian system live up to his expectations regarding the potential of surround-sound for music?
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Stereophile Staff Posted: Jul 13, 2003 0 comments
Brian Damkroger ponders the Classé Omega monoblock power amplifier. "The Classé Omega is expensive, costing $25,000/pair," notes BD. But he also finds the amp a "drop-dead-gorgeous, massive, industrial-art chunk of aluminum and steel set off with a subtle mix of curves, contours, finishes, and textures." And then there is that Classé sound.
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Stereophile Staff Posted: Jun 07, 2004 0 comments
From the June 1999 issue, Jonathan Scull surveys the Pass Labs X1000 monoblock power amplifier. JS notes, "Pass Laboratories' X amplifier series represents the efforts of designer Nelson Pass to prove that simple linear amplifier topologies can be scaled to provide high-quality audio performance at very high power levels."
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Stereophile Staff Posted: Mar 09, 2003 0 comments
Dick Olsher and various other writers take a spin with the Apogee Stage loudspeaker, whose "resemblance to the rest of the Apogee family is unmistakable" in spite of its small size. But the real story is that, "surprisingly, the sound quality does not take a back seat to its more expensive relatives."
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Stereophile Staff Posted: Oct 04, 2004 0 comments
Jack English noted in March 1994, "I lobbied ProAc designer Stuart Tyler tirelessly to take a crack at a truly full-range speaker which would preserve the strengths of the Response lineup. My wish came true in mid-1993, with the release of the monstrous ProAc Response 4 loudspeaker."
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Stereophile Staff Posted: May 05, 2002 0 comments
At the start of his review of the Balanced Audio Technology VK-D5 CD player, Jonathan Scull observes, "Man, has Balanced Audio Technology come a long way in a short time." Scull goes in-depth with the VK-D5 to explain just what he's found.
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Stereophile Staff Posted: Jun 01, 2003 0 comments
Several writers take turns with the Apogee Duetta II loudspeaker, beginning with Alvin Gold in 1986. Anthony H. Cordesman exclaims, "The Duetta II breaks so much new ground, and is so obviously a superb speaker system, that it simply would not be fair to you readers to put off reporting on this speaker until the next issue."
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Stereophile Staff Posted: Jul 18, 1999 0 comments
Winter had just touched down in Santa Fe two days before the recording sessions were to begin, leading Wes Phillips to wonder if the damp air would wreak havoc with tuning. But he needn't have worried, writing that violinist Ida Levin "played with such intense concentration that sometimes she seemed about to levitate off the floor as she chased a melodic line into the ether." In Duet: And Two to Carry Your Soul Away, Ida Levin and John Atkinson join Wes Phillips in chronicling the recording from both musical and technical perspectives.
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Stereophile Staff Posted: Feb 06, 2000 0 comments
Spring typically sees Stereophile release its coveted "Records To Die For" feature, wherein everybody working for the magazine gets to make like a music critic and add their two cents about what gets them excited (musically speaking). R2D4 2000 is on newsstands right now, in the February issue of Stereophile; to commemorate its publication, we add the 1999 "Records To Die For" to the online archives.
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Stereophile Staff Posted: Dec 29, 2003 0 comments
J. Gordon Holt and various other Stereophile writers are brought together to create the definitive review archive of the Audio Research SP9 preamplifier. The SP9 review was controversial in its day, and the complete review archives include manufacturer and reader comments.
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Stereophile Staff Posted: Jan 19, 2003 0 comments
With the February issue hitting newstands, it's time once again to honor those twirling discs that also made our heads spin, with "2002 Records To Die For." Stereophile's staff and writers all check in with their eclectic batches of musical heaven.
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Stereophile Staff Posted: May 20, 2001 0 comments
Mark Levinson has traveled from Woodstock to the Whitney, and Michael Fremer lends an ear to his Red Rose Music R3 loudspeaker to determine if the journey was a fruitful one. As Fremer characterizes it, "If Levinson's Cello foray was haute monde, Red Rose is Dockers: loose-fitting and relaxed."

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