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Stereophile Staff Posted: Jan 28, 2001 0 comments
As Michael Fremer puts it, "In analog, it's the little things that count, and Rega's upgrade of the basic Planar 3 design to the Planar 25 can only be described as visibly 'small.' But the sonic improvements I heard during my first encounter with the $1275 arm/'table combo were audibly big." Fremer takes a close look at and listen to the Rega Planar 25 turntable for Stereophile readers and attempts to reveal all of its secrets. Sam Tellig adds his two cents' worth.
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Stereophile Staff Posted: Dec 22, 2002 0 comments
Larry Greenhill wonders, "In crossing over into transistor products, would Conrad-Johnson be able to retain the simplicity, low distortion, and musicality of their tube designs?" LG fires up the Conrad-Johnson Premier 18LS line preamplifier to satisfy his curiosity.
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Stereophile Staff Posted: Feb 03, 2002 0 comments
Jonathan Scull found himself in awe of the beautiful and ingenious construction lavished on the Boulder 1012 D/A preamplifier. "Its design and build qualities are icons to elegant engineering know-how. No screws show on the rectangular box . . .", J-10 enthuses. And as Scull finds, this D/A preamp combines both beauty and brains to create sheer audio pleasure.
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Stereophile Staff Posted: Mar 30, 2003 0 comments
Corey Greenberg channels his heroes Beavis and Butthead to review the NHT SuperZero loudspeaker and SW2 subwoofer. As CG explains, the NHT may be the first speaker "that really kicks ass—one that offers true high-end, full-range sound, all for under $1000." Huh-huh, huh-huh.
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Stereophile Staff Posted: Nov 17, 2003 0 comments
John Atkinson gets his mitts on the PSB Platinum T8 loudspeaker and remarks that "talented loudspeaker engineers do not stand still, and neither do the resources and technology available to them." Does PSB's new flagship design live up to JA's expectations? All is revealed.
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Stereophile Staff Posted: Jun 02, 2002 0 comments
In his review of the Meridian 508.24 CD player, Wes Phillips finds the machine "a beautiful design with impeccable technical credentials—a CD player that belongs, with only a few others, at the very sharpest portion of the leading edge, and that joins them in producing sound that is highly musical and hard to criticize."
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Stereophile Staff Posted: May 28, 2000 0 comments
Build the audiophile kingdom and they will come . . . or do we need to get out there and proselytize? In "Fine Tunes" #22, Jonathan Scull looks at the debate both ways and comes to a conclusion.
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Stereophile Staff Posted: Aug 31, 2003 0 comments
"At a mere $65,000," Martin Colloms states, the Wilson Audio Specialties X-1/Grand SLAMM loudspeaker system "could be regarded as something of a bargain." MC then goes on to explain himself in great detail. The "longest, most thorough speaker review we have ever published!" notes John Atkinson, wiping the sweat from his brow.
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Stereophile Staff Posted: Aug 03, 2003 0 comments
In his 1987 review of the Celestion System 6000 loudspeaker system, Martin Colloms notes, "In the audio field, the British have traditionally thought 'small,' scoring hits both with their compact loudspeakers and with medium-priced amplifiers." MC reveals why the compact but fullrange Celestions are one such hit.
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Stereophile Staff Posted: Oct 06, 2002 0 comments
The Adcom GFA-555 power amplifier has long been regarded as a classic design and still commands decent prices on the used market. Anthony H. Cordesman and various other Stereophile writers check in with their opinions.
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Stereophile Staff Posted: Feb 18, 2001 0 comments
John Atkinson asked "What's that noise?" He wasn't referring to the piano that Robert Silverman was playing for Stereophile's recording, Concert, but rather to the sound of candy wrappers in the concert hall. The recording survived the crackling ordeal, but the lady with the wrapper did not. JA relates the entire story, and also serves up additional details about the making of the double CD set.
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Stereophile Staff Posted: May 17, 2004 0 comments
"Is there anything genuinely new under the audio sun?" asks Michael Fremer as he describes the technology behind the T+A V10 integrated amplifier. "For the most part, industry cynics say 'No,'" MF remarks, "claiming that most new amplifier designs merely rehash well-worn circuits. [But] T+A developed a new circuit for the V10 that it calls the SPPP, for 'Single Primary Push-Pull.'"
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Stereophile Staff Posted: Jul 16, 2000 0 comments
Chip Stern notes that, "as often as not, it ain't the heat—it's the stupidity. When confronted by the smattering of self-referential dilettantes, acrimonious Internut wannabes, and obsessive-compulsive types who suck the air out of our aural fun-house, I find myself overcome with the desire to program my phaser for Clip." And fire away he does in "Snobs, Slobs, & Marley's Ghost," added to the Archives this week.
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Stereophile Staff Posted: Nov 05, 2000 0 comments
Chip Stern writes, "There is something enduring and reassuring in the classic audio verities." The Vandersteen 2Ce Signature loudspeaker is certainly considered one of those timeless classics. But how does a speaker released in its first incarnation more than 20 years ago hold up by today's standards? Stern lends his modern ear to the task and includes notes from Richard Vandersteen himself.
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Stereophile Staff Posted: Jun 30, 2002 0 comments
Earlier this year, Kalman Rubinson spent some time with the Rotel RB 1080 power amplifier. "What could be easier to review than a power amplifier? No features or functions aside from inputs, outputs, and a power switch," remarks KR. But as Rubinson finds, it's the details that count.

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