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Stereophile Staff Posted: Jan 14, 2001 0 comments
Writer Chip Stern has regarded the form-over-function products from "lifestyle" companies, such as Bose and B&O, for years now with great amusement. But can audiophiles find a product that looks as good as it sounds? Stern calls the Linn Classik CD receiver a "sleek, unobtrusive, uncomplicated design that does double duty as a lifestyle system and—for those who don't want the hassle of separate components—a true high-end performer." Too good to be true? Stern expounds.
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Stereophile Staff Posted: Jul 19, 2004 0 comments
Stereophile's John Atkinson teams up with world-renowned recording engineer Tony Faulkner to create a landmark Mozart recording that has just been released simultaneously on hybrid SACD/CD, and LP. In Project K622, JA recounts the entire process, noting, "The upbeat is the most magic moment in classical music making."
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Stereophile Staff Posted: Nov 21, 1999 0 comments
In his second installment of "Fine Tunes," Jonathan Scull writes: "I met a chap the other day whose wife said to me, 'Oh, you suffer from the same audiophile disease.' I hastened to inform her that I am the disease." But J-10 is also the cure, as he proves in this ode to building the perfect listening room.
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Stereophile Staff Posted: Jul 01, 2001 0 comments
As John Atkinson puts it, Meridian usually does things "their way," putting amps and DACs inside of speakers in an all-out attempt at "re-creating the original soundfield, no matter how many speakers and channels it takes to do it right." But as Atkinson finds, the Meridian 518 Digital Audio Processor might be the company's most perverse product: "The $1650 518 offers digital inputs and outputs only. It can digitally perform gain and source selection; it can change data with one digital word length to data with another; and it does all these things with 72-bit internal precision." So JA asks, "How does the 518 fit within a conventional high-end audio system?" Read along as he figures it all out.
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Stereophile Staff Posted: Jun 27, 1999 0 comments
Are audiophiles and recording engineers natural adversaries? From the many slings and arrows hurled back and forth between the camps, it would certainly seem so. Robert Harley asks, "But are recording engineers less concerned about sound quality than are audiophiles? If so, why? Isn't someone who has devoted his life to recording music more caring than the hobbyist audiophile? If not, why not?" Read his analysis of the issues in "A Clash of Values?" Also included is a lively volley of readers' letters.
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Stereophile Staff Posted: Oct 18, 2004 0 comments
From the October 2004 issue, John Atkinson reviews the Halcro dm38 power amplifier, noting, "When Halcro's affable US distributor, Philip O'Hanlon, asked me if I would be interested in reviewing the company's first two-channel design, the $18,790 dm38, I didn't need much persuading."
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Stereophile Staff Posted: Dec 22, 2002 0 comments
Larry Greenhill wonders, "In crossing over into transistor products, would Conrad-Johnson be able to retain the simplicity, low distortion, and musicality of their tube designs?" LG fires up the Conrad-Johnson Premier 18LS line preamplifier to satisfy his curiosity.
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Stereophile Staff Posted: Jul 28, 2002 0 comments
We start our survey of small speakers with Robert J. Reina's review of the Paradigm Reference Studio/20 loudspeaker. "Impressive right out of the box" is how Reina charaterizes the two-way design, which gets an in-depth review and also a May 2002 followup from Robert Deutsch.
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Stereophile Staff Posted: Jun 23, 2002 0 comments
Michael Fremer heard that the Alesis MasterLink ML-9600 Hard Disk/CD-R Recorder "can sound better than all but the absolute top-drawer analog," and, of course, had to investigate. Mikey 'splains why audiophiles should take note of a machine generally used as a mastering tool by the recording industry.
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Stereophile Staff Posted: Jun 08, 2003 0 comments
The ultimate system evaluation disc? John Atkinson has been busy putting together Editor's Choice: Stereophile's Sampler & Test CD. JA chooses his favorite Stereophile recordings from the past 10 years and throws in a few test tones.
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Stereophile Staff Posted: Jul 11, 1999 0 comments
Wes Phillips writes, "I catch John's eye and wonder if he's pondering the same question I am: What were we thinking?" In addition to trying to push forward the limits of getting great sound onto tape, Stereophile's release of Rhapsody In Blue would offer the public a groundbreaking arrangement of George Gershwin's most popular orchestral work. In "The Rhapsody Project," Hyperion Knight and John Atkinson join Wes in chronicling their perspectives on the processes leading to this landmark recording.
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Stereophile Staff Posted: Oct 20, 2003 0 comments
From the October issue, John Atkinson gets acquainted with the Morel Octwin 5.2M loudspeaker, noting, "Once you become accustomed to its admittedly weird looks, it is actually visually appealing and has a small footprint in the listening room." But there's something about the Morel's sound that causes JA to raise an eyebrow.
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Stereophile Staff Posted: Nov 05, 2000 0 comments
Chip Stern writes, "There is something enduring and reassuring in the classic audio verities." The Vandersteen 2Ce Signature loudspeaker is certainly considered one of those timeless classics. But how does a speaker released in its first incarnation more than 20 years ago hold up by today's standards? Stern lends his modern ear to the task and includes notes from Richard Vandersteen himself.
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Stereophile Staff Posted: Apr 09, 2000 0 comments
Jonathan Scull has seen the future of audiophile proselytizing and aches to spread the word. In "Fine Tunes" #18, J-10 shares the new tweak-audio mantra, and more.
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Stereophile Staff Posted: Mar 09, 2003 0 comments
Dick Olsher and various other writers take a spin with the Apogee Stage loudspeaker, whose "resemblance to the rest of the Apogee family is unmistakable" in spite of its small size. But the real story is that, "surprisingly, the sound quality does not take a back seat to its more expensive relatives."

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