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Stereophile Staff Posted: Oct 13, 2002 0 comments
Amplifier of the year? We'll have to wait until the votes are tallied in the December issue, but Paul Bolin reviews the Halcro dm58 monoblock power amplifier and reveals what the fuss is all about. As Bolin notes, "the sheer audacity of Halcro's claims generated much curiosity and interest."
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Stereophile Staff Posted: Feb 02, 2004 0 comments
From the January 2004 issue, Michael Fremer writes about the "SUV-like, limited-edition, 20th-anniversary" Musical Fidelity Tri-Vista kWP preamplifier & Tri-Vista kW Monobloc power amplifier. No doubt the "bank-vault-like" designs will get your attention, but as Fremer discovers, after you close your eyes, it's "sheer sonic pleasure."
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Stereophile Staff Posted: Jul 20, 2003 0 comments
Listening room not up to snuff? Kalman Rubinson fires up the Rives Audio PARC 3-Band Parametric Equalizer to see whether it can tame a wild acoustic beast. KR reports that at "low frequencies, electronic EQ can be implemented without introducing significant distortion or noise in the midrange, where the ear is most sensitive."
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Stereophile Staff Posted: Mar 08, 2004 0 comments
Bits is bits? In the December 1990 issue, John Atkinson explored in "Jitter, Bits, & Sound Quality" why digital audio turns out to be a complicated process. He writes, "As my violin teacher used to say, 'The right note in the wrong place is the wrong note.'" And so it is with digital data, as JA explains in this groundbreaking report.
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Stereophile Staff Posted: Nov 17, 2003 0 comments
John Atkinson gets his mitts on the PSB Platinum T8 loudspeaker and remarks that "talented loudspeaker engineers do not stand still, and neither do the resources and technology available to them." Does PSB's new flagship design live up to JA's expectations? All is revealed.
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Stereophile Staff Posted: Jul 11, 1999 0 comments
Wes Phillips writes, "I catch John's eye and wonder if he's pondering the same question I am: What were we thinking?" In addition to trying to push forward the limits of getting great sound onto tape, Stereophile's release of Rhapsody In Blue would offer the public a groundbreaking arrangement of George Gershwin's most popular orchestral work. In "The Rhapsody Project," Hyperion Knight and John Atkinson join Wes in chronicling their perspectives on the processes leading to this landmark recording.
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Stereophile Staff Posted: May 07, 2000 0 comments
Bothered by bounce? Jonathan Scull offers some solutions for turntable owners with problem floors in "Fine Tunes" No.20. He also describes how impoverished audiophiles can make their own low-cost anti-vibration shelves. Stereophile readers respond with their own experiences—and a warning.
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Stereophile Staff Posted: Feb 02, 2003 0 comments
"How much power do you really need? How much power can you actually use? What's necessary, and what's icing on the cake? And does anyone really need 1000Wpc?" Jonathan Scull takes the Boulder 2050 monoblock amplifier into the listening chamber to confront these and other pressing audio dilemmas.
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Stereophile Staff Posted: Dec 30, 2002 0 comments
Sam Tellig triggered a hailstorm of comment with his original review of the RadioShack Optimus CD-3400 portable CD player. After Tellig suggested that the modest player just might be a cheapskate audiophile delight, writers Corey Greenberg, Jack English, John Atkinson, Barry Willis, and Robert Harley each added his two cents. Some revealing but hitherto unpublished measurements are also included.
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Stereophile Staff Posted: Mar 29, 2004 0 comments
From the March 2004 issue, Kalman Rubinson files his report on the Adcom GFA-7805 five-channel power amplifier. KR notes, "It was easy for me to decide on their top-of-the-line five-channel powerhouse, the GFA-7805, because it embodies the same spirit that the GFA-555 did in its time: lots of power, no frills, good value."
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Stereophile Staff Posted: Jan 12, 2003 0 comments
Robert Deutsch tackles the Balanced Audio Technology VK-40 preamplifier, noting "Few topics will get audiophiles into an argument more readily than a discussion of the relative merits of tubed and solid-state equipment."
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Stereophile Staff Posted: Nov 28, 1999 0 comments
In his third installment of "Fine Tunes," Jonathan Scull encourages readers to stick their heads in a corner. "Notice how strongly the bass loads up there, how exaggerated and out of control it sounds," he writes. With the help of Jeff Joseph, Scull also reveals a trick for dealing with square rooms.
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Stereophile Staff Posted: Sep 19, 1999 0 comments
Want to know how Michael Fremer is able to tie a story about his baffled plumber into an equipment review? Find out in his report on the Audio Physic Virgo loudspeaker. About the speakers, Mikey writes: "Clearly, the Virgos disappeared, leaving one of the most credible three-dimensional soundstages I've ever experienced in any of my listening rooms over the years."
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Stereophile Staff Posted: Jun 06, 1999 0 comments
Conrad-Johnson has been on a roll with their Anniversary Reference Triode preamplifier, aka the ART, which garnered the Stereophile Product of the Year award in 1998. (See previous article.) According to Lew Johnson, "We realized that Conrad-Johnson is coming up on its 20th anniversary, so we thought we might produce something special to celebrate. This is a version of the preamplifier we use in our listening room at the factory---we never even thought about producing it because it would be god-awful expensive. But it really is our last thought on what a preamp should be, so we figured we'd produce a limited edition, say 250 total, as a way of commemorating our 20 years in the business."
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Stereophile Staff Posted: Nov 18, 2001 0 comments
Michael Fremer wraps his ears around the Westlake Audio Lc5.75F loudspeaker in an effort to figure out "what's a pro audio company doing at CES?" Fremer discovers why a brand that, until recently, was rarely heard outside of recording studios is now selling 70% of its products to consumers.

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