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Stereophile Staff Posted: Oct 27, 2002 0 comments
"We are now well past the era in which every review of digital playback equipment had to begin with an apology for the medium," writes Thomas J. Norton. As a case in point, TJN takes the Mark Levinson No.37 CD transport & No.36S D/A converter out for a couple of spins.
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Stereophile Staff Posted: Jun 30, 2002 0 comments
Earlier this year, Kalman Rubinson spent some time with the Rotel RB 1080 power amplifier. "What could be easier to review than a power amplifier? No features or functions aside from inputs, outputs, and a power switch," remarks KR. But as Rubinson finds, it's the details that count.
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Stereophile Staff Posted: Jun 13, 1999 0 comments
Writer Robert Deutsch takes an in-depth look at the Hales Design Group Revelation Three loudspeaker in an attempt to determine whether the product lives up to its name. He also checks into the manufacturer's claim that "what we made will forever change the world of dynamic loudspeakers . . . an instant classic, a benchmark against which others of its type are measured."
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Stereophile Staff Posted: Oct 27, 2003 0 comments
From the October issue, Art Dudley mounts the Dynavector DV10x5 MC phono cartridge (on his tonearm, that is) and spins a few records. AD explains, "This is the first entry-level Dynavector to incorporate the company's colorfully named flux damping and softened magnetism."
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Stereophile Staff Posted: Jan 27, 2002 0 comments
As Robert J. Reina writes in his review of the JMlab Chorus 706 loudspeaker, "The most exciting development in audio today isn't multichannel surround, single-ended triodes, or $10,000 phono cartridges. It's 'trickle down.'" Find out just what has trickled into the Chorus from the company's highly regarded Utopia line.
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Stereophile Staff Posted: Nov 05, 2000 0 comments
Chip Stern writes, "There is something enduring and reassuring in the classic audio verities." The Vandersteen 2Ce Signature loudspeaker is certainly considered one of those timeless classics. But how does a speaker released in its first incarnation more than 20 years ago hold up by today's standards? Stern lends his modern ear to the task and includes notes from Richard Vandersteen himself.
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Stereophile Staff Posted: Jul 29, 2001 0 comments
Larry Greenhill says he'll never forget his first encounter with the Krell LAT-1 loudspeaker at a meeting of the Westchester Audiophile Society. Suitably impressed, Greenhill reports, "I'd been bitten. I made arrangements to continue the audition in my own listening room." His complete analysis awaits.
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Stereophile Staff Posted: Aug 05, 2001 0 comments
Wes Phillips is hesitant as he takes a listen to a revised version of the first speaker he ever reviewed for Stereophile. Will the new ProAc Response One SC loudspeaker vindicate his original positive assessment of its predecessor, the ProAc Response One S? Phillips admits all.
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Stereophile Staff Posted: Apr 14, 2002 0 comments
"No doubt about it—Linn's top-of-the-line Komri loudspeaker is a queer-lookin' duck," says Jonathan Scull as he set up a pair in his listening lair. The claimed frequency response for the Komri extends out to 40kHz. "Why even bother going out that high, where even the most beautiful of women cannot hear?" J-10 explains why.
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Stereophile Staff Posted: Nov 21, 1999 0 comments
In his second installment of "Fine Tunes," Jonathan Scull writes: "I met a chap the other day whose wife said to me, 'Oh, you suffer from the same audiophile disease.' I hastened to inform her that I am the disease." But J-10 is also the cure, as he proves in this ode to building the perfect listening room.
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Stereophile Staff Posted: Sep 20, 2004 0 comments
From the September 2004 issue, Art Dudley gets his mitts on the Spendor S5e loudspeaker, remarking, "I'm never more conservative than when the subject turns to home audio . . . . Give me thin-walled hardwood cabinets, obsolete tweeters, and handmade polypropylene woofers . . . ."
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Stereophile Staff Posted: Mar 26, 2000 0 comments
For "Fine Tunes" #16, Jonathan Scull offers sage advice on handling the often ephemeral problem of microphonics in audio systems. "So here I am expounding on the tendency of audio components—especially tubes, capacitors, and resistors—to become microphonic, and you're wondering how you can find out if there's any of that shakin' goin' on in your system. And you want to do it easily and for next to nothing," he sez. The solutions await.
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Stereophile Staff Posted: May 30, 1999 0 comments
Believe it or not, there are reportedly several "audiophiles" out there who still refuse to accept that an extremely expensive amplifier can justify its price. "For them, the very idea of a $20,000 pair of monoblocks must seem absolutely ridiculous," writes Wes Phillips. "All I can say is that they should steer clear of the Mark Levinson No.33H, or else risk having their tidy little hypotheses shattered into tiny little pieces." For the complete review, take a look at the latest equipment report to hit the Archives: Mark Levinson No.33H monoblock power amplifier.
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Stereophile Staff Posted: Apr 06, 2003 0 comments
Back in 1996, Martin Colloms reviewed the Krell KAV-300i integrated amplifier, asking, "Is Krell risking its reputation?" He needn't have worried, as the 300i has gone on to become a popular audiophile classic.
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Stereophile Staff Posted: Aug 17, 2003 0 comments
From the August issue, Robert Deutsch gives the Audio Research VS110 power amplifier and SP16L line preamplifier the full treatment. RD reveals how he finds products to review, and more importantly, what he found appealing in the ARC amp and preamp.

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