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Stereophile Staff Posted: Oct 20, 2003 0 comments
From the October issue, John Atkinson gets acquainted with the Morel Octwin 5.2M loudspeaker, noting, "Once you become accustomed to its admittedly weird looks, it is actually visually appealing and has a small footprint in the listening room." But there's something about the Morel's sound that causes JA to raise an eyebrow.
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Stereophile Staff Posted: Sep 12, 1999 0 comments
Back in 1985, J. Gordon Holt wrote: "It seems, these days, that many of us audiophiles have become so preoccupied with the minutiae of sound reproduction that we haven't even noticed that it doesn't sound like music any more." He was talking about the obsession with soundstaging and detail at the expense of musical accuracy. In "Getting the Notes Right (Midrange Madness)," he renders his lesson in classic JGH style, observing that "I have played on this old saw in these pages for so many years that it has turned into a dead sawhorse, but somehow the message never seems to get through. There should be no harm done by beating it into the ground a little farther."
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Stereophile Staff Posted: Dec 27, 1998 0 comments
J. Gordon Holt, founder not only of Stereophile but also of high-end audio journalism as we know it, reveals all in a comprehensive interview with writer Steven Stone: 35 Years and Just Getting Started.
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Stereophile Staff Posted: Jun 10, 2001 0 comments
In his The Fifth Element #2, John Marks discusses in detail how to use common household items to render some audiophile magic. Marks explains, Aall you need is a very long piece of string, a tape measure, two bits of masking tape, a quantity of small self-adhesive removable note papers, and later, perhaps, a trip to the fabric store."
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Stereophile Staff Posted: Jul 01, 2001 0 comments
As John Atkinson puts it, Meridian usually does things "their way," putting amps and DACs inside of speakers in an all-out attempt at "re-creating the original soundfield, no matter how many speakers and channels it takes to do it right." But as Atkinson finds, the Meridian 518 Digital Audio Processor might be the company's most perverse product: "The $1650 518 offers digital inputs and outputs only. It can digitally perform gain and source selection; it can change data with one digital word length to data with another; and it does all these things with 72-bit internal precision." So JA asks, "How does the 518 fit within a conventional high-end audio system?" Read along as he figures it all out.
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Stereophile Staff Posted: Dec 17, 2000 0 comments
Record 10 CDs worth of music in one weekend? John Atkinson writes: "I blanched. This was an enormous task: 32 sonatas; 103 individual movements; more than 11 hours of music—11 hours, 26 minutes, and 25 seconds, as it turned out." How to record Canadian pianist Robert Silverman performing Ludwig van Beethoven's 32 Piano Sonatas in such a short time? JA explains the revolutionary process in detail.
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Stereophile Staff Posted: May 07, 2000 0 comments
Bothered by bounce? Jonathan Scull offers some solutions for turntable owners with problem floors in "Fine Tunes" No.20. He also describes how impoverished audiophiles can make their own low-cost anti-vibration shelves. Stereophile readers respond with their own experiences—and a warning.
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Stereophile Staff Posted: Apr 30, 2000 0 comments
Jonathan Scull thinks he has uncoverd the hot audiophile topic for the new millennium—e-commerce. He lays out the situation in "Fine Tunes" #19. Find out what various manufacturers are up to, and why.
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Stereophile Staff Posted: Mar 03, 2002 0 comments
Michael Fremer says he has heard many phono preamps in his career as vinyl's pre-eminent advocate, but a few do stand out. MF lived with the Conrad-Johnson Premier 15 phono preamplifier for several months to see if it would be one of the medalists. Jonathan Scull also adds some thoughts on the Series 2 version.
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Stereophile Staff Posted: Mar 23, 2003 0 comments
Kalman Rubinson reviews the MSB Platinum Link Plus D/A processor, revealing, "I have a warm spot in my heart for MSB's approach to product development." With this latest product, will Rubinson's heart continue to glow?
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Stereophile Staff Posted: Mar 22, 2004 0 comments
From the March 2004 issue, Michael Fremer goes a couple rounds with the Theta Digital Enterprise monoblock power amplifier, exclaiming, "Monoblock power amplifiers seem to be moving in and out of my listening room faster than green-onion salsa from Chi-Chi's." So how does the Theta stand up to the competition? MF lays it out.
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Stereophile Staff Posted: Oct 01, 2000 0 comments
Every once in a while, John Atkinson comes across a speaker that redefines the boundaries of what is possible with the moving-coil loudspeaker approach established 60 years ago by Rice and Kellogg. JA feels that the B&W John Bowers Silver Signature loudspeaker is just such a product, and puts it through its paces to reveal its significant virtues and minor faults.
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Stereophile Staff Posted: Mar 24, 2002 0 comments
"Even right out of the box, it's obvious that the Wadia Digital 861 CD player is something special," writes Brian Damkroger in this month's issue. "Its heft and finish are beyond the usual high-end standards." But how about the sound?
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Stereophile Staff Posted: Mar 17, 2002 0 comments
Michael Fremer gets a chorus of oohs and ahhs as he sets up the Hovland Sapphire power amplifier in his listening lair. While the Hovland is certainly a sweet-looking amp, MF rightly points out that "looks alone don't sell hi-fi equipment in the specialty audio market—especially when you're asking $7800 for a 40Wpc two-channel amplifier."
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Stereophile Staff Posted: May 25, 2003 0 comments
Robert Deutsch warms up the Audiopax Model Eighty Eight monoblock power amplifier to hear what famed Brazilian designer Eduardo de Lima has to offer. Deutsch notes, "The Audiopax Model Eighty Eight represents the latest refinement of de Lima's thinking about power amplifiers."

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