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Stereophile Staff Posted: Sep 02, 2001 0 comments
In his review of the Conrad-Johnson Premier Eleven power amplifier, Wes Phillips comes clean and admits that he loves to be seduced by sound. Phillips writes, "Now, I'm not proposing that we embrace coloration . . . but the removal of all pleasure-producing tonalities doesn't necessarily make for increased realism."
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Stereophile Staff Posted: Nov 07, 1999 0 comments
In his review of the SimAudio Moon P-5 preamplifier and W-5 power amplifier, Kal Rubinson wrote, "something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos."
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Stereophile Staff Posted: Oct 08, 2000 0 comments
Slap echo got you in a flutter? Jonathan Scull writes, in "Fine Tunes" #27, that "last month I delved into avoiding reflective, parallel-wall slap echoes from ruining your audiophile day. But I've since learned of a perfectly useful workaround that's much less costly and involved than horsing around the Sheetrock." George Cardas lends a hand.
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Stereophile Staff Posted: Jan 09, 2000 0 comments
Jonathan Scull writes: "Cable dressing is actually a rather delicate issue that requires a certain leap of faith. The concept is so simple that even I can explain the science to you." And explain he does. Read "Fine Tunes #7" to learn the whole story.
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Stereophile Staff Posted: Nov 10, 2003 0 comments
The first part of our subwoofer review trilogy finds Larry Greenhill plumbing the depths with the Paradigm Reference Servo-15 powered subwoofer. Greenhill says that the wide range of adjustments available on the Servo-15 can help it blend into most environments—but having all that choice can cut both ways, notes LG.
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Stereophile Staff Posted: Jul 25, 1999 0 comments
While decidedly "niche products," as Martin Colloms describes them, single-ended (SE) tube amplifiers have still found a happy home in many audiophile systems. But a trap awaits those who wish to evaluate the differences between an SE and a solid-state or push-pull tube amplifier, or between two SE amps. In "The Unseen Variable," Colloms digs to the bottom of this complicated matter.
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Stereophile Staff Posted: Sep 07, 2003 0 comments
Anthony H. Cordesman and John Atkinson tackle the classic Vandersteen 2C loudspeaker in a review from 1986. "Whenever I think of cone speaker systems, I think of three brand names: Snell, Thiel, and Vandersteen," says Cordesman, prompting JA to add, "I must say that I just don't understand how Richard Vandersteen can sell the 2Ci at a hair under $1200/pair and expect to make any money."
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Stereophile Staff Posted: Feb 23, 2003 0 comments
Paul Bolin exclaims, "Looking at the current digital scene is enough to confuse and confound just about anyone this side of Stephen Hawking." Bolin's review of the Ayre Acoustics D-1x DVD-Video/CD player is here to clear things up.
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Stereophile Staff Posted: Sep 30, 2001 0 comments
John Atkinson wrestles with the fabled YBA 2 HC power amplifier to uncover its very essence. Can this meticulous design, engineered (some might say over-engineered) by Yves-Bernard André deliver the audio goods?
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Stereophile Staff Posted: Aug 13, 2000 0 comments
When a manufacturer makes extraordinary claims about a product, the result is sometimes an extraordinary review. That's what happened when Jonathan Scull examined the Richard Gray's Power Company 400S AC line conditioner last June. His report raised a chorus of reader and industry reactions, all of them included here along with some additional unpublished observations.
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Stereophile Staff Posted: Aug 06, 2000 0 comments
In his review of the Sharp SM-SX100 digital integrated amplifier, Michael Fremer asks: "why would a sharp mind offer a $15,000 integrated digital amplifier to a reviewer who has been characterized in the audio press as the 'self-proclaimed Analog Messiah' and a 'hyper-Luddite'?" Would Fremer actually cotton to a digitized vinyl recording? Read Fremer's report for the startling conclusion.
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Stereophile Staff Posted: Dec 13, 1998 0 comments
Audiophiles have more than just piles of equipment and music to wrestle with in their quest for audio ecstasy. The listening room often colors a system's performance as much as any component in the chain. Tom Norton decided it was time to examine the subject, writing, "although the perfect room does not exist, there are things that can be done to make the most of even an admittedly difficult situation." See his report in "Enough Room?"
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Stereophile Staff Posted: May 11, 2003 0 comments
For Listening #5, Art Dudley tackles audio moderation, Lowther Land, and the audio puritans spying on the nudists next door. AD also explains the statement, "Just because I have a job in the lunch line doesn't mean I have to keep serving the kid who shows off for his friends by spitting out his food."
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Stereophile Staff Posted: Dec 31, 2000 0 comments
Kalman Rubinson didn't expect to complete a full review of the Revel Ultima Studio loudspeaker, planning instead to investigate only the company's F30 (also available in the online archives). But after the Studios ended up spending several months in his home, there was only one honorable option available: 'fess up and submit his true feelings.
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Stereophile Staff Posted: May 26, 2002 0 comments
Back in 1987, J. Gordon Holt & Martin Colloms set their sights on the Audio Research M300 monoblock power amplifier. "After having proven that vacuum tubes could do some sonic things better than transistors, Audio Research is now endeavoring to show that transistors can do most things better than tubes," says JGH, adding that the then-new M300 is a "hybrid amplifier . . . it's half tube, half solid-state."

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