News

Sort By: Post Date | Title | Publish Date
Filed under
Stereophile Staff Posted: May 12, 2002 0 comments
John Atkinson heads across America's great plains toward Kansas to engineer a brand-new recording that he and Les Berkley document in A Mosaic of Music: Stereophile's Clarinet Quintet CD. For the new CD, JA returns again to Chad Kassem's audio Mecca, noting that "105 takes of the Mozart and 102 takes of the Brahms later, we had gotten everything down on tape in two days of intense music-making."
Filed under
Stereophile Staff Posted: Oct 25, 2004 0 comments
From the October 2004 issue, Michael Fremer reviews the mbl 101E Radialstrahler loudspeaker, enthusing, "In one night's listening orgy, I tore through albums by the Weavers, Harry Belafonte, Sweet Honey in the Rock, Tony Bennett, etc—all recorded live in Carnegie Hall. The results were nothing short of astonishing."
Filed under
Stereophile Staff Posted: Jun 22, 2003 0 comments
Art Dudley slips his DIY leash, and revels in the high-tech splendor of the Linn Klimax Kontrol preamplifier and Klimax Twin power amplifier. AD admits he's feeling a little guilty about shunning his home-brew gear, but counters, "I've been having too much fun."
Filed under
Stereophile Staff Posted: Jun 09, 2002 0 comments
Brian Damkroger finds that the Magnepan Magneplanar MG1.6/QR loudspeaker and a 1973 Porsche 911 have much in common: "Each has grown out of the vision of a single, brilliant designer. Each reflects the long, steady evolution of a basic design, and the consistent focus on a core set of engineering criteria." BD then listens for the fruits of this approach to speaker design and writes up the results.
Filed under
Stereophile Staff Posted: Oct 05, 2003 0 comments
Wes Phillips slips into his well-worn flame-proof underwear as he bravely introduces audiophiles to the musical merits of the Apple iPod. WP finds he likes living at the edge of audio trendiness, exclaiming, "Holy cow! I'm running with the fashionistas! Can I still be an audiophile, too?"
Filed under
Stereophile Staff Posted: Apr 23, 2000 0 comments
Can Jah Atkinson believe his ears? The PS Audio Power Plant P300 touched an audio nerve with JA, who interviewed the designer, Paul McGowan: High-End Survivor, for the May 2000 Stereophile. As a bonus, we include JA's follow-up to Robert Deutsch's review of the P300, also from the May issue.
Filed under
Stereophile Staff Posted: Mar 03, 2002 0 comments
Michael Fremer says he has heard many phono preamps in his career as vinyl's pre-eminent advocate, but a few do stand out. MF lived with the Conrad-Johnson Premier 15 phono preamplifier for several months to see if it would be one of the medalists. Jonathan Scull also adds some thoughts on the Series 2 version.
Filed under
Stereophile Staff Posted: May 31, 2004 0 comments
"It costs as much as a car—and not a used jalopy, either," remarks Michael Fremer. "That's what goes through your head as you contemplate this magnificent $20,190 piece of audio jewelry." The jewelry in question is the Jadis RC JP80 MC Mk.II preamplifier, which MF compliments for "breathtaking" workmanship and parts quality. He also listens to the thing and reveals what some might consider the most important part: how it sounds.
Filed under
Stereophile Staff Posted: Dec 15, 2002 0 comments
Sam Tellig and Kalman Rubinson each take a run at the unique PS Audio HCA-2 power amplifier to see what it's made of. Will Tellig and Rubinson agree on the HCA-2's worth? Furthermore, what do the odd results of John Atkinson's measurements mean?
Filed under
Stereophile Staff Posted: Mar 23, 2003 0 comments
Kalman Rubinson reviews the MSB Platinum Link Plus D/A processor, revealing, "I have a warm spot in my heart for MSB's approach to product development." With this latest product, will Rubinson's heart continue to glow?
Filed under
Stereophile Staff Posted: Sep 02, 2001 0 comments
In his review of the Conrad-Johnson Premier Eleven power amplifier, Wes Phillips comes clean and admits that he loves to be seduced by sound. Phillips writes, "Now, I'm not proposing that we embrace coloration . . . but the removal of all pleasure-producing tonalities doesn't necessarily make for increased realism."
Filed under
Stereophile Staff Posted: Apr 07, 2002 0 comments
Back in September of 1986, the KEF R107 loudspeaker represented the flagship of KEF's much admired Reference Series. Dick Olsher and a variety of other Stereophile scribes profile this important audio achievement over the course of five years, wrapping up with Tom Norton's 1995 review of the R107/2 "Raymond Cooke Signature Edition."
Filed under
Stereophile Staff Posted: Nov 07, 1999 0 comments
In his review of the SimAudio Moon P-5 preamplifier and W-5 power amplifier, Kal Rubinson wrote, "something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos."
Filed under
Stereophile Staff Posted: Oct 08, 2000 0 comments
Slap echo got you in a flutter? Jonathan Scull writes, in "Fine Tunes" #27, that "last month I delved into avoiding reflective, parallel-wall slap echoes from ruining your audiophile day. But I've since learned of a perfectly useful workaround that's much less costly and involved than horsing around the Sheetrock." George Cardas lends a hand.
Filed under
Stereophile Staff Posted: Jan 09, 2000 0 comments
Jonathan Scull writes: "Cable dressing is actually a rather delicate issue that requires a certain leap of faith. The concept is so simple that even I can explain the science to you." And explain he does. Read "Fine Tunes #7" to learn the whole story.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading