News

Sort By: Post Date | Title | Publish Date
Filed under
Stereophile Staff Posted: Sep 02, 2001 0 comments
In his review of the Conrad-Johnson Premier Eleven power amplifier, Wes Phillips comes clean and admits that he loves to be seduced by sound. Phillips writes, "Now, I'm not proposing that we embrace coloration . . . but the removal of all pleasure-producing tonalities doesn't necessarily make for increased realism."
Filed under
Stereophile Staff Posted: Nov 07, 1999 0 comments
In his review of the SimAudio Moon P-5 preamplifier and W-5 power amplifier, Kal Rubinson wrote, "something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos."
Filed under
Stereophile Staff Posted: Oct 08, 2000 0 comments
Slap echo got you in a flutter? Jonathan Scull writes, in "Fine Tunes" #27, that "last month I delved into avoiding reflective, parallel-wall slap echoes from ruining your audiophile day. But I've since learned of a perfectly useful workaround that's much less costly and involved than horsing around the Sheetrock." George Cardas lends a hand.
Filed under
Stereophile Staff Posted: Jan 09, 2000 0 comments
Jonathan Scull writes: "Cable dressing is actually a rather delicate issue that requires a certain leap of faith. The concept is so simple that even I can explain the science to you." And explain he does. Read "Fine Tunes #7" to learn the whole story.
Filed under
Stereophile Staff Posted: Jul 25, 1999 0 comments
While decidedly "niche products," as Martin Colloms describes them, single-ended (SE) tube amplifiers have still found a happy home in many audiophile systems. But a trap awaits those who wish to evaluate the differences between an SE and a solid-state or push-pull tube amplifier, or between two SE amps. In "The Unseen Variable," Colloms digs to the bottom of this complicated matter.
Filed under
Stereophile Staff Posted: Sep 07, 2003 0 comments
Anthony H. Cordesman and John Atkinson tackle the classic Vandersteen 2C loudspeaker in a review from 1986. "Whenever I think of cone speaker systems, I think of three brand names: Snell, Thiel, and Vandersteen," says Cordesman, prompting JA to add, "I must say that I just don't understand how Richard Vandersteen can sell the 2Ci at a hair under $1200/pair and expect to make any money."
Filed under
Stereophile Staff Posted: Feb 23, 2003 0 comments
Paul Bolin exclaims, "Looking at the current digital scene is enough to confuse and confound just about anyone this side of Stephen Hawking." Bolin's review of the Ayre Acoustics D-1x DVD-Video/CD player is here to clear things up.
Filed under
Stereophile Staff Posted: Sep 30, 2001 0 comments
John Atkinson wrestles with the fabled YBA 2 HC power amplifier to uncover its very essence. Can this meticulous design, engineered (some might say over-engineered) by Yves-Bernard André deliver the audio goods?
Filed under
Stereophile Staff Posted: Aug 18, 2002 0 comments
John Atkinson gets his hands on "the very strange-looking" MBL 111B loudspeaker to determine how "upper-frequency drive-units resembling an array of orange segments" could possibly sound. As JA discovers, thinking different can sometimes be a plus.
Filed under
Stereophile Staff Posted: Nov 04, 2001 0 comments
From the March 2001 issue, Michael Fremer finds that, although homely in appearance, the Herron Audio M150 monoblock power amplifier has several endearing qualities. As Fremer explains, "Herron approaches the marketplace in a cautious, stealthy manner, working from the ground up to grab the ears of audiophiles." MF tells us where this amp grabbed him.
Filed under
Stereophile Staff Posted: Mar 16, 2003 0 comments
John Atkinson finishes his survey of pricey floor-standing speakers with a review of the Dynaudio Confidence C4 loudspeaker. JA notes that, "despite its $16,000/pair price, the C4 has much in common with its cost-no-object cousins in Dynaudio's Evidence line."
Filed under
Stereophile Staff Posted: Nov 18, 2001 0 comments
Michael Fremer wraps his ears around the Westlake Audio Lc5.75F loudspeaker in an effort to figure out "what's a pro audio company doing at CES?" Fremer discovers why a brand that, until recently, was rarely heard outside of recording studios is now selling 70% of its products to consumers.
Filed under
Jon Iverson Posted: Dec 06, 1998 0 comments
Last week's Vote! question about vibration control garnered one of the most interesting groups of comments from readers so far. Everything from bicycle tires to bubble wrap is being employed in audiophile homes around the world in an attempt to subdue the dreaded curse of the shakes.
Filed under
Stereophile Staff Posted: Mar 01, 2004 0 comments
John Atkinson headed to the Midwest last year to record another audiophile disc. In Deep River: the Cantus Spirituals Project, JA describes the process of capturing a chorus of male voices with high-rez digital equipment. Atkinson notes, "Presented with the magnificent acoustic of Sioux Falls' 1500-seat Washington Pavilion of the Arts & Sciences, the question facing me was how to present what are still fairly intimate works while taking advantage of that supportive acoustic."
Filed under
Stereophile Staff Posted: Feb 09, 2003 0 comments
Kalman Rubinson fires up the Sonic Frontiers Line 2 line preamplifier, commenting, "I began this review grudgingly because I'd made a decision a while back to no longer pursue vacuum-tube electronics." But it's where KR ends up after months of listening that counts.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading