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Stereophile Staff Posted: May 05, 2002 0 comments
At the start of his review of the Balanced Audio Technology VK-D5 CD player, Jonathan Scull observes, "Man, has Balanced Audio Technology come a long way in a short time." Scull goes in-depth with the VK-D5 to explain just what he's found.
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Stereophile Staff Posted: May 13, 2001 0 comments
Chip Stern provides us with a mini-review of the Sony SCD-777ES . Find out why this SACD player prompted him to exclaim: "At $2500, the SCD-777ES is not merely a Class A component, it's a steal."
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Stereophile Staff Posted: Jul 18, 1999 0 comments
Winter had just touched down in Santa Fe two days before the recording sessions were to begin, leading Wes Phillips to wonder if the damp air would wreak havoc with tuning. But he needn't have worried, writing that violinist Ida Levin "played with such intense concentration that sometimes she seemed about to levitate off the floor as she chased a melodic line into the ether." In Duet: And Two to Carry Your Soul Away, Ida Levin and John Atkinson join Wes Phillips in chronicling the recording from both musical and technical perspectives.
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Stereophile Staff Posted: Feb 06, 2000 0 comments
Spring typically sees Stereophile release its coveted "Records To Die For" feature, wherein everybody working for the magazine gets to make like a music critic and add their two cents about what gets them excited (musically speaking). R2D4 2000 is on newsstands right now, in the February issue of Stereophile; to commemorate its publication, we add the 1999 "Records To Die For" to the online archives.
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Stereophile Staff Posted: Dec 01, 2002 0 comments
Paul Bolin reviews the EgglestonWorks Andra II loudspeaker, noting, "It's always tough to follow an award-winning act." Bolin listens carefully to determine if "the lofty ambitions of the Andra II project" have made significant and meaningful improvements to the original design.
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Stereophile Staff Posted: Dec 29, 2003 0 comments
J. Gordon Holt and various other Stereophile writers are brought together to create the definitive review archive of the Audio Research SP9 preamplifier. The SP9 review was controversial in its day, and the complete review archives include manufacturer and reader comments.
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Stereophile Staff Posted: Jan 19, 2003 0 comments
With the February issue hitting newstands, it's time once again to honor those twirling discs that also made our heads spin, with "2002 Records To Die For." Stereophile's staff and writers all check in with their eclectic batches of musical heaven.
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Stereophile Staff Posted: Aug 15, 1999 0 comments
Wes Phillips explains that Adcom is one of those companies that is easy to take for granted. "To break through our complacency, Adcom would have to produce an outright unlistenable turkey—or a product that raised the bar so high that any audio manufacturer would get a hernia just thinking about raising it again."
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Stereophile Staff Posted: May 20, 2001 0 comments
Mark Levinson has traveled from Woodstock to the Whitney, and Michael Fremer lends an ear to his Red Rose Music R3 loudspeaker to determine if the journey was a fruitful one. As Fremer characterizes it, "If Levinson's Cello foray was haute monde, Red Rose is Dockers: loose-fitting and relaxed."
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Stereophile Staff Posted: Oct 28, 2001 0 comments
Kalman Rubinson says he "anticipated the installation of the TacT Audio RCS 2.0 digital equalizer/preamplifier with mixed emotions." Would his hard work at setting up the perfect listening environment be rendered irrelevant in the face of digital signal processing? Or would the future of audio unfold at his feet?
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Stereophile Staff Posted: Feb 04, 2001 0 comments
After a frustrating late-night duel with evil recording gremlins, JA called it a day. But the next morning he was back at the controls to record Canadian pianist Robert Silverman for what would subsequently become one of Stereophile's popular audiophile recordings: Intermezzo: Works for Piano by Brahms. In Intermezzo: The Santa Barbara Sessions, writer Thomas Norton runs down the key events that finally resulted in a completed analog master tape, with engineering from Water Lily Acoustics' Kavichandran Alexander.
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Stereophile Staff Posted: Aug 27, 2000 0 comments
Back in 1997, DVD-Audio was still miles away—and it may still be! But, as John Atkinson writes, "After a decade of stability, with slow but steady improvement in the quality of 16-bit/44.1kHz audio, the cry among audio engineers is now '24/96!'—meaning 24-bit data sampled at 96kHz. Not coincidentally, DVD offers audiophiles a medium with the potential for playing back music encoded at this new mastering standard." The dCS Elgar D/A processor was one of the first consumer units able to decode 24/96, and still stands as a benchmark product. JA gives the details.
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Stereophile Staff Posted: Jul 23, 2000 0 comments
Sometimes a product can take a while to reach its potential. As Jonathan Scull writes, "First, the Accuphase DP-75V CD player took a full two weeks to warm up and pull its act together. If anything, it was too polite, warm, and over-the-top bloomy when I first lit it up. The '75 requires a long warm-up period. But wait . . . just wait for it." When the wait was over, J-10 filed his observations in detail.
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Stereophile Staff Posted: Aug 29, 1999 0 comments
Flat frequency reponse in an audio component is good, right? Well, maybe not always, explains J. Gordon Holt in Down With Flat! JGH: "Many times in past years I have been impressed by the incredible flatness of the measured high-end response of some speakers. . . . In every such case, I have been equally amazed at how positively awful those loudspeakers sounded—so tipped-up at the high end that I could not enjoy listening to them."
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Stereophile Staff Posted: Aug 04, 2002 0 comments
Chip Stern heads this week's list with an evaluation of the NAD C370 integrated amplifier from the January 2002 issue. With the units priced to sell, at $699, CS wants to know if the C370 can satisfy audiophiles as well as budget-conscious shoppers.

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