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Stereophile Staff Posted: Oct 05, 2003 0 comments
Wes Phillips slips into his well-worn flame-proof underwear as he bravely introduces audiophiles to the musical merits of the Apple iPod. WP finds he likes living at the edge of audio trendiness, exclaiming, "Holy cow! I'm running with the fashionistas! Can I still be an audiophile, too?"
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Stereophile Staff Posted: Mar 11, 2001 0 comments
With the April issue of Stereophile, the "Recommended Components" list is again on its way to subscribers' audiophile homes around the world. But there has always been controversy surrounding the popular feature. George Reisch explores the problem in "Recommended Components"—the St. Hubbins' Syndrome!
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Stereophile Staff Posted: Jan 21, 2001 0 comments
February's the month when Stereophile publishes its coveted "Records To Die For" feature, wherein everybody working for the magazine gets to make like a music critic and add their two cents' worth about what gets them excited (musically speaking). R2D4 2001 is on newsstands right now, in the February issue of Stereophile; to commemorate its publication, we add the 2000 "Records To Die For" to the online archives.
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Stereophile Staff Posted: Mar 10, 2002 0 comments
John Atkinson gets high with the HeadRoom Supreme headphone amplifier and reports on the results. "The quest to make the headphone listening experience more equivalent to normal speaker listening is not new," writes JA. Has the Supreme made the cut?
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Stereophile Staff Posted: Oct 07, 2001 0 comments
As the results from last week's Vote prove, having the right tool for the audiophile job makes all of the difference. And a lot of you selected the Stereophile Test CD 3 as your weapon of choice for uncovering the good, the bad, and the ugly of a component under consideration. Here's the complete story on the most recent test disc from Stereophile and company.
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Stereophile Staff Posted: Mar 15, 2004 0 comments
From the March 2004 issue, John Atkinson finally gets to listen to the Sonus Faber Cremona loudspeaker and explains, "it took rather longer than I had expected to set the Cremonas up in my listening room. But, like everything worth experiencing, the wait was worth it."
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Stereophile Staff Posted: Dec 15, 2002 0 comments
Sam Tellig and Kalman Rubinson each take a run at the unique PS Audio HCA-2 power amplifier to see what it's made of. Will Tellig and Rubinson agree on the HCA-2's worth? Furthermore, what do the odd results of John Atkinson's measurements mean?
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Stereophile Staff Posted: Apr 05, 2004 0 comments
From the January 1996 issue, Jonathan Scull listens closely to the Wavelength Audio Cardinal XS monoblock amplifier. Single-ended tube designs such as the Wavelength can inspire controversy within audiophile ranks, so Scull carefully sorts the plusses and minuses.
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Stereophile Staff Posted: Apr 07, 2002 0 comments
Back in September of 1986, the KEF R107 loudspeaker represented the flagship of KEF's much admired Reference Series. Dick Olsher and a variety of other Stereophile scribes profile this important audio achievement over the course of five years, wrapping up with Tom Norton's 1995 review of the R107/2 "Raymond Cooke Signature Edition."
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Stereophile Staff Posted: Oct 03, 1999 0 comments
In his review of the VTL MB750 monoblock power amplifier, Brian Damkroger asks: "How much power do you really need? What does it do for you, anyway?" His answer may surprise you. Also added to the Archives this week is Damkroger's in-depth history lesson and interview with the man behind the company, "Making Tubes User-Friendly: Luke Manley of VTL."
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Stereophile Staff Posted: Apr 21, 2002 0 comments
In his review of the Music Reference RM-200 power amplifier, Michael Fremer claims, "Reviewing a vacuum-tube power amplifier is like having your pants pulled down in front of a large crowd of people." MF explains why he reviewed the RM-200 despite the inevitable public humiliation.
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Stereophile Staff Posted: Sep 16, 2001 0 comments
Wes Phillips pries a hard-to-acquire Ayre Acoustics V-3 power amplifier out of company hands and puts it to the sonic test. Does the amp live up to its legendary "Best of Show" status? Phillips has the answer.
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Stereophile Staff Posted: Jul 08, 2001 0 comments
Brian Damkroger finds that, while struggling unsuccessfully to fit the Conrad-Johnson Premier 17LS line-stage preamplifier into his preconceived notions of the company and its products, a paradigm shift in his thinking occurred. Damkroger explains that "it was only during a marathon session of listening and comparing the C-J to a couple of other preamps that the truth dawned on me . . . I went back and forth between the C-J and the other units several times over the course of the next week, and one evening it hit me." The truth awaits.
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Stereophile Staff Posted: May 11, 2003 0 comments
For Listening #5, Art Dudley tackles audio moderation, Lowther Land, and the audio puritans spying on the nudists next door. AD also explains the statement, "Just because I have a job in the lunch line doesn't mean I have to keep serving the kid who shows off for his friends by spitting out his food."
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Stereophile Staff Posted: Feb 23, 2003 0 comments
Paul Bolin exclaims, "Looking at the current digital scene is enough to confuse and confound just about anyone this side of Stephen Hawking." Bolin's review of the Ayre Acoustics D-1x DVD-Video/CD player is here to clear things up.

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