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Stereophile Staff Posted: Jun 08, 2003 0 comments
The ultimate system evaluation disc? John Atkinson has been busy putting together Editor's Choice: Stereophile's Sampler & Test CD. JA chooses his favorite Stereophile recordings from the past 10 years and throws in a few test tones.
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Stereophile Staff Posted: Sep 01, 2002 0 comments
In his review of the Conrad-Johnson Premier Twelve monoblock amplifier, Michael Fremer notes, "Conrad-Johnson is one of audio's 'marquee' companies, and charges accordingly." MF uncovers what you really get for your $7000, aside from 140Wpc and a top-shelf name.
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Stereophile Staff Posted: Dec 02, 2001 0 comments
In his review of the Soliloquy 5.3 loudspeaker, Kalman Rubinson says that when he heard a pair, his first thoughts were, "Gotta get my hands on these!" After careful listening, did the speaker live up to Rubinson's first impressions? KR tells the whole story.
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Stereophile Staff Posted: Apr 22, 2001 0 comments
Sam Tellig may apologize for contributing to the audiophile empty wallet syndrome, but that doesn't stop him from ranking the Monarchy Audio Digital Interface Processor 24/96 "a must-have if you want to get the most from your upsampling MSB Link DAC III."
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Stereophile Staff Posted: Oct 27, 2002 0 comments
"We are now well past the era in which every review of digital playback equipment had to begin with an apology for the medium," writes Thomas J. Norton. As a case in point, TJN takes the Mark Levinson No.37 CD transport & No.36S D/A converter out for a couple of spins.
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Stereophile Staff Posted: Oct 29, 2000 0 comments
John Atkinson points out that "a much-touted benefit of DVD-Audio and Super Audio CD is that these new media can store digital audio data extending one or more octaves higher in frequency response than the capabilities of the CD." But is this a difference that makes a difference? Atkinson examines the mounting pile of data in What's Going On Up There? Is there recorded life above 20k? The answer may surprise you.
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Stereophile Staff Posted: Jul 09, 2000 0 comments
Kalman Rubinson had tried to get his hands on the Revel Performa F30 loudspeakers back in January 1999, but was thwarted until later in the year, when J-10 decided to send them his way. Kal was clearly excited about these speakers, and explains in detail exactly why.
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Stereophile Staff Posted: Nov 19, 2000 0 comments
Describing the Audio Research Reference Two preamplifier, Michael Fremer writes "Audio Research's first 21st-century, audiophile-quality line-stage preamplifier combines retro-tech vacuum-tube amplification and power-supply circuitry with innovative, remote-controlled gain, balance, tape monitoring, and signal routing. The price is also 21st-century: $9995." Worth every penny? Fremer offers his assessment.
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Stereophile Staff Posted: Feb 06, 2000 0 comments
Spring typically sees Stereophile release its coveted "Records To Die For" feature, wherein everybody working for the magazine gets to make like a music critic and add their two cents about what gets them excited (musically speaking). R2D4 2000 is on newsstands right now, in the February issue of Stereophile; to commemorate its publication, we add the 1999 "Records To Die For" to the online archives.
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Stereophile Staff Posted: Oct 28, 2001 0 comments
Kalman Rubinson says he "anticipated the installation of the TacT Audio RCS 2.0 digital equalizer/preamplifier with mixed emotions." Would his hard work at setting up the perfect listening environment be rendered irrelevant in the face of digital signal processing? Or would the future of audio unfold at his feet?
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Stereophile Staff Posted: Dec 12, 1999 0 comments
There's nothing like a new high-resolution format to get an audiophile's interest, and this year saw two major announcements. But with DVD-Audio stalling, attention is sure to focus on Sony and Philips' new SACD format. Jonathan Scull jumps right in with his review of the Sony SCD-1 Super Audio CD/CD player. As J-10 notes: "Rarely have I anticipated the arrival of a review component as I did the Sony SCD-1 Super Audio CD player." But does it live up to the hype?
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Stereophile Staff Posted: Aug 27, 2000 0 comments
Back in 1997, DVD-Audio was still miles away—and it may still be! But, as John Atkinson writes, "After a decade of stability, with slow but steady improvement in the quality of 16-bit/44.1kHz audio, the cry among audio engineers is now '24/96!'—meaning 24-bit data sampled at 96kHz. Not coincidentally, DVD offers audiophiles a medium with the potential for playing back music encoded at this new mastering standard." The dCS Elgar D/A processor was one of the first consumer units able to decode 24/96, and still stands as a benchmark product. JA gives the details.
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Stereophile Staff Posted: Aug 02, 2004 0 comments
Back in June of 1992, Lewis Lipnick auditioned one of the era's benchmark products, the Cello Palette Preamplifier. LL comments, "The Palette Preamplifier gives the listener a glimpse of what performers experience every day on stage: total immersion in the music."
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Stereophile Staff Posted: Jan 12, 2004 0 comments
Sam Tellig and Lonnie Brownell both provide trenchant analyses of the Bryston B-60R integrated amplifier. Tellig notes, "With Bryston gear, you get solid engineering and impeccable—I was going to say unimpeachable—build quality. This is what you pay for; not bulletproof faceplates, gold-plated name badges, or the like."
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Stereophile Staff Posted: Sep 03, 2000 0 comments
Dynaudio US's president, Al Filippelli, tells Wes Phillips that "Dynaudio speakers are a lot like the Danes who make them. They don't look all that fancy, but they tell the truth and they get the job done. To a lot of audiophiles, that's boring. But there are a lot of people who have been looking for those qualities in a loudspeaker, and for them, boring can be cause for excitement." Phillips takes an in-depth look at the Dynaudio Contour 3.3 loudspeaker to determine if "boring" can make him happy.

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