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Stereophile Staff Posted: Jan 12, 2003 0 comments
Robert Deutsch tackles the Balanced Audio Technology VK-40 preamplifier, noting "Few topics will get audiophiles into an argument more readily than a discussion of the relative merits of tubed and solid-state equipment."
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Stereophile Staff Posted: Jul 22, 2001 0 comments
While doing research for his analysis of the Totem Acoustic Forest loudspeaker, Larry Greenhill uncovered a legacy of great reviews for the company's previous products each ending with a final "but . . ." comment. But . . . does Greenhill discover any killer "buts" with the Forest? He explains in detail.
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Stereophile Staff Posted: Mar 19, 2000 0 comments
Regardless of what the skeptics claim, Jonathan Scull is a firm believer in resonance-control devices. For "Fine Tunes" #15, Scull investigates some products he has found useful. "Pssst," Scull whispers. "Hey you. Yeah, you . . . we know you're a tweaker. It's nothing to be ashamed of. You just wanna make it better, right? Even as everyone around you wants to know when enough's enough already."
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Stereophile Staff Posted: Mar 28, 1999 0 comments
Last week, in Book Review: High Fidelity Audio/Video Systems: A Critical Guide for Owners, we ran Corey Greenberg's scathing review of an audio book that misses the mark by a wide margin. This week, in Book Review: The Complete Guide to High-End Audio, we examine a book written by erstwhile Stereophile consulting technical editor Robert Harley. He does not emerge unscathed!
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Stereophile Staff Posted: Jan 05, 2003 0 comments
From 1989 and 1992, John Atkinson reviews the Celestion SL600si loudspeaker and the DLP600 digital equalizer. "Given that conventional equalizers are quite correctly regarded in Audioland as being poor-sounding pieces of cheap, amusical junk," JA asks, "what I am doing reviewing what, for want of a better word, is an equalizer?"
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Stereophile Staff Posted: Dec 24, 2000 0 comments
DVD-Audio has been brewing for a couple of years now, finally going public with the Technics DVD-A10 DVD-Audio player. Jonathan Scull got his eager hands on this groundbreaking machine last September, only to find that evaluating a new format is a complicated affair. Will this player, and DVD-Audio in general, soothe the audiophile heart? Scull takes a listen and spills the bits.
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Stereophile Staff Posted: May 14, 2000 0 comments
With their simple circuits and low, even zero, levels of loop negative feedback, the sound quality of single-ended triode amplifiers is very dependent on the specific output tubes used. In "In Search of the Perfect 300B Tube," Peter van Willenswaard finds that not all tubes are created equal. Measured and auditioned in his survey of 300B power tubes are samples from Golden Dragon, JJ Electronics, KR Enterprise, Sovtek, Svetlana, Valve Art, and Western Electric. "If you want the best," sums up Mr. W, "there's only the . . . "—well, you'll have to read the article to find out!
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Stereophile Staff Posted: May 24, 2004 0 comments
"Size does matter," John Atkinson discovers, as he fits the Shure E3c in-ear headphones into his ears. Once fitted, JA hooks the mini "cans" up to his iPod and PowerBook to discover how much audiophile sound a little set of ear buds can produce.
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Stereophile Staff Posted: Dec 03, 2000 0 comments
First up is Stereophile's 2000 Products of the Year. This is an important resource for readers, and Stereophile editor John Atkinson has once again decided to post this oft-requested article in our online archives in the same month the original appears in the paper edition.
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Stereophile Staff Posted: Mar 25, 2001 0 comments
As Shannon Dickson puts it, the Audio Artistry Beethoven loudspeaker system "is a four-piece, bi-amplified, dynamic dipole design which has been taken to the nth degree of refinement." After much time spent reveling in the speaker's sonic splendor, Dickson arrives at his aural conclusion.
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Stereophile Staff Posted: May 04, 2003 0 comments
In 1997, Martin Colloms reviewed the Krell Full Power Balanced 600 power amplifier, wondering "Can a 600Wpc amplifier be relevant to domestic high fidelity?"
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Stereophile Staff Posted: Apr 09, 2000 0 comments
Jonathan Scull has seen the future of audiophile proselytizing and aches to spread the word. In "Fine Tunes" #18, J-10 shares the new tweak-audio mantra, and more.
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Stereophile Staff Posted: Jan 12, 2004 0 comments
Sam Tellig and Lonnie Brownell both provide trenchant analyses of the Bryston B-60R integrated amplifier. Tellig notes, "With Bryston gear, you get solid engineering and impeccable—I was going to say unimpeachable—build quality. This is what you pay for; not bulletproof faceplates, gold-plated name badges, or the like."
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Stereophile Staff Posted: Jun 27, 1999 0 comments
Are audiophiles and recording engineers natural adversaries? From the many slings and arrows hurled back and forth between the camps, it would certainly seem so. Robert Harley asks, "But are recording engineers less concerned about sound quality than are audiophiles? If so, why? Isn't someone who has devoted his life to recording music more caring than the hobbyist audiophile? If not, why not?" Read his analysis of the issues in "A Clash of Values?" Also included is a lively volley of readers' letters.
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Stereophile Staff Posted: Aug 12, 2001 0 comments
As Larry Greenhill states in his review of the MartinLogan Prodigy loudspeaker, "Electrostatic speakers are my passion." But Greenhill's heard a lot of great 'stats in his time, so he was "both excited and uneasy" when a review pair of MartinLogan's latest arrived in his listening room. He needn't have worried.

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