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Stereophile Staff Posted: Oct 05, 2003 0 comments
Wes Phillips slips into his well-worn flame-proof underwear as he bravely introduces audiophiles to the musical merits of the Apple iPod. WP finds he likes living at the edge of audio trendiness, exclaiming, "Holy cow! I'm running with the fashionistas! Can I still be an audiophile, too?"
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Stereophile Staff Posted: Oct 06, 2002 0 comments
The Adcom GFA-555 power amplifier has long been regarded as a classic design and still commands decent prices on the used market. Anthony H. Cordesman and various other Stereophile writers check in with their opinions.
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Stereophile Staff Posted: Oct 04, 2004 0 comments
Jack English noted in March 1994, "I lobbied ProAc designer Stuart Tyler tirelessly to take a crack at a truly full-range speaker which would preserve the strengths of the Response lineup. My wish came true in mid-1993, with the release of the monstrous ProAc Response 4 loudspeaker."
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Stereophile Staff Posted: Dec 22, 2002 0 comments
Larry Greenhill wonders, "In crossing over into transistor products, would Conrad-Johnson be able to retain the simplicity, low distortion, and musicality of their tube designs?" LG fires up the Conrad-Johnson Premier 18LS line preamplifier to satisfy his curiosity.
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Stereophile Staff Posted: May 05, 2002 0 comments
At the start of his review of the Balanced Audio Technology VK-D5 CD player, Jonathan Scull observes, "Man, has Balanced Audio Technology come a long way in a short time." Scull goes in-depth with the VK-D5 to explain just what he's found.
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Stereophile Staff Posted: Oct 31, 1999 0 comments
Robert Deutsch writes that "There's a well-known tradeoff in speaker design between sound quality for one listener vs. multiple listeners." But his review of the Dunlavy SC-IV/A loudspeaker reveals that, in the hands of a great designer, these limitations can sometimes be transcended. How did John Dunlavy do it? Deutsch gets to the bottom of this, and more.
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Stereophile Staff Posted: Jul 18, 1999 0 comments
Winter had just touched down in Santa Fe two days before the recording sessions were to begin, leading Wes Phillips to wonder if the damp air would wreak havoc with tuning. But he needn't have worried, writing that violinist Ida Levin "played with such intense concentration that sometimes she seemed about to levitate off the floor as she chased a melodic line into the ether." In Duet: And Two to Carry Your Soul Away, Ida Levin and John Atkinson join Wes Phillips in chronicling the recording from both musical and technical perspectives.
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Stereophile Staff Posted: Oct 20, 2003 0 comments
From the October issue, John Atkinson gets acquainted with the Morel Octwin 5.2M loudspeaker, noting, "Once you become accustomed to its admittedly weird looks, it is actually visually appealing and has a small footprint in the listening room." But there's something about the Morel's sound that causes JA to raise an eyebrow.
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Stereophile Staff Posted: Feb 06, 2000 0 comments
Spring typically sees Stereophile release its coveted "Records To Die For" feature, wherein everybody working for the magazine gets to make like a music critic and add their two cents about what gets them excited (musically speaking). R2D4 2000 is on newsstands right now, in the February issue of Stereophile; to commemorate its publication, we add the 1999 "Records To Die For" to the online archives.
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Stereophile Staff Posted: Dec 29, 2003 0 comments
J. Gordon Holt and various other Stereophile writers are brought together to create the definitive review archive of the Audio Research SP9 preamplifier. The SP9 review was controversial in its day, and the complete review archives include manufacturer and reader comments.
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Stereophile Staff Posted: Jan 19, 2003 0 comments
With the February issue hitting newstands, it's time once again to honor those twirling discs that also made our heads spin, with "2002 Records To Die For." Stereophile's staff and writers all check in with their eclectic batches of musical heaven.
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Stereophile Staff Posted: May 20, 2001 0 comments
Mark Levinson has traveled from Woodstock to the Whitney, and Michael Fremer lends an ear to his Red Rose Music R3 loudspeaker to determine if the journey was a fruitful one. As Fremer characterizes it, "If Levinson's Cello foray was haute monde, Red Rose is Dockers: loose-fitting and relaxed."
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Stereophile Staff Posted: Oct 28, 2001 0 comments
Kalman Rubinson says he "anticipated the installation of the TacT Audio RCS 2.0 digital equalizer/preamplifier with mixed emotions." Would his hard work at setting up the perfect listening environment be rendered irrelevant in the face of digital signal processing? Or would the future of audio unfold at his feet?
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Stereophile Staff Posted: Feb 04, 2001 0 comments
After a frustrating late-night duel with evil recording gremlins, JA called it a day. But the next morning he was back at the controls to record Canadian pianist Robert Silverman for what would subsequently become one of Stereophile's popular audiophile recordings: Intermezzo: Works for Piano by Brahms. In Intermezzo: The Santa Barbara Sessions, writer Thomas Norton runs down the key events that finally resulted in a completed analog master tape, with engineering from Water Lily Acoustics' Kavichandran Alexander.
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Stereophile Staff Posted: Aug 27, 2000 0 comments
Back in 1997, DVD-Audio was still miles away—and it may still be! But, as John Atkinson writes, "After a decade of stability, with slow but steady improvement in the quality of 16-bit/44.1kHz audio, the cry among audio engineers is now '24/96!'—meaning 24-bit data sampled at 96kHz. Not coincidentally, DVD offers audiophiles a medium with the potential for playing back music encoded at this new mastering standard." The dCS Elgar D/A processor was one of the first consumer units able to decode 24/96, and still stands as a benchmark product. JA gives the details.

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