News

Sort By: Post Date | Title | Publish Date
Filed under
Stereophile Staff Posted: Aug 24, 2003 0 comments
More from the August issue: Larry Greenhill updates his system with the Mark Levinson No.436 monoblock power amplifier. LG says, "I was concerned when [Mark Levinson] discontinued its entire 300 series of dual-mono amplifiers, but the company reassured me that they had a suitable replacement in the No. 436." Greenhill decides for himself.
Filed under
Stereophile Staff Posted: Jan 17, 1999 0 comments
Our first article this week is Space . . . the Final Frontier, in which J. Gordon Holt explains both why he feels the High End should abandon two-channel stereo, and why it is misguided in its choice of loudspeakers for stereo reproduction.
Filed under
Stereophile Staff Posted: Dec 01, 2003 0 comments
Is bigger better? Michael Fremer sets out to determine just that as he reviews the Pass Labs XA160 monoblock power amplifier. As Fremer explains, "While the industry-feminizing tiny triode set has made a great deal of noise in the past few years (I can hear them hissing now), soft-walking, big-stick-carrying, mega-power amplifiers still circle the globe."
Filed under
Stereophile Staff Posted: Nov 03, 2003 0 comments
From the May 2002 issue, Michael Fremer positions the Odeon La Traviata loudspeaker in his listening lair, writing, "Interest in super-efficient, horn-loaded, compression-driver loudspeakers has grown in the past few years." But as MF finds, horns may not always do the trick.
Filed under
Stereophile Staff Posted: Aug 23, 2004 0 comments
In his report on the MartinLogan Depth powered subwoofer, Larry Greenhill laments, "Reviewing subwoofers is a lonely job that brings no respect." But can the Depth upset one of LG's longstanding prejudices to earn his respect?
Filed under
Stereophile Staff Posted: Apr 02, 2000 0 comments
For "Fine Tunes" #17, Jonathan Scull presents readers with the ultimate bachelor-pad mod for speaker stands: shiny black trash bags. More important, Scull investigates why we even try these things in the first place.
Filed under
Stereophile Staff Posted: Jul 15, 2001 0 comments
Several months back, Stereophile editor John Atkinson asked David Rich to investigate the technical merits of SACD. With Super Audio CD: The Rich Report, DR discovers that there is both more and less than meets the ear to the new format, including why it is being promoted in the first place.
Filed under
Stereophile Staff Posted: Feb 03, 2002 0 comments
Jonathan Scull found himself in awe of the beautiful and ingenious construction lavished on the Boulder 1012 D/A preamplifier. "Its design and build qualities are icons to elegant engineering know-how. No screws show on the rectangular box . . .", J-10 enthuses. And as Scull finds, this D/A preamp combines both beauty and brains to create sheer audio pleasure.
Filed under
Stereophile Staff Posted: Aug 12, 2001 0 comments
As Larry Greenhill states in his review of the MartinLogan Prodigy loudspeaker, "Electrostatic speakers are my passion." But Greenhill's heard a lot of great 'stats in his time, so he was "both excited and uneasy" when a review pair of MartinLogan's latest arrived in his listening room. He needn't have worried.
Filed under
Stereophile Staff Posted: Jul 14, 2002 0 comments
John Atkinson has found himself swept away by the expensive speakers from Wilson Audio Specialties, so he set forth to put the company's new, modestly-priced Sophia loudspeaker to the test. JA writes, "The Sophia is all new, from its handcrafted enclosure to its custom-built drive-units."
Filed under
Stereophile Staff Posted: Jan 19, 2004 0 comments
From the January 2004 issue, Robert J. Reina surveys the Epos ELS-3 loudspeaker, reporting at the outset, "I have not been this excited about an entry-level speaker in years." BJR explains, "In three areas, it exceeded in performance what I've heard from its competition."
Filed under
Stereophile Staff Posted: Sep 28, 2003 0 comments
Kalman Rubinson looks past the odd knobs to discover what's at the heart of the Blue Circle BC21 preamplifier & BC22 power amplifier. KR reveals, "In the past, I've found components with small drawbacks that made them unacceptable, but the Blue Circle BC21 and BC22 triumphed over their flaws."
Filed under
Stereophile Staff Posted: Feb 24, 2002 0 comments
Robert Harley analyzed the $1995 McCormack Power Drive DNA-1 power amplifier back in 1992. His goal? To determine if this product "would be a high-end amplifier for Everyman." Reprint includes Kal Rubinson's Y2K experience with the SMc mods for the DNA-1.
Filed under
Stereophile Staff Posted: Jun 11, 2000 0 comments
Sure, we review a lot of big-bucks equipment in Stereophile, but readers constantly remind us to try the cheaper stuff as well. John Atkinson does exactly that in his review of the Acoustic Energy Aegis One loudspeaker. As JA puts it, "Acoustic Energy has introduced the Aegis One; its price is one-tenth that of the AE1 in its current, Signature guise. Does the Aegis One live up to what its heritage promises? I asked the company's US distributor, Audiophile Systems, to send me a pair so I could find out."
Filed under
Stereophile Staff Posted: Mar 12, 2000 0 comments
In his essay "Let's Face the Music and Dance," John Marks, founder of John Marks Records, asks: "Does high-end audio have a future?" Of course it does, he says. But will it be one worth the price? Marks writes, "for most of its potential consumers, high-end audio is now a matter of sharply diminishing economic returns. A large incremental expenditure guarantees only a relatively modest, even marginal improvement in sound quality." How to forge ahead anyway? Marks offers his advice to our "dysfunctional" audio family.

Pages