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Stereophile Staff Posted: Feb 09, 2003 0 comments
Kalman Rubinson fires up the Sonic Frontiers Line 2 line preamplifier, commenting, "I began this review grudgingly because I'd made a decision a while back to no longer pursue vacuum-tube electronics." But it's where KR ends up after months of listening that counts.
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Stereophile Staff Posted: Oct 24, 1999 0 comments
Steven Stone writes that "the Signature SC-VI is probably the most 'anti-tweak' flagship high-end speaker ever made." In his very thorough review of the Dunlavy Audio Labs Signature SC-VI loudspeaker, Stone details this legendary audiophile favorite from top to bottom. Is it the perfect speaker? Stone lays down his verdict, and more.
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Stereophile Staff Posted: Jun 22, 2003 0 comments
Art Dudley slips his DIY leash, and revels in the high-tech splendor of the Linn Klimax Kontrol preamplifier and Klimax Twin power amplifier. AD admits he's feeling a little guilty about shunning his home-brew gear, but counters, "I've been having too much fun."
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Stereophile Staff Posted: Apr 23, 2000 0 comments
Can Jah Atkinson believe his ears? The PS Audio Power Plant P300 touched an audio nerve with JA, who interviewed the designer, Paul McGowan: High-End Survivor, for the May 2000 Stereophile. As a bonus, we include JA's follow-up to Robert Deutsch's review of the P300, also from the May issue.
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Stereophile Staff Posted: Oct 01, 2000 0 comments
Every once in a while, John Atkinson comes across a speaker that redefines the boundaries of what is possible with the moving-coil loudspeaker approach established 60 years ago by Rice and Kellogg. JA feels that the B&W John Bowers Silver Signature loudspeaker is just such a product, and puts it through its paces to reveal its significant virtues and minor faults.
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Stereophile Staff Posted: Sep 10, 2000 0 comments
Jonathan Scull writes that "with its latest series of FPB (Full Power Balanced) amplifiers, Krell is taking careful aim at the seam between classic high-power two-channel systems and quality multichannel installations where sound is yet paramount. Nevertheless, Krell founder Dan D'Agostino was adamant: Krell's Class A components were designed for music playback. 'I'm a purist, like you, Jonathan!' he told me." In his review of the Krell Full Power Balanced 350mc monoblock amplifier, Scull determines whether or not Krell has struck its musical target.
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Stereophile Staff Posted: Mar 03, 2002 0 comments
Michael Fremer says he has heard many phono preamps in his career as vinyl's pre-eminent advocate, but a few do stand out. MF lived with the Conrad-Johnson Premier 15 phono preamplifier for several months to see if it would be one of the medalists. Jonathan Scull also adds some thoughts on the Series 2 version.
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Stereophile Staff Posted: May 31, 2004 0 comments
"It costs as much as a car—and not a used jalopy, either," remarks Michael Fremer. "That's what goes through your head as you contemplate this magnificent $20,190 piece of audio jewelry." The jewelry in question is the Jadis RC JP80 MC Mk.II preamplifier, which MF compliments for "breathtaking" workmanship and parts quality. He also listens to the thing and reveals what some might consider the most important part: how it sounds.
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Stereophile Staff Posted: Mar 23, 2003 0 comments
Kalman Rubinson reviews the MSB Platinum Link Plus D/A processor, revealing, "I have a warm spot in my heart for MSB's approach to product development." With this latest product, will Rubinson's heart continue to glow?
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Stereophile Staff Posted: Sep 02, 2001 0 comments
In his review of the Conrad-Johnson Premier Eleven power amplifier, Wes Phillips comes clean and admits that he loves to be seduced by sound. Phillips writes, "Now, I'm not proposing that we embrace coloration . . . but the removal of all pleasure-producing tonalities doesn't necessarily make for increased realism."
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Stereophile Staff Posted: Jun 18, 2000 0 comments
Back in 1979, most of us had never seen a digital audio product, much less heard one, but J. Gordon Holt knew what was coming: "The beginning of 1979 saw the introduction of the first samples of what will finally, after 79 years of supremacy, lower the curtain on the mechanically-traced disc: The digital recording." In "High Fidelity at the Crossroads," Holt looks at the new twinkle in Sony's eye and makes some sage observations.
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Stereophile Staff Posted: Nov 07, 1999 0 comments
In his review of the SimAudio Moon P-5 preamplifier and W-5 power amplifier, Kal Rubinson wrote, "something about their aesthetics appealed to me: Canadian ruggedness coupled with a decidedly French panache. I remember that those attributes also characterized the demo's sound, although I can't recall the speakers or the sources involved. At succeeding shows, it gradually dawned on me that the Moon components were the fixed elements in a succession of impressive demos."
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Stereophile Staff Posted: Oct 08, 2000 0 comments
Slap echo got you in a flutter? Jonathan Scull writes, in "Fine Tunes" #27, that "last month I delved into avoiding reflective, parallel-wall slap echoes from ruining your audiophile day. But I've since learned of a perfectly useful workaround that's much less costly and involved than horsing around the Sheetrock." George Cardas lends a hand.
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Stereophile Staff Posted: Jan 09, 2000 0 comments
Jonathan Scull writes: "Cable dressing is actually a rather delicate issue that requires a certain leap of faith. The concept is so simple that even I can explain the science to you." And explain he does. Read "Fine Tunes #7" to learn the whole story.
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Stereophile Staff Posted: Jul 25, 1999 0 comments
While decidedly "niche products," as Martin Colloms describes them, single-ended (SE) tube amplifiers have still found a happy home in many audiophile systems. But a trap awaits those who wish to evaluate the differences between an SE and a solid-state or push-pull tube amplifier, or between two SE amps. In "The Unseen Variable," Colloms digs to the bottom of this complicated matter.

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