Phono Cartridge Reviews

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John Atkinson Posted: Nov 26, 2006 Published: Sep 26, 1987 0 comments
Some six or so years ago, the Linn Asak cartridge set new standards for imaging and soundstage reproduction. I can remember the first time I heard an Asak in a system using Quad ESL-63s—I had never experienced such depth of soundstage and solidity of imaging from any system, and that with Quad amplification! The Asak was relatively quickly overshadowed in this area, however, and in any case, soundstaging precision by itself didn't seem to be a high priority for the Linn design team, who were apparently more concerned with dynamics and a musical integration of the sound across the frequency range.
Art Dudley Posted: Jan 19, 2003 0 comments
Even poor people fly. You see them getting on and off planes with their NASCAR hats and their poor friends and their poor relatives waving to them at the gate. Flying is what everybody does nowadays, but it used to be just for the rich. It's hard to remember a time when the phrase jet set was charged with something other than irony.
Art Dudley Posted: Dec 15, 2011 1 comments
I set out on a fishing trip but returned less than an hour later, empty-handed. You asked me, reasonably enough, "What happened?"

"I spent a half-hour digging in the garden for worms, but couldn't find any."

"You could have driven to Mr. Zetterstrum's farm, knocked on his door, asked his permission, and spent a few hours overturning the cowflops in his pasture. I'm sure you would have found one or two worms that way."

"You're right. I guess I didn't want to go fishing that badly."

Art Dudley Posted: Feb 21, 2012 1 comments
Phono cartridges—along with mothballs, hobnails, laundry bluing, hot-water bottles, lighter fluid, fur coats, and typewriters—are among the most outdated of consumer goods: To most people who make their living in the world of consumer electronics, every new cartridge that hits the shelves is little more than a coughing spasm from the death-room down the hall. You can imagine, then, the welcome accorded new samples of the even more anachronistic pickup head, which combines phono cartridge, headshell, and barbell into a product one seldom sees outside the school librarian's junk drawer. New pickup heads, which tend to look the same as old pickup heads, are manufactured in pessimistically small quantities, and seldom get much attention.
Art Dudley Posted: Sep 22, 2008 0 comments
Janet watched the record spin wildly, mildly awestruck. She nodded its way—a gesture that took in all the other 78rpm discs piled nearby—and asked, "How long have you had those?"
Art Dudley Posted: Dec 28, 2008 0 comments
I'm old enough to remember when "Made in Japan" was an insult. As a child, I saw that phrase on only the cheapest or craziest toys—some stamped out of tin and cupped together by a tab with a fiendish edge, some molded from a distinctively smooth, brittle plastic. The latter included a wind-up bunny on wheels that my father brought home one day: my favorite toy, ever. (It came with a double-barreled dart gun that I seldom used, partly because I loved the bunny too much to shoot it, and partly because the suction-cup darts didn't stick to that kind of plastic in the first place.)
Art Dudley Posted: Apr 26, 2009 0 comments
"Glory to the genius of Edison!"—Nikolai Rimsky-Korsakov
Martin Colloms Posted: Jun 20, 2012 Published: Jun 01, 1995 0 comments
London phono cartridges still carry the famous Decca name (even if only in parentheses), but they are now produced by John Wright, a precision engineer and ex-Decca employee. Wright (not to be confused with his IMF and more recent TDL loudspeaker-designer namesake) was assigned the rights in 1989 by Decca's Special Products division (footnote 1), when the company's new owner, Racal, decided that they didn't want to be involved in the manufacture of audio equipment. Wright worked for 20 years in Decca's phono-cartridge division, where he gained a wealth of experience. As well as manufacturing the current range of London cartridges, he is also responsible for servicing and overhauling older Decca models.
Michael Fremer Posted: Feb 14, 2013 Published: May 01, 2012 2 comments
At the 2012 Consumer Electronics Show, I spoke with Lyra's Jonathan Carr about the Atlas. He told me that, rather than having started as a blank sheet of paper, the Atlas is an outgrowth of the Kleos ($2995), which I reviewed in January 2011, when I thought it Carr's best balanced design yet, even if it didn't have quite the resolution of the Titan i. Like the lower-priced Delos ($1650, reviewed in August 2010), the Kleos included Carr's New Angle technology, which mechanically aligns the coils to be perfectly positioned relative to the front and rear magnets when the stylus is in the groove.
Michael Fremer Posted: Sep 02, 2007 Published: Apr 02, 1996 0 comments
Scan-Tech builds low-output moving-coil cartridges for a number of companies, including AudioQuest, Linn, and Spectral (footnote 1). It also markets its own line, under the Lyra brand name (Lydian, Clavis, Parnassus), which is imported and distributed by Immedia out of Berkeley, CA.
Michael Fremer Posted: Mar 05, 2014 2 comments
Is the high-performance audio industry stagnating? Are designers simply repackaging the past? Cynics claim so, but to me it seems that making that case gets harder by the day, as a parade of veterans continue to produce their best work.
Michael Fremer Posted: Jun 11, 2006 Published: Oct 11, 1998 0 comments
What makes a phono cartridge worth $3500 or $4000? Pride of ownership? Snob appeal? Sound? Tracking ability? Exotic materials? Styling? Labor cost for skilled artisans? Special ether? Cool wooden box? All of the above?
Michael Fremer Posted: Mar 18, 2007 Published: Mar 19, 2007 1 comments
Back in 2000, when Lyra introduced the Helikon moving-coil cartridge, which replaced the then six-year-old Clavis D.C., the company inexplicably retained the Clavis D.C.'s retail price of $2000. This was inexplicable because the Helikon's revolutionary design was new from the ground up, and because audiophiles—like most, if not all, consumers—perceive price to be a reflection of quality and performance.
Art Dudley Posted: Oct 28, 2010 Published: Sep 28, 2009 0 comments
The unusual Miyajima Shilabe moving-coil cartridge ($2800) came to my attention through a friend, and I obtained one from the importer, Robin Wyatt of Robyatt Audio, a music lover and dedicated audiophile who imports gear as a sideline, and who lives nearby in New Jersey.
J. Gordon Holt Posted: Jul 02, 2010 Published: May 02, 1985 0 comments
Although the idea of a $1000 moving-coil cartridge no longer shocks audiophiles, it is still not exactly what I'd call "Mainstream Hi-Fi." Audio magazine's 1984 Equipment Directory—the most complete such compendium published in the US—lists only 10 models in this price range, not counting the Kiseki Lapis Lazuli at a whopping three-and-a-half grand! I have not tested most of these, nor have I tried any of the current models from the Japanese Koetsu firm, which was first with the gall to put a $1000 price tag on a cartridge. But I have tested a couple of one-granders during the past few years, and was sufficiently unimpressed to be hesitant about testing any more samples of what were beginning to look like nothing more than monumental ripoffs. So when Ortofon sent us the MC-2000, I was naturally less than enthusiastic about trying it.

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