Historical

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J. Gordon Holt Posted: Nov 07, 1985 0 comments
Almost 30 years ago, Columbia records issued a unique disc called The Art of Jonathan and Darlene Edwards. Darlene sang and Jonathan played piano, and the jacket notes rhapsodized about the depth of feeling they brought to their duos, despite some imperfections of technique.
J. Gordon Holt Posted: Sep 07, 2009 Published: Apr 07, 1983 0 comments
During the past 10 years, perfectionist audio has garnered for itself an impressive accretion of lore, much of which has never been accepted by the so-called scientific community.
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Larry Archibald Posted: Dec 27, 2009 Published: Dec 01, 1984 0 comments
Stereophile is happy to start off another year, only one issue behind our published schedule. For most magazine subscribers, this would seem a confession of weakness; underground aficionados will, however, know what I'm talking about. We did in fact publish eight issues last year, but the first one happened to be Volume 6, Number 6 (the last issue in that volume), so that puts us still one behind. Ambitiously, I predict we'll get out nine (count them, 9) issues in 1985 and catch up with our schedule.
J. Gordon Holt Posted: Apr 17, 1979 Published: Apr 18, 1979 0 comments
101 years ago, the tinfoil cylinder started it all. Within 22 years, its heyday was done, and public support swung to favor the then-new wax-mastered disc. 1948 saw the switch to a slower speed and a finer groove, but the flat disc, traced by a stylus, has held sway for almost 80 years now. Even today, people with multi-speed turntables and a couple of arms (or plug-in cartridges) can reproduce from a single phono unit the earliest or the latest discs merely by the flip of two switches (for speed change and cartridge change). All that is about to come to an end.
J. Gordon Holt Posted: Aug 07, 2008 Published: Aug 07, 1979 0 comments
Editor's Note from 1992: This seminal J. Gordon Holt essay on how the art of recording natural sound became compromised in favor of unmusical artificiality for good commercial reasons was originally published in August 1964, in Vol.1 No.8. Though most people these days listen to classical music from CDs, not LPs, in the intervening decades, recording technology has not changed for the better as much as one might have hoped. Nevertheless, the days of wretched multimiking excess described by Gordon are past, and it's rare to find the music treated with the lack of respect typical of a mid-'60s Columbia session. Although some of the smaller companies—Reference Recordings, Delos, Chesky, Mapleshade, Dorian, and Sheffield Lab in the US; Meridian, Nimbus, and Hyperion in the UK—consistently use honest, minimal miking, it is not unknown for the majors in the '90s to do likewise. And the use of time delay for spot microphones, pioneered by Denon in the mid-'80s, means that instruments that might tend to become obscured at orchestral climaxes can now be brought up in level without unnaturally time-smearing the sound. I still find it sad, however, that it is rare to hear the sheer dynamic range of a live ensemble successfully captured on a commercial recording.John Atkinson
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Lucius Wordburger Posted: Dec 31, 1969 Published: Sep 03, 1979 1 comments
Everyone knows that advertising people make more money than ordinary people, but many assume that the high pay is because ad writing is so difficult. This is not true. Low-income people can write advertisements, too, so just in case somebody should accost you on the street and ask you to write an advertisement, here is how you may go about it.
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Peter W. Mitchell Posted: Oct 03, 2008 Published: Oct 03, 1992 0 comments
Dateline—Chicago, May 30, 9:00pm. Exploding fireworks lit up the sky above the Chicago river as 200 leading high-end designers gathered in the Hotel Intercontinental for Stereophile's 30th Anniversary banquet. After a repast of four gourmet courses and five wines, the time came for after-dinner speeches to celebrate Stereophile's past and high-end audio's future. Publisher Larry Archibald described his adventurous transition from the high-end car business to risky publishing. Introducing J. Gordon Holt, he praised JGH's uniquely lucid writing and his unflinching insistence that equipment designed to reproduce music should be judged on its ability to do just that—the unconventional view that launched high-end audio.
Anthony H. Cordesman Posted: Sep 03, 2006 Published: Apr 03, 1985 0 comments
I'll say one thing right off about the Infinity RS-1B: It sure looks as if you're getting your money's worth.
J. Gordon Holt Posted: Nov 05, 2006 Published: May 05, 1979 0 comments
There are certain manufacturers for whom every new product implies the promise of countless modifications, Usually a month or so apart, culminating inevitably in a version so far removed from the original that it must be assigned a new model designation—usually a letter suffix ranging from A, to D. By the time E is envisioned, another CE Show is approaching, so the decision is made to give the unit an exterior facelift and a brand-new model number. Presto! A new product for CES.
J. Gordon Holt Posted: Nov 25, 1996 Published: Nov 25, 1979 0 comments
An equipment reviewer for one of the consumer hi-fi magazines once confided to a manufacturer that he found it hard to like electrostatics because of the kind of people who usually like electrostatics. His implication—that certain kinds of people gravitate towards certain kinds of sound—is an interesting thought, and one that might bear some further investigation. But there is no questioning the fact that electrostatic speakers in general do have a particular kind of sound, that might be characterized as "polite."
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John Atkinson Posted: Mar 03, 2009 Published: Jun 03, 1990 0 comments
1950: "The ultimate in disc recording is to make the reproduced sound as near as possible to the original..." (The founder of Audio magazine, C.G. McProud, in "Recording Characteristics," Audio Engineering, January 1950, reprinted in The 2nd Audio Anthology, p.67, Radio Magazines, 1954.)
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Larry Archibald Posted: Oct 12, 2009 0 comments
"What about coming over for a little bit of din-din?"
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Steve Harris Posted: Jul 14, 2009 0 comments
Editor's Note: John Crabbe was Editor of Hi-Fi News & Record Review when I joined that magazine as a lowly editorial assistant in September 1976. At the end of 2007, I had asked Steve Harris to interview John for Stereophile, as part of an ongoing project to create an oral history of high-end audio (footnote 1). Sadly, John passed away in December 2008—see "As We See It" and "Industry Update," in our March issue. We are publishing Steve's interview as a tribute to a man from whom I learned my craft as an audio magazine editor.—John Atkinson
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Laura LoVecchio Posted: Jun 12, 2005 0 comments
On Friday morning, March 25, 2005, my friend Maura Rieland, Stereophile's show coordinator through the second half of the 1990s, e-mailed me to say that she had just learned of the passing of Ken Nelson.
J. Gordon Holt Posted: Mar 05, 2006 Published: Jun 05, 1979 0 comments
Editor's Note: Although this product has been available for several years, it is being reviewed in considerable detail because it is a strong contender for the title of "Best Available Loudspeaker System, Regardless of Cost," and because we plan to review some of the other contenders for the same title within the next few issues. We feel that since all of these systems represent a considerable outlay of money, prospective buyers should have a thorough understanding of the merits and demerits of each system, so they will know what to expect from them in the way of performyince capabilities and operational requirements.

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