Media Server Reviews

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Wes Phillips Posted: Jan 22, 2008 0 comments
It has a fan, it won't work without a monitor, and it contains a 750GB hard drive—for some audiophiles, that's a trifecta of reasons not to buy the McIntosh MS750 music server ($6000).
Kalman Rubinson Posted: Sep 04, 2014 9 comments
Power amplifiers are unglamorous but essential. In theory, they have only one task. But, according to audio sage Yogi Berra, "in theory, theory and practice are the same. In practice, they are not." Amplifiers must take a voltage input signal and provide an output of somewhat higher voltage but of substantially higher current, the product of which is power. The task is complex in that this output must be applied to electrical interfaces whose characteristics vary widely from speaker to speaker—across the audioband and, for some, even at different power levels. There are no control mechanisms or feedback signals to help. The power amp must just stand and deliver.
John Atkinson Posted: Oct 24, 2008 0 comments
"Physical discs seem so 20th century!" That's how I ended my eNewsletter review of the Logitech (then Slim Devices) Squeezebox WiFi music server in April 2006, and it seems that increasing numbers of Stereophile readers agree with me. In our website poll of January 5, 2008, we asked, "Are you ready for an audiophile music server?" The response to that question was the highest we have experienced: 32% of respondents already listen to music via their computer networks, many using home-brewed solutions, and 44% intend to. We've published a lot of material on this subject in the last five years, and it seemed a good idea to sum it up in this article.
Jon Iverson Posted: Mar 08, 2012 1 comments
The taxonomy of audio products used to be easy. An amp, a preamp, speakers, a disc player or two—done. Now that hard drives, streaming clouds, and computers have entered the scene, unless your world revolves around only an iPod or a disc player, you have choices—lots of choices.
John Atkinson Posted: May 02, 2014 8 comments
"Physical discs are so 20th century," I wrote back in 2006, when I began experimenting with using, in my high-end rig, a computer as a legitimate source of music. These days I rarely pop a disc into my Ayre Acoustics C-5xeMP disc player, unless it's an SACD I want to hear, or a CD I haven't yet ripped into my library. But many audiophiles, even if attracted to the idea of using a file-based system as a primary music source, do not want a computer in their listening rooms. Nor do they want to be bothered by the fact that a computer demands too intimate a relationship with its user.
John Atkinson Posted: Apr 09, 2006 0 comments
How to integrate a computer into a high-end audio system is a hot topic these days. I'm getting more and more e-mails from readers asking for advice, Wes Phillips wrote about transferring his LPs to audio files in his October and November newsletters, and a lively thread on this topic ran on the forum at www.stereophile.com.
John Atkinson Posted: Mar 23, 2015 68 comments
In the 1960s, musical giants walked the earth. I vividly remember the first time I heard a song called "Expecting to Fly," in a UK record store. The vast, reverberation-drenched sound was extraordinary; the frail, shaky alto voice of the singer riveting.

"Who is that?" I asked the clerk.

"It's a new American band, Buffalo Springfield . . . but they've already broken up."

I bought all I could find of the Springfield, which wasn't much, and learned that the singer and composer of "Expecting to Fly" was a Canadian, Neil Young.

John Atkinson Posted: Dec 01, 2015 4 comments
The 2015 T.H.E. Show in Southern California clashed with my having to be in the office to ship our August issue to the printer, so I wasn't able to attend. But in devouring the online coverage on www.stereophile.com and its sister sites, on InnerFidelity.com I found a report by Tyll Hertsens about two new hi-rez portable players that made their debuts at T.H.E. Show: Questyle Audio Technology's QP1 ($599) and QP1R ($899).
Larry Greenhill Posted: May 13, 2007 0 comments
My interest in wireless network music players began during David Hyman's keynote speech at Home Entertainment 2003. Then CEO of Gracenote, Inc. (footnote 1), Hyman stunned me with his opinion that CDs and DVDs were already obsolete. Rather than pursue discs with greater storage capacity, Hyman urged industry designers to design music-server units with large hard drives to allow instantaneous access to any digital music track. With all of your music stored on a central hard drive, you could, within seconds, locate a specific track among thousands just by knowing the name of the artist, song, group, composer, year of recording, or even recording venue. Music mixes could be instantly grouped into playlists by the owner.
John Atkinson Posted: Sep 09, 2006 0 comments
As readers of the Stereophile eNewsletter will be aware, the twin subjects of distributing music around my home and integrating my iTunes library of recordings into my high-end system have occupied much of my attention the past year. I bought an inexpensive Mac mini to use as a music server, using an Airport Express as a WiFi hub, which worked quite well, but my big step forward was getting a Squeezebox. I described this slim device in the mid-March and mid-April eNewsletters; I urge readers to read those reports to get the full background on this impressive device. In addition, the forums and Wiki pages on the Slim Devices website offer a wealth of information on getting the most from a Squeezebox.
Wes Phillips Posted: Feb 11, 2007 3 comments
Is a high-end music server the audio equivalent of polishing a turd?
John Atkinson Posted: Sep 17, 2006 Published: Oct 17, 2006 0 comments
Don't get the wrong idea. I don't watch trash TV. I am not interested in the doings of people who are famous merely for being famous. I was probably the last to realize that Paris Hilton was not the name of a French hotel. But the kitchen TV just happened be tuned to Channel 4 when I switched it on while I was preparing dinner. No, I do not watch NBC's Extra, but as I was reaching for the remote I was stopped in my tracks by what I saw. The show was doing a segment on the new L.A. home of Jessica Aguilera, or Christina Simpson, or . . . well, it doesn't matter. What does matter was the host's mention of all the cool stuff the bimbette had had installed in her new pied-à-terre: "...and a Sonos audio system, of course."
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Kalman Rubinson Posted: May 02, 2014 12 comments
I've said it before and I'll say it again: High-end audio is the tail of the dog that is the consumer audio business. We have little leverage in determining where the technology is going, even though we undoubtedly know more about it than the average buyer. On the other hand, after the mainstream has determined where it's going (or thinks it's going), the high-end business must accept that, and try to optimize it for those of us who care deeply about getting the best sound. The ubiquitous iPod and its fellow MP3 players kicked off the playing of music files and allowed listeners to carry around their music wherever they went.
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Jon Iverson Posted: Sep 11, 2008 1 comments
Earlier this year, in an online poll, we asked the magazine's readers if they were ready for a music server. The response was startling: 32% of you had already set one up, and 44% were ready to. Only 7% responded "probably not" or "never." In the polls we conduct online, we rarely get this kind of positive consensus about anything audio.
Jon Iverson Posted: Aug 14, 2009 0 comments
"Two years ago I discovered my latest guilty pleasure: Internet radio. As long as it's 192k or higher. My whole buying/download cycle had been reduced. The pleasure and savings have increased. If they succeed in killing Net radio, I'm done with the hobby."—Reader Peter DeBoer, in response to a recent Stereophile online poll.

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