If you asked me to name a single specific high-end audio component that could make or break a system, I'd name the Linn LP12 turntable. Of all the thousands of hi-fi products I've heard over the years, not a one of 'emnot a speaker, amplifier, or digital processorhas been able to draw me into the music, no matter what the associated componentry, like the LP12. I've heard the most highly regarded speakers/amps/processors fall flat in certain situations due to a lack of synergy with their surrounding systems, but I've never heard an LP12-based system that didn't put a smile on my face and make me green with envy.
What did you on your wedding night? I know what I did. All three times. But Casey McKee? He spent his wedding night at the end of October installing the new Lingo power supply on his Linn LP12. I know. I was there.
In 2010, sales of motorcycles equipped with sidecars accounted for only 4% of total motorcycle sales in the US. But that was a significant increase over 2009, which was itself an increase over 2008. While numbers remain low overall, sales of sidecar motorcycles are going up at a decent rate, while sales of most other motorcycles are in the toilet.
I set out on a fishing trip but returned less than an hour later, empty-handed. You asked me, reasonably enough, "What happened?"
"I spent a half-hour digging in the garden for worms, but couldn't find any."
"You could have driven to Mr. Zetterstrum's farm, knocked on his door, asked his permission, and spent a few hours overturning the cowflops in his pasture. I'm sure you would have found one or two worms that way."
"You're right. I guess I didn't want to go fishing that badly."
Not only is it possible for a thinking person to now and then drastically change his point of view, if for no other reason than the sake of change—if one wishes to prevent self-seriousness and various other forms of mental decay, it's probably an outright must. So it was that I recently began to wonder if everything I know about record players might be wrong.
People love it when audio reviewers reach for that highest of all compliments: "I enjoyed the thing so much, I decided to keep it" (footnote 1). Manufacturers love it for obvious reasons. Readers love it because nuance is out of style at the moment, and the ambiguities implied by less decisive conclusions can be frustrating to adults who read with their mouths open. Publishers love it because strong, declarative statements have been scientifically proven, in double-blind reading tests, to attract subscribers.
Here's something that's difficult to visualize but nonetheless true: If you attempt to isolate from their environment the working bits of a record player—the main bearing, platter, tonearm, and cartridge—by means of an elastic drive belt and a suspended subchassis of the usual sort, you'll create almost as many problems as you solve.
During a century of development of the phonograph, dozens of different things have been considered crucial to its performance: lack of bearing noise, lack of motor noise, freedom from runout error in the platter, high moment of inertia in same, immunity to all manner of unwanted vibration, and so forth. But now I wonder if the most important factor of all hasn't been overlooked, or at least misunderestimated, throughout much of that time: Could it be that motor torque is more critical than any of us imagined?
Much ink has been spilled, and rightly so, on the topic of the LP's recent and apparently durable resurrection as a playback medium. The corpse may not be quite as lively after death as before, but it is nonetheless arguably more Lazarus than Lavoisier (the latter having managed nothing more than to wink at the crowd following his time on the guillotineas he boasted, in life, that he would do).
Thirty years have not diminished the beauty and elegance of Oracle's Delphi turntable. In my opinion, it still ranks among the best-looking turntables ever made. I bought an original Mk.I, used, in 1982, and very positively reviewed the Delphi Mk.V in the December 1997 Stereophile.
In its three decades the Delphi has undergone many upgrades both technical and aesthetic. Not surprisingly, so has the price. The Mk.II Delphi sold for $1250 in 1986; the Delphi Mk.VI with Turbo power supply and dedicated power cord now sells for $8500, which, in today's market, I think is reasonable for what you get. The review sample came with an Oracle/SME 345 tonearm ($3100) and a Benz-Micro Thalia high-output MC cartridge ($1700), for a total cost of $13,300or $11,600 for just 'table and arm.
The Oracle Delphi Mk.II ($1250) is both a turntable and work of art. It is a visually stunning product, retaining a level of styling that, in my view, has never been equalled by any other audio component. It also adds enough sonic improvements to the original Delphi that it ranks close to the VPI HW-19, and is superior, in naturalness of sound quality, to the SOTA Star Sapphire.
In the January 2010 issue of Stereophile I gushed effusively about the $450 Marantz PM5003 integrated amplifier. Not only was I impressed with the sound, build quality, and features of this very affordable component, but, intrigued by how it might be combined with other gear to build a complete entry-level system for about a thousand bucks, I began to ponder other entry-level components that might nicely complement it. My goal here, of course, is to inspire a new generation of young audiophiles. I felt a turntable would be a good place to start.
For a word that first appeared in print only 35 years ago, prequel has a lot of impact—if only in a commercial sense. The television series Smallville has become a staple of American broadcasting. Film producers gambled millions on the chance that audiences would want to know what happened when Batman began. And while moviegoers have turned their backs on the apparently awful Hannibal Rising, the book of the same name is doing brisk business indeed.