Integrated Amp Reviews

Sort By: Post Date | Title | Publish Date
Art Dudley Posted: Dec 13, 2010 4 comments
As with so many other things, from cell phones to soy milk, the idea of a portable MP3 player was something I at first disdained, only to later embrace with the fervor of any reformed sinner. But not so the idea of a high-fidelity iPod dock: Given that I now carry around several hundred high-resolution AIFF files on my own Apple iPod Touch, the usefulness of a compatible transport seemed obvious from the start. Look at it this way: In 1970, whenever I bought a music recording, I could enjoy it on any player, in any room in the house. In 2010, why shouldn't I enjoy at least that degree of convenience and flexibility—without resorting to a pair of tinny, uncomfortable earbuds?
Michael Fremer Posted: Jun 15, 2003 0 comments
Does the modern audiophile want a sleek, compact, powerful, remote-controlled, microprocessor-driven, two-channel integrated amplifier? Perreaux Industries, based in New Zealand, thinks so. They've designed all that, plus good looks and impressive build quality, into the R200i. Despite its relatively small size—4.1" tall by 16.9" wide by 13.4" deep—the R200i packs a punch. It's rated at 200Wpc into 8 ohms and 360Wpc into 4 ohms, yet it weighs just a fraction under 30 lbs.
Sam Tellig Posted: Feb 23, 2003 0 comments
Despite its name, the Panache is not made in France, but here in the States, by Portal Audio, headquartered in Charlotte, North Carolina. The company is owned and run by Joe Abrams, a longtime veteran of high-end hi-fi who was once closely associated with Threshold.
Art Dudley Posted: Feb 20, 2005 0 comments
My first reaction to the Prima Luna Prologue One was based solely on looks: For $1095, I might not have been disappointed had it sounded no better than a Bose Wave Radio. Its casework straddles the breach between vintage and modern in a way that little else does, at any price. The dark gray-blue finish, hand-rubbed to a tactile gloss, wouldn't look out of place on an Alfa GTV (the new one, which resembles a drop of oil). And for the first time in my experience, a high-end audio manufacturer has figured out a way to make a protective tube cage easy to remove and replace: with banana plugs and sockets. Why couldn't one of the high-price American brands have figured that out?
Robert Deutsch Posted: Dec 16, 2014 0 comments
Ever since I reviewed PrimaLuna's ProLogue Premium, for the June 2012 issue, it has been the model I would turn to when I wanted a moderately priced integrated amplifier to try with a new speaker. It never disappointed me, and never seemed outclassed, even when the speaker was the MartinLogan Montis ($10,000/pair). At $2399, the ProLogue Premium to me represents the "sweet spot" for systems in the range of $4000–$10,000 or higher. Although its 35Wpc may not be enough for some speakers (depending on the room and personal preference), I never had any such problem, regardless of whether the speaker had a built-in powered subwoofer (eg, the Montis or the GoldenEar Technology Triton Two) or was a passive design (Wharfedale's Jade 7 or Focal's Aria 936). With differences noted depending on whether EL34 or KT88 output tubes were used, the ProLogue Premium delivered sound that was always smooth and musically involving.
Robert Deutsch Posted: May 30, 2012 3 comments
Integrated amplifiers are hot. I don't mean in the literal sense—although having a preamplifier and stereo power amplifier in the same chassis usually results in higher running temperatures—but in the metaphorical one. Once viewed as the type of component that no serious audiophile would consider buying, integrated amps have made a comeback in popularity and prestige. Consider: the October 2006 "Recommended Components" issue of Stereophile listed 29 integrated amps, whereas the October 2011 issue lists 40. Stereophile's 2010 Amplification Component of the Year award went to an integrated amp, the Audio Research VSi60, beating out a host of heavy-hitter preamps and power amps. The 2012 Stereophile Buyer's Guide lists 400 integrateds.
Robert Deutsch Posted: Jan 22, 2006 0 comments
Lovers of Italian wine, travelers to Italy, and, of course, Italians, may be familiar with this story. It seems that in the year 1111, Henry V was traveling to Rome to be crowned Holy Roman Emperor. A member of his entourage, one Giovanni Defuc, was very fond of wine, and had the practice of sending ahead one of his servants to sample the wine in each place. When the servant found a wine that he particularly liked, he would write "Est!" on the door of the establishment, which was a signal to his master that the wine is (est) good. Having arrived at Montefiascone, the servant found a wine he thought so superb that he wrote on the door of the inn "Est! Est!! Est!!!"
Art Dudley Posted: Nov 17, 2011 0 comments
Given that Quad's founder, the late Peter J. Walker, wasn't around to design the Quad II Classic Integrated, the English firm relied instead on Tim de Paravicini, whose credits include the comparatively recent Quad II-eighty mono amplifiers and QC-twentyfour preamplifier (not to mention his own line of E.A.R./Yoshino electronics and countless other well-regarded products). It's with respect for both men that I say: In turning to Tim de Paravicini, Quad has probably chosen the closest approach to the original.
Wes Phillips Posted: Apr 10, 2005 Published: Sep 10, 1998 0 comments
You can read all about an automobile, check its gear ratios, and ponder the engine's horsepower all you want—but until you put yourself in the driver's seat and take that baby out for a spin, you have no idea whether or not it's going to be fun to drive.
Sam Tellig Posted: Oct 08, 2006 Published: Apr 08, 2001 0 comments
The Rega Couple interconnect ($150/1m pair) comes in a plastic pouch rather like a Ziploc veggie bag—just the pouch and a printed card. How much could the packaging cost? Ten cents?
Art Dudley Posted: Nov 09, 2012 2 comments
I can imagine the gaiety and mirth that filled the halls of the electronics industry in the 1950s, as engineer after bespectacled engineer realized that the transistor would soon consign to the outposts of oblivion those ancient technologies that had preceded it. Before long—surely no more than a decade—the hated vacuum tube would vanish from the Earth, along with the tube socket, the tube tester, the tag board, the high-voltage rail, and that lowest rascal of them all, the output transformer. What a jubilant time!

I can't imagine what went wrong.

Herb Reichert Posted: Jul 31, 2014 6 comments
Once, on a cold, dank, soundless day deep in the Eastern bloc, I watched a man spend over a million dollars on an audio system: a turntable, a fancy horn tweeter, a few wires, and some amplification for his modified Klipschorns. I asked him what he did for a living, and he told me he was a notary public.
Herb Reichert Posted: Nov 07, 2014 7 comments
It was spring. I was planting kale and cabbage, wearing bib overalls, and listening to Pigboy Crabshaw (aka Elvin Bishop) on my iPhone. My girlfriend, "bb," came out, and just stood there laughing. "What's this? American Gigolo: The Alabama Years?"

Now, please, don't start worrying about your newest Stereophile reviewer. I've owned my share of Julie London and Jennifer Warnes records, but these days I'm more into Hazel Dickens and Maybelle Carter. It's summertime, fish are jumpin', and that dirt-road American music is getting me high.

Art Dudley Posted: May 15, 2010 0 comments
Besides my 20th wedding anniversary and the 15th anniversary of Listener magazine's first issue, this year marks the 25th anniversary of Roksan Audio Ltd., easily one of the most innovative design and manufacturing firms in British audio. Before Roksan came upon the scene in 1985, none of us had ever seen a loudspeaker whose tweeter was isolated from its surroundings by a sprung suspension. Or a commercial phono preamplifier designed to fit inside a turntable, just a centimeter away from the tonearm base. And who among us could have guessed that the Linn LP12's hegemony—among flat-earthers, I mean—would be broken by a turntable from outside of Scotland? Yet the Roksan Darius loudspeaker, Artaxerxes phono stage, and, above all, Xerxes turntable accomplished those things and more, to the genuine surprise of nearly everyone—and to the benefit of our industry at large, as other firms took those ideas and ran with them.
Art Dudley Posted: Mar 18, 2008 0 comments
My first one-piece stereo—I think I paid $60 for it, including a pair of speakers with pegboard backs—gave me a lot of pleasure when I was young, and I loved it. Everything that came after has been better in every way but one: None has inspired that kind of love. And most have left me wondering if there might be something just a little bit better.

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading