Integrated Amp Reviews

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Robert Deutsch Posted: Jun 24, 2007 0 comments
The naming of audio companies is a tricky business. Ideally, the name should be distinctive, so that people will remember it, and descriptive of the products. However, given the proliferation of audio manufacturers, it's getting more and more difficult to come up with a name that fulfills these criteria, and some names are similar enough to lead to confusion. In one of my show-report blog entries from the 2007 Consumer Electronics Show, instead of correctly listing a company name as Divergent Technologies, I called it Definitive Technologies, which is the name of an another audio company—and was rightly chastised for it in a comment by a reader. I'll bet that no such confusion will occur in the case of Flying Mole Electronics. (As far as I know, there is no Flying Groundhog Electronics.)
Kalman Rubinson Posted: Dec 16, 2011 3 comments
The very first amplifier I bought was a Harman Kardon PC-200, aka The Prelude. It was a 10Wpc integrated, but I chose it over the competition for some of the same reasons that the HK 990 has appealed to me. Almost all amps back in the1960s had a plain cake-pan chassis with tubes, capacitors, and transformers studding the top. Integrated amps had the standard four knobs on the front for input selection, volume, bass, and treble. The HK PC-200 had an enclosed black chassis cage that formed a graceful cowl over the brushed-copper front panel and the six matte-black knobs: for Input selection (with three phono turnover settings), Volume, Bass, Treble, Loudness contour, and Treble rolloff. In addition, it had a Rumble Filter switch. The PC-200 was not only more beautiful than the rest of the push-pull competition powered by EL84 tubes, it also had more useful features. (Take that, you fans of the Grommes Little Jewel!). Over the decades, H/K products have always been stylish and innovative, but in today's fractured marketing world, most such creative energies are applied to audio/video receivers and lifestyle products.
Herb Reichert Posted: Jun 05, 2015 5 comments
For decades, I read all the British and American audio magazines, and I pretty much believed everything written therein—with one exception. The equipment reviews published in Stereo Review had an off-puttingly disingenuous quality. I learned a lot from the magazine's reviews of recordings and loudspeakers, but every time senior editor Julian Hirsch wrote that any amp with sufficiently high power, low measured distortion, and high damping factor would sound the same as any other with similar qualifications, I felt estranged from my favorite hobby. Stereo Review's arrogance came off as duplicitous and self-serving. The magazine seemed committed to stamping out all forms of individualized audio connoisseurship.
Art Dudley Posted: Jan 02, 2014 5 comments
Last summer, in an uncharacteristic fit of wanderlust, I took an American Airlines flight to London. Two days later, I rode the Eurostar train to Paris in the company of my daughter and my wife, a travel agent, who had secured first-class train accommodations on her professional discount. Our ride was brisk, but the upgrade would have been a waste at any price: The Eurostar food was vile.
Michael Fremer Posted: Jun 12, 2005 0 comments
The French-made Kora line has been in and out of American distribution over the past decade. It's currently imported by Norman AV of Aventura, Florida. With the window of opportunity open again, I decided to listen to Kora's modestly priced hybrid integrated amplifier, the Explorer 150SB ($2030).
Fred Kaplan Posted: Jul 22, 2007 1 comments
There's something a bit oddball about the notion of a $16,500 integrated amplifier—until you stop to consider that the market is fairly drenched with preamps and power amps that, together, cost that much and more. And putting both pre- and power amp in a single chassis cuts down on storage (one less shelf), accessories (one less pair of cable), and electrical outlets (one socket freed up).
Martin Colloms Posted: Jul 06, 1996 0 comments
Is Krell risking its reputation? With the KAV-300i, an integrated amplifier that was originally envisaged as an export model, but for which home demand is clearly increasing, the Connecticut-based amplifier manufacturer is dabbling in low-cost territory. Previous Krell amplifiers have been known for their prodigious drive capability. Time and time again, it is found that the true measure of the bass performance of a big speaker isn't realized until a Krell power amplifier is brought into service. But how could an amplifier with a meaty 150Wpc specification and full remote control be built to sell for just $2350.
Wes Phillips Posted: Feb 20, 2005 1 comments
How times have changed. When Krell first debuted its KAV-300i, in 1996, it risked having people question its high-end credibility simply for having considered producing an integrated amplifier, much less an affordable one. After all, Krell was the company best known for massively overbuilt—and, many claimed, overpriced—power amplifiers that were uniquely capable of driving speakers of ridiculously low impedance. In Martin Colloms' review of the 300i in the July 1996 Stereophile, he asked the question on everyone's minds: "Is Krell risking its reputation?"
Art Dudley Posted: Nov 08, 2011 1 comments
In a perfect world, I would own the following: one good turntable (footnote 1), one good tonearm, one good pickup head, one good step-up transformer, one good integrated amplifier, and two good loudspeakers. And some decent cables. That's all, except maybe a home and a dog and some records and some books and one good guitar.
Chip Stern Posted: Dec 28, 2000 0 comments
In the ongoing audiophile debate over the relative merits of solid-state vs tube amplification, compelling cases can be made for the overall musicality of both methods. And while there's a lot to be said for the dynamic headroom, bass focus, clarity, frequency extension, and silent performance of solid-state gear, it's funny how much you can come to miss the aural verities of tube electronics after a prolonged absence.
Art Dudley Posted: Mar 18, 2011 1 comments
My quandary on receiving for review the Linn Majik DS-I: What, precisely, is it supposed to do? Does the Majik DS-I contain a hard disk and music-ripping software, so I can use it to store all the music in my CD collection? Does it have a graphical user interface (GUI) that at least matches the one provided by the endearingly free Apple iTunes? Does it include a DAC that allows it to play the music files I've already put on my computer?
Art Dudley Posted: Feb 21, 2012 1 comments
Phono cartridges—along with mothballs, hobnails, laundry bluing, hot-water bottles, lighter fluid, fur coats, and typewriters—are among the most outdated of consumer goods: To most people who make their living in the world of consumer electronics, every new cartridge that hits the shelves is little more than a coughing spasm from the death-room down the hall. You can imagine, then, the welcome accorded new samples of the even more anachronistic pickup head, which combines phono cartridge, headshell, and barbell into a product one seldom sees outside the school librarian's junk drawer. New pickup heads, which tend to look the same as old pickup heads, are manufactured in pessimistically small quantities, and seldom get much attention.
Art Dudley Posted: Jul 20, 2003 0 comments
In my column for Stereophile's March issue, I criticized a handful of records for combining very good sound with very bad music. A few readers expressed dismay, wondering what gave me the right to call music good or bad, especially since virtually all music is loved by someone (its mother?). But as far as I know, the magazine received a total of zero letters wondering what gave me the right to call sound good or bad. Hmmm.
Art Dudley Posted: Jun 19, 2009 0 comments
A new integrated amplifier called the Lars Type 1, which made its debut at the 2009 Consumer Electronics Show, has given my notion of a dichotomy between mainstream audio and alternative audio a severe beating. In that sense, the Lars Type 1 has been a life-changing product, although the change took longer than expected for me to digest.
Art Dudley Posted: Aug 17, 2003 0 comments
Hurt not the earth, neither the sea nor trees...—Revelation 7:3

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