Integrated Amp Reviews

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Robert J. Reina Posted: Aug 26, 2013 Published: Dec 01, 1995 3 comments
In this, my first equipment review for Stereophile, I'll begin by explaining my philosophy regarding reviewing inexpensive components. In my quest for products by designers who strive to establish new benchmarks for reproducing sonic realism at lower prices, I'll be looking for "value" components (a more appropriate term than "budget") whose designers logically fall into two camp. . .
Robert J. Reina Posted: Mar 18, 2001 0 comments
Creek Audio founder/designer/co-owner Michael Creek is a quiet, friendly, unassuming man. Unlike some ego-driven electronics designers who tout their products very loudly from their pulpits, Michael Creek has been quietly designing high-quality, musical, and affordable integrated amps in black-metal boxes for nearly 20 years. His target market is the passionate music-lover who wants something a notch above an entry-level NAD or Rotel receiver, but whose bank manager would frown on splurging on electronic separates.
Robert J. Reina Posted: Jan 21, 2007 0 comments
The one thing I've liked about designer Mike Creek of Creek Audio as much as his design talent is his predictability. I've been following his integrated-amplifier designs for nearly 20 years now, having reviewed, in sequence, the CAS4140s2 (for another magazine), the 4240SE (Stereophile, December 1995, Vol.18 No.12), and the 5350SE (March 2001, Vol.24 No.3). In each case, I was sufficiently impressed with the review sample that I bought it and made it my new reference in my second, affordable system. The predictable part comes from Creek's traditional nomenclature: an "s2" or "SE" (Special Edition) designation has always denoted a modest upgrade, and a numerical uptick in the model number a more significant upgrade, the level of significance denoted by the specific digit being increased. Hence, the update from 4240 to 5350 is intended to indicate a greater improvement in sound than the update from 4140 to 4240.
Herb Reichert Posted: Jul 02, 2015 5 comments
As an audio scribe, the fiercest demons I wrestle are beliefs—yours and mine; those of my friends, my editors, my fellow reviewers; and those of the engineers and promoters of the products I write about. Sometimes the force of these rabidly held and (mostly) conflicting beliefs paralyzes me with self-doubt: What do I know? What makes me qualified to listen and judge?
Robert J. Reina Posted: Aug 01, 2013 3 comments
It seems I'm always reviewing an integrated amplifier from Creek Audio. It started in the late 1980s, when I fell in love with the capabilities of inexpensive, well-designed audio equipment, sparked by the spectacular sound of a pair of Celestion 5 bookshelf speakers at a Consumer Electronics Show in Chicago. I was reading an issue of Hi Fi Heretic (now defunct), for which my friend Art Dudley wrote, and it included a survey of various inexpensive British integrated amplifiers, some of them made by Creek. I was already familiar with the company, but hadn't listened to affordable British electronics since I'd lived in London, in the early '80s. I got a Creek 4140s2 integrated and was amazed at its neutrality, its lack of etched sound, its natural reproduction of instrumental timbres. I ended up buying it, and used it to review bookshelf loudspeakers.
Art Dudley Stephen Mejias Posted: Sep 27, 2013 14 comments
The name sounds perfect. It fits neatly next to those of Messrs. Leak, Sugden, Walker, Grant, Lumley, and others of Britain's most rightly revered amplifier builders. In fact, when their distributor called and asked if I'd like to review the latest amplifier from Croft Acoustics, I accepted without actually knowing who they are, simply because they sounded like someone I was supposed to know—someone who's been around for 60 years or so, shellacking bell wire in an old mill with a thatched roof.
Art Dudley Posted: May 15, 2005 0 comments
Living with a brand-new Cyrus amp was a pleasantly nostalgic thing to do, even from the start: It arrived in a clean and downright attractive carton that seemed designed specifically to contain a brand-new Cyrus amplifier. Think of it! And I haven't even mentioned the nice owner's manual or the balance control or the headphone jack. As I said: the good old days.
Wes Phillips Posted: Aug 24, 2009 0 comments
As the 2009 Consumer Electronics Show neared its end, I wandered into Blue Light Audio's room, which was dominated by the innards of darTZeel's new NHB-458 monoblocks—think of a 3D "exploded" diagram and you'll be on target. So impressive was that display of brute engineering that I almost didn't notice the amplifier that was actually making the music: the CTH-8550 integrated ($20,300).
Larry Greenhill Posted: Apr 08, 2007 Published: Dec 08, 2000 0 comments
July came in this year like September: cool, crisp night air and bright, clear days. The humidity and temperature remained low throughout the week I spent setting up the Denon AVR-4800 surround A/V receiver. So, crouched down behind its crowded rear panel, wiring up eight loudspeakers and multiple inputs, I wasn't sweating from the temperature. Launching the new multichannel Denon AVR-4800's surround audio-visual system required hard work, trial and error, and an emergency trip to the UPS terminal in the Bronx. While there were great musical pleasures ahead, the path to music-surround knowledge was rougher than I ever imagined it might be.
John Atkinson Posted: Dec 28, 2012 15 comments
Most reviews are straightforward. One preamplifier or power amplifier replaces another. DACs are swapped out. A new pair of speakers takes up residence in the listening room.

But some products demand a complete revision of a system's architecture. Such was the case with Devialet's D-Premier ($15,995). Not only is this French product an integrated amplifier, with phono and line analog inputs; it has digital inputs and an internal D/A section.

Robert J. Reina Posted: Jun 26, 2006 0 comments
Each time I attend Stereophile's annual Home Entertainment Show, I look forward to two things. The first is the opportunity to perform classic and original jazz music with John Atkinson and Immedia's Allen Perkins. The second is to seek out the most exciting new, affordable speakers to review over the following year. Both buttons were pressed for me quite admirably during HE2005 at the New York Hilton, but this time it was not an affordable speaker that most impressed me.
Chip Stern Posted: Feb 29, 2004 Published: Oct 01, 1999 0 comments
The women in my family and extended circle of friends are generally captivated by good sound, but are often appalled by the brutish, monolithic packaging that passes for "styling" in high-end gear. "Not in my living room," is the refrain, often played in a minor key.
Peter Breuninger Posted: Jul 02, 2006 Published: Jun 02, 2006 0 comments
If you spotted an EICO HF-81 at the local Goodwill, you'd think nothing of this plain-Jane integrated amplifier in its nondescript gray case. But if you kept on walking, you would have passed up one of the best-kept audio secrets of all time. The HF-81 hails from hi-fi's pioneer days, before chromed chassis and slick Mac transformers. It isn't ultracool-looking, like early Marantz or McIntosh gear. It doesn't have the nostalgia factor of a Fisher. It's not a supercheap eBay steal like a Stromberg-Carlson or a Heathkit. So what's the deal?
Guy Lemcoe Posted: Jun 06, 2008 Published: May 06, 1991 0 comments
Psst! Got a minute? I'd like to bend your ears a bit and tell you about a component that'll lift you from the doldrums of audio angst and transport you to the relaxing calm induced through the enjoyment of music. That's what it's done for me, and I'm so excited about it I can't wait to tell you.
Art Dudley Posted: Nov 19, 2005 0 comments
Yet another of the best systems I've ever heard at a hi-fi show was an exhibit by some former distributors for the English manufacturer Exposure Electronics, at a Chicago Consumer Electronics Show in the late 1980s. The exhibitors seemed to believe it was better to impress with a humble product than to overwhelm with a full-bore assault, because they limited their display to a single amplifier: the then-new Exposure X (as in "10") integrated, mated to a record player comprising a Linn LP12 turntable, Ekos tonearm, and Troika cartridge, and a pair of Linn Kan loudspeakers.


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