Playing a Compact Disc is nothing like playing a live show.
Wild, right? This is just the latest of the profundities to explode into my mighty brain as I slouch on the orange couch, staring at stacks of CDs, contemplating life and stuff. It came to me on a lovely Sunday morning. The sun was shining, the birds were cheeping, and I was still high from my band's performance two nights earlier.
It was unusually warm for early spring, without a cloud in the big, blue sky to tame the sun's dazzling lightfar too beautiful a day to be indoors, but Uncle Omar and I had already planned a little listening session, and I was determined to show him that high-end cables would make a difference in his system. I wasn't necessarily feeling bullish about the task, though. It had taken me a couple of years to convince Omar that he should replace his old boom-box speakers with something better, and it was only dumb luck that finally made it happen: I was with him when he found a gently used pair of B&W DM602 speakers at a junk shop in Jersey City. When they were new, the DM602s sold for around $600/pair, but on this happy day they were tagged at $50. "Do it," I begged him. "Doooooo it!"
It was another flawlessly beautiful spring morning, and I was in Bay Ridge, Brooklyn, to help John Atkinson pack up the Lansche Audio 5.1 loudspeakers ($41,000/pair). John had only just completed his listening and bench tests (see his review in the July issue), and was not ready to let go of the lovely Lanschesbut the speakers would be picked up by a trucking company that afternoon and sent to our cover photographer, Eric Swanson, in Santa Fe, New Mexico. Each Lansche measures 40.9" tall by 10.1" W by 19.3" D and weighs 167.5 lbspacking them and securing them to a shipping pallet is definitely a two-man job. In our case, that job required a lot of wheezing, a little bleeding, and just the right amount of cursing. And because it was only 11am when we met, we were obliged to accomplish the task without the aid of beera crying shame, if you ask mebut we handled it in our usual, manly fashion.
The Tannoy Mercury V1 loudspeakers ($320/pair; see last month's column) were already carefully packed in their box, pushed into a corner of my messy kitchen, ready to go to John Atkinson for a Follow-Upbut I couldn't stop thinking about them. Their delicate, graceful highs and tight, properly balanced bass had entranced me, and, now, as I listened over and over to a recent reissue of Bill Dixon's amazing Intents and Purposes (CD, International Phonograph LSP-3844), I felt a strange urge to unpack the Tannoys and return them to my listening room. I had to know how Intents and Purposes would sound through the Tannoys.
There I was, sitting on the orange couch, with just a few hours to kill before my scheduled departure to Denver, ColoradoI'd been invited to the eighth annual Rocky Mountain Audio Fest, where surely I'd be moved to tears by some of the greatest, most advanced, most expensive hi-fi systems known to manand I could not believe the awesome sound coming from my modest little stereo.
Two of the five loudspeakers reviewed in our July issue were designed by Andrew Jones: the $29,800/pair TAD Evolution One and the $129.99/pair Pioneer SP-BS22-LR (footnote 1). I did the math. You can buy 229 pairs of the Pioneer for the price of a single pair of the TAD. Which is the better deal? Which would result in more happiness? Imagine keeping one pair of the Pioneers, and delivering the other 228 pairs to friends and family. Or donating them to schools. The possibilities are great. How much fun can you have with just a single pair of speakers, anyway?
In his article on the future of audio engineering in this issue, John La Grou tells ussuccinctly and correctly, I thinkthat we are rapidly moving from a culture of handheld devices to one of headworn devices. He postulates that by perhaps as early as 2025, rather than being actively sought out, most audio/video media will be delivered, like milk or the newspaperbut delivered not to our front doors, but more or less straight to our brains. Fascinating? Sure. Frightening? Kinda, yeah.
Around midnight, Natalie decided to move the party from her and Nicole's apartment (see last month's column) to our favorite local dive, Lucky 7, just a few blocks away on the corner of Second and Coles, in Jersey City. We threw wide the old red door and stepped into the stench of stale beer, the sound of cheap speaker cones tearing at the seams. I love Lucky's as much as anyone, but the music there on a Saturday night is always too goddamned loud.
US composer Morten Lauridsen's Lux Aeterna is one of the indisputable masterpieces of the 20th century. John Atkinson has recorded the male vocal group Cantus's performances of Lauridsen's O Magnum Mysterium (on Comfort and Joy: Volume One, Cantus CTS-1204) and Ave Maria Dulcissima (on Cantus, Cantus CTS-1207). (And great recordings they are—one engineer chum thinks JA's Cantus recording of OMM is the single best-engineered choral recording he's ever heard.)
We continue the search for the successor to Fried's Q loudspeaker of yore. Renaissance Audio is the former Morel USA, so they have a long track record in both OEM driver manufacture and making complete loudspeakers. As I mentioned in my June column, their MLP-403.5 loudspeaker is a two-cubic-foot, sealed-box three-way with a dome midrange driver, at the near-improbable price of $1090/pair (footnote 1).
In a moment, I will resume my ongoing quest to put together a music lover's stereo system for about half the cost of my last such effort (see my columns in the October and December 2005 issues): $3750 rather than $7500. But first I want to urge everyone who hasn't already done so to check out the results of the Five Great Art Songs of the Rock Era write-in competition announced in my February 2008 column. The winning entries are greatreally thought-provoking. Indeed, some of the lists, plus an unaccountably belated recollection, prompted me to put together my own alternate list. This list doesn't invalidate or replace my original one, but it benefited from the energy all the entrants (thanks, everyone) put into theirs. Here goes:
The Gini Systems "LS3/5a" is an unlicensed and inexact replica of the celebrated LS3/5a outside (remote location) broadcast monitoring loudspeaker originally developed by the BBC in the early 1970s. (For a précis of the LS3/5a's history, click <here.)
I've been chipping away for some time at the task of trying to put together a music lover's stereo system for about half the money of my last such effort: $2500 to $3750 now, vs around $7500 back in 2005. My timing was good: CD and DVD receivers are a hot product category, with several attractive new entries at various prices.