Budget Component Reviews

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John Atkinson Posted: Sep 04, 2005 Published: Jun 04, 1995 0 comments
It was a classic American tale: hearing that the head honcho of RadioShack was in town, the principals of Oregon-based high-end loudspeaker manufacturer Linaeum found out where he was staying and called him to see if RadioShack would be interested in marketing their speakers. They were rewarded for their daring by being given an introduction to the right RadioShack department head, and before you could say time-coherent, a deal was struck for RadioShack to manufacture a new line of three "audiophile" loudspeakers featuring a version of the unique Linaeum tweeter. The less-expensive Optimus Pro X77 and LX4 models use a baffle-mounted tweeter that radiates just to the front; the top-of-the-line Optimus Pro LX5 reviewed here mounts a bi-directional tweeter on the top of a diecast aluminum enclosure.
Wes Phillips Sam Tellig Posted: Nov 05, 2006 Published: Sep 05, 2006 0 comments
I've been a little remiss in writing about one of the best tools for travel I've experienced recently: Ray Samuels Audio's Emmeline The Hornet ($350), a tiny (3" L by 2" W by 1" H) rechargeable portable headphone amplifier. I tend to travel with my iPod packed with hi-rez music files and a pair of low-impedance headphones. That's not a marriage made in heaven, so I also need a headphone amplifier. Over the years, portable headphone amps have gotten better and better while getting smaller and smaller. The Hornet is the smallest I've discovered so far and is my current favorite.
Wes Phillips Posted: Feb 23, 2010 1 comments
In the beginning, I had a room adjacent to my office—a room filled with bicycles, hi-fi gear, and assorted crap I'd never gotten around unpacking since our last move. Feeling ambitious, I thought I might turn it into a guest room, and emptied it.
Art Dudley Posted: Jun 26, 2006 0 comments
You've heard it said that the early bird catches the worm, which is all well and good if you like worms. If you're more interested in music, you might want to follow the lead of Roy Gandy instead: He's the managing director of Rega Research, a 331/3-year-old audio company that was the very last of its kind to enter the CD market. Rega's first CD player, the Planet of 1996, was a success in virtually every way.
Sam Tellig Posted: Feb 21, 2012 Published: May 01, 2011 3 comments
"We like to make things," Roy Gandy, Rega's founder and owner, once told me. "It's what we do." Or maybe it was Rega's chairman and chief engineering honcho, Terry Bateman. Rega products are designed and manufactured in the south of England. So far as I know, no one at the Rega facility, on the Temple Farm Industrial Estate, has committed suicide; the same cannot be said of workers at the factory in China where iPods are made. Al Gore is on the board of Apple. Al, what do you think?
Sam Tellig Jim Austin Posted: Oct 08, 2006 Published: Apr 08, 2001 0 comments
The Rega Couple interconnect ($150/1m pair) comes in a plastic pouch rather like a Ziploc veggie bag—just the pouch and a printed card. How much could the packaging cost? Ten cents?
Art Dudley Posted: May 19, 2007 0 comments
For a word that first appeared in print only 35 years ago, prequel has a lot of impact—if only in a commercial sense. The television series Smallville has become a staple of American broadcasting. Film producers gambled millions on the chance that audiences would want to know what happened when Batman began. And while moviegoers have turned their backs on the apparently awful Hannibal Rising, the book of the same name is doing brisk business indeed.
Michael Fremer Posted: Jul 15, 2008 0 comments
It's now been eight years since a Rega P3 turntable passed through my listening room. While the new P3-24 superficially resembles the P3 (and virtually every other Rega 'table), the company has made some significant changes, including upgrading to the high-quality, low-voltage (24V), electronically adjusted motor used in the more expensive P5, P7, and P9. As in those models, an electronic circuit trims the phase angle of the P3-24's motor coils, thus substantially reducing motor vibrations. In 1998, during a factory tour, a Rega engineer demonstrated the circuit's effectiveness to me. As he adjusted the circuit board's pot, vibrations from the motor dramatically decreased, until it was difficult to tell if the motor was spinning or not. Back then, this "hand-trimmed" motor technology was available only in the P9. The P3-24 uses a less sophisticated version of the same basic idea.
Sam Tellig Various Posted: Sep 04, 2008 Published: Jan 04, 1984 0 comments
Among British turntables, there is the Rega Planar 3, which sells here for $550 (approximately double the UK price). I've owned a Rega for three years and know it well.
Art Dudley Posted: Dec 26, 2004 0 comments
I saw it coming back in 1996. That was when Rega introduced their full-bore assault on the state of the art of record replay, the Planar 9 turntable. The P9 was and is a superb product, but because it sells for $3900—more than five times the price of the company's bread-and-butter model, the venerable Rega Planar 3—its introduction created an enormous price gap. And that's not to mention all the numbers between 3 and 9 that have languished for so long: How could you not expect Rega to fill in the blanks with Planars 4, 5, 6, 7, and 8?
Sam Tellig Posted: Jun 04, 1997 0 comments
At last—a CD player from a company that doesn't like CD.
Art Dudley Posted: May 19, 2011 3 comments
I tried to name a high-end audio product that's been recommended more often than the Rega Planar 3 turntable. I failed.

The closest I could come was Rega's own RB300 tonearm, surely the best-selling perfectionist tonearm of all time. After that came the Rega Planar 2 turntable, a sample of which I owned and loved in the early 1980s. Next on my list was the original Rega Elys, a moving-magnet cartridge that sounded as chunky and direct as it was cheap and magenta.

Kalman Rubinson Posted: Jul 23, 2006 0 comments
I am a Revel junkie. Their Ultima Studios have been my reference loudspeakers for years, and I've spent many happy hours with their Performa F-30s and Ultima Gems. They're all great speakers. When the original Gem was launched, it was made clear that all the corporate and economic weight of Revel's parent company, Harman International, was behind the development of this new line. When I visited Revel some years back, I saw cutting-edge design and development, in-house manufacturing of the most critical parts under the tightest scrutiny, and quality control of nearly compulsive meticulousness. All of this was reflected in the speakers' prices, which were reasonable for their quality and performance.
Jonathan Scull Posted: Jun 12, 2000 1 comments
The Richard Gray's Power Company 400S arrived on the audiophile scene last year with a bang. Weighing in at a hefty 20 lbs and at $700 a pop, this four-outlet power conditioner, according to the paperwork, "effectively 'positions' audio, video, and home theater equipment 'electronically closer' to your utility company transformer, without introducing any type of series electronic 'traps' or capacitors into the circuit, which we feel degrade the performance of certain equipment, and severely limit the amount of current they can handle."
Wes Phillips Posted: Mar 24, 2002 0 comments
When I read John Atkinson's reviews of the Digital Audio Labs CardDeluxe (Vol.23 No.9) and RME Digi96/8 Pro (Vol.23 No.11 and Vol.24 No.1), I realized that soundcard technology had matured far faster than I had been aware. For about the price of a mainstream CD player, anyone with a reasonably powerful computer could add multitrack digital recording technology to his bag of tricks.

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