Budget Component Reviews

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Corey Greenberg Posted: Jan 30, 1995 Published: Jan 30, 1994 0 comments
What makes someone a good hi-fi reviewer? A fine critical sensibility? A good technical background? Ears? Eyes? Nose? Throat? So many different people are reviewing audio gear these days that it's downright impossible to characterize a good reviewer. But I do know that Beavis and Butt-head would make killer hi-fi reviewers!
Wes Phillips Posted: Jan 25, 2009 1 comments
In a world of me-too products, NuForce distinguishes itself from all those other components whose names begin with i by actually using a capital I. Actually, that statement is unkind, even unfair—unlike the myriads of products designed to capitalize on the Apple iPod's current sexiness, the NuForce Icon isn't designed to be portable (although NuForce does offer an Icon Mobile). What the Icon unquestionably is is a fine little piece of audio engineering, which most of those other i components are not.
John Atkinson Posted: Apr 09, 2006 0 comments
How to integrate a computer into a high-end audio system is a hot topic these days. I'm getting more and more e-mails from readers asking for advice, Wes Phillips wrote about transferring his LPs to audio files in his October and November newsletters, and a lively thread on this topic ran on the forum at www.stereophile.com.
Robert Deutsch Posted: Sep 16, 2007 5 comments
"Onkyo Returns to its Stereo Roots to Debut New Digital Amplifier Technology." This heading of the press release for Onkyo's A-9555 digital integrated amplifier was surely intended to warm the cockles of the two-channel audiophile's heart. Some of us remember the Onkyo Grand Integra amplifiers of the 1980s, which were considered competitive with the big Krells and Mark Levinsons of the day. To refresh my memory, I looked through my Stereophile archives and found the December 1985 issue (Vol.8 No.8), which included Larry Greenhill's review of the Grand Integra M-510, a 300Wpc power amplifier covered in lacquered persimmon wood, weighing 139 lbs, and costing $4200 (about $8000 in 2007 dollars). Larry was most impressed with the M-510, describing it as "a very powerful amplifier with outstanding sonics across the board—power with delicacy."
Robert Deutsch Posted: Jan 23, 2008 0 comments
I first heard a CD player in my own system in 1984 or 1985, several years before I began writing for Stereophile. I was curious about the Compact Disc medium—I'd read about it, had listened to CDs in stores, and was eager to hear what they sounded like in my own system. I'd even bought a CD: the original-cast recording of 42nd Street, which I already had on LP. One evening, a friend who worked for Sony and knew that I was an audiophile brought over his latest acquisition: a CDP-501ES, the second from the top of Sony's line of CD players. He also brought along a bunch of CDs, including some solo-piano discs, and Erich Kunzel and the Cincinnati Symphony's then-famous recording of Tchaikovsky's 1812 Overture (Telarc CD-80041).
Wes Phillips Posted: May 19, 2007 0 comments
There's an old Spanish proverb: "If six people call you an ass, start braying." A contemporary corollary might be that if enough audiophiles insist a product is the best ever, it behooves the "experts" to check it out. At least, that was John Atkinson's thinking when he suggested I audition the Oppo Digital DV-970HD universal disc player ($149).
Art Dudley Posted: May 12, 2008 0 comments
An enduringly healthy phono-cartridge industry? After a quarter of a century of rushing right out to buy the latest digital music appliances? You bet.
Michael Fremer Posted: Mar 11, 2006 0 comments
Wilson Audio Specialties' David Wilson likes to say that you should build a stereo system from the speakers down. Of course he does—he sells speakers. But that doesn't mean he's wrong. So recently, when offered an inexpensive new product for review, I decided it would be a good test of Wilson's theory. I tried driving Wilson's $45,000/pair MAXX2 speakers with Outlaw Audio's RR2150, a $599 stereo receiver.
Wes Phillips Posted: Sep 22, 2007 3 comments
When folks visit from out of town, they frequently remark that my Brooklyn neighborhood reminds them of "a real neighborhood" from their neck of the woods. "Except that we know all our neighbors and talk to them when we're cutting the grass, watering the lawn, and walking the dog. You probably don't even know the names of any of yours."
Robert J. Reina Posted: Sep 15, 2002 0 comments
I had mixed feelings about reviewing the $189/pair Paradigm Atom loudspeaker. Although in the past I've been favorably impressed with Paradigm's speakers—the $600/pair Reference Studio/20 remains one of my favorite affordables—Budget Bob tends to get a bit nervous when a speaker's price drops below $250/pair. In my experience, even when the most talented speaker designers attempt to make a speaker to sell at such a low price, the result is often a very small cabinet with limited bass extension and inferior high-level dynamics.
Robert J. Reina Posted: Feb 26, 1998 0 comments
The least expensive model in Paradigm's Reference series, the Studio/20 loudspeaker is a rear-ported two-way dynamic bookshelf/satellite design, superficially identical to the powered Active/20 that JA reviewed last November. It features Paradigm's 25mm PAL pure-aluminum dome tweeter in a die-cast heatsink chassis, and a 170mm MLP mica-polymer cone in an AVS die-cast heatsink chassis with a 38mm voice coil. The crossover is third-order, quasi-Butterworth, said to be "phase-coherent." It features high-power ceramic resistors, film capacitors in all signal paths, and both air-core and steel-core inductors.
Robert J. Reina Posted: May 21, 2008 0 comments
One of the first affordable loudspeakers I reviewed for Stereophile was the original Paradigm Reference Studio/20 bookshelf model, in the February 1998 issue (Vol.21 No.2). At the time, I felt that the $650/pair speaker was a breakthrough—although not completely devoid of colorations, its ratio of price to performance set a benchmark a decade ago. I kept the Studio/20s around for several years to compare with other bookshelf speakers I reviewed, and they remained listed in Stereophile's "Recommended Components" for several years after that. The Studio/20 is now in its fourth (v.4) iteration, so I thought I'd grab a pair to hear how they compared with current affordable bookshelf designs.
Kalman Rubinson Posted: Dec 19, 2004 0 comments
I am biased in favor of Paradigm loudspeakers. I've used them for 10 years; they offer good sound and good value, properties they share with a number of other Canadian makes who have taken advantage of Canada's National Research Council facilities in Ottawa. In fact, the first components I bought specifically for what is now my multichannel system were Paradigm Esprit/BP speakers, which had impressed me at a Stereophile show. When I took the step into multichannel and found that there wasn't a matching center-channel speaker for the Esprits, I replaced them with Paradigm's Reference Studio/60 v.2s. But while the smaller Reference Studio/20, and the larger Studio/100 have both been reviewed in Stereophile, the Studio/60 had not. The release of the v.2's successor, the Reference Studio/60 v.3 ($1699/pair), was an opportunity to fill that gap.
Art Dudley Posted: Apr 07, 2014 11 comments
Asked how to make a guitar, the celebrated luthier Wayne Henderson offered a straight-up answer: "Just get a pile of really nice wood and a whittling knife. Then you just carve away everything that isn't a guitar." (footnote 1)

The making of a preamplifier seems more or less the opposite. You start with a simple volume control and a couple of jacks, then add whatever you think constitutes a preamplifier. Choices might include electronic source switching, line-level gain, phono-level gain and equalization, tone controls, tone-defeat switches, a balance control, a headphone jack, an iPod input, and maybe even a digital-to-analog converter with a USB receiver. The sky is pretty much the limit.

Wes Phillips Posted: Apr 02, 2009 Published: Apr 02, 1995 0 comments
"Dinner's fried chicken, honey."

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