As We See It

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John Atkinson Posted: Jun 07, 1997 Published: Jun 07, 1995 0 comments
Compuserve's CEAUDIO forum has been buzzing in recent weeks about audio cables. The subject even spilled over into an April meeting of the New York chapter of the Audio Engineering Society (see Wes Phillips's report in this month's "Industry Update"). Nearly two decades after Polk, Fulton, and Monster Cable raised our collective consciousness about the differences cable choice can make in an audio system, the debate still rages between audiophiles and some members of the engineering community. "High-priced tone controls" is how some engineers dismiss the subject of cables, while admitting that they can sound different. Other engineers adopt the "Hard Objectivist" line that if there are differences to be heard between cables, differences in the lumped electrical parameters of resistance (R), inductance (L), and capacitance (C) are all that are required to explain such differences.
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Martin Colloms Posted: Jan 16, 1991 0 comments
A committed audio equipment reviewer operates at the front line of audio subjectivity. Working on behalf of a readership made up of consumers thirsting for independent, informed opinion and advice, a reviewer is commissioned by the editor of a magazine to produce reports with a technical and subjective content on a wide range of available audio products. These reviews must be both fair and completed at short notice on a relatively small budget.
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Larry Archibald Posted: May 27, 2007 Published: Dec 01, 1983 0 comments
Ever since Vol.6 No.3 was published in August of 1983, Stereophile has been the leading subjective review magazine in terms of circulation. At that juncture our circulation was 12,000 and has now increased to 15,000. And it's all your fault!
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Jason Victor Serinus Posted: Aug 12, 2006 0 comments
It seemed a bit like the game of Telephone: Someone at the head of a long line of people whispers a sentence or two into the ear of the next in line, who in turn passes it along. By the time the last person in line repeats aloud what they think they've heard, the message is often barely recognizable to the first person.
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John Marks Posted: Oct 31, 2011 Published: Nov 01, 2011 1 comments
My "As We See It" in the July 2011 issue seems to have touched a nerve. At the AXPONA NYC audio show last June, more than one person stopped me in a corridor to take issue with what they thought I'd written.

That column certainly brought the Beethoven worshippers out of the woodwork. Look, I revere Beethoven, and I stand by what I wrote in the July issue: There can be little doubt, in terms of his impact on the course that Western music would follow, that Beethoven was the most important composer. But "most important" in terms of music history is not the same thing as the composer whose works most deeply touch my heart. For that, Beethoven is just not in my Top Five.

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Jason Victor Serinus Posted: Jan 19, 2011 0 comments
There's something happening here, and what it is is exactly clear. It's a revolution of sorts—a new paradigm for the High End. Despite pessimistic proclamations of the impending death of high-end audio, an unprecedented number of new high-end consumer shows have emerged in North America. Filling the gap left by the demise of Stereophile's Home Entertainment Show in 2007, these seven (!) shows—two new in 2011, two in expanded versions following successful launches in 2010—are reaching out to people of all ages, sexes, and format preferences.

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