As We See It

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John Atkinson Posted: Apr 24, 1996 0 comments
"There are two kinds of fools: One says, 'This is old and therefore good.' The other says, 'This is new and therefore better.'"Bob Katz
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Michael Lavorgna Posted: Dec 26, 2012 Published: Jan 01, 2013 24 comments
To say that a digital source "sounds like analog" has always struck me as coming up short. The notion that one format sounds like another is not really sensible or even ideal. While I love listening to LPs, there are some physical attributes of vinyl that, ideally, you don't want to reproduce. You know what I'm talking about because, every chance they get, LP haters remind us about pops, ticks, skips, surface noise, inner-groove distortion, etc. So when we say that a digital source sounds like analog, what we're really saying is that it doesn't sound like digital.
Barry Willis Posted: Nov 18, 2001 0 comments
Every once in a while, some mainstream journalist discovers the audiophile underground.
J. Gordon Holt Posted: Dec 31, 2009 Published: Oct 31, 1984 0 comments
When it comes to video, most audiophiles are insufferable snobs. These normally reasonable people, who are among the first to admit that great sound in a motion picture theater makes a great film much more enjoyable, nonetheless. scoff at the very idea of augmenting their own sound with images, or of trying to create the kind of audio-visual experience in their home that they routinely enjoy at the cinema. Doing that involves video, which they equate with TV, which they equate with LCD (footnote 1) dross. This is unfortunate, because visuals can enhance good sound, and good sound can do wonders for non-TV video programs like Hollywood motion pictures.
J. Gordon Holt Posted: Aug 11, 2015 Published: Jul 01, 1971 19 comments
Until about nine months ago, in the fall of 1970, FM radio station WFLN, Philadelphia, was just another one of that dying breed: the classical FM station. Like its counterparts in the few remaining classical-radio cities, it provides the major part of the high-fidelity listener's radio diet, and also like most similar classical stations, its fidelity was nothing to brag about.
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John Atkinson Posted: Nov 24, 1999 0 comments
Successful new prerecorded audio media emerge, on average, every two decades—one human generation. The LP made its debut in 1948, 21 years after the introduction of electrical recording ended the adolescence of the record industry and the acoustic 78rpm disc. This was almost coincidental with Jack Mullin's retrieval of analog tape technology from the wreckage of post-WWII Germany and its subsequent commercialization by Bing Crosby's Ampex company (footnote 1). The compact cassette made its appearance in 1963, followed almost 20 years later by the CD, in 1982. And now, as I mentioned in the October issue's "As We See It," we have Sony and Philips' Super Audio CD and the DVD Forum's DVD-Audio to contend with (not forgetting MP3 and the Internet).
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John Marks Posted: Feb 13, 2005 0 comments
"Most people really don't like music—they just like the way it sounds"
J. Gordon Holt Posted: Apr 02, 2006 Published: May 02, 1965 0 comments
Editor's Note: Those of us who cut our engineering teeth on tubes still remember the advent of the solid-state amplifier with mixed feelings. Yes, they were lighter and cheaper per watt than the thermionic hulks we loved so much, but they broke all the time (thanks to the germanium transistor) and sounded like—well, let J. Gordon Holt tell us what they sounded like in an "As We See It" article from Vol.1 No.10, first published in May 1965. We also develop the theme with a JGH review of an early transistorized amp, as well as a selection of readers' letters from the early days of Stereophile. Enjoy.John Atkinson
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John Atkinson Posted: Nov 13, 2009 0 comments
"Check it out." Music editor Robert Baird handed me a CD. "He's 70 years old, it's his 13th album, he got Don Was to produce it, and it's his best yet."
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Peter W. Mitchell Posted: Jul 29, 1997 Published: Jul 29, 1993 1 comments
What is the angular separation of your loudspeakers as viewed from your favorite chair? Whatever your answer, it's wrong. Of course I don't mean that it's a factually incorrect answer, just that any single value of subtended angle cannot be ideal for all recordings.
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Jon Iverson Posted: Jan 16, 2005 Published: Apr 16, 1997 0 comments
This is the story of the tiger wagging its tail. It is also the story of a tail trying to wag its tiger...
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J. Gordon Holt Posted: Aug 04, 2015 Published: May 01, 1974 1 comments
How would you feel after paying $2000 for super-stereo system, you learned that genuinely high-fidelity recordings of many excellent classical musical performances were not available to you? Could you excuse it with a shrug and the philosophical observation that nothing's perfect but things will get better as the state of the recording art improves? Okay then, what if you learned that truly high-fidelity recordings of these performances, that would sound very much like the real thing if reproduced through your super system, are available to millions of other people but not to you? Would you begin to feel just a little bit slighted, or maybe even irritated?
Robert Harley Posted: Oct 27, 1991 Published: Oct 28, 1991 0 comments
As I walked through Stereophile's Taipei High-End Hi-Fi show (see the full report next month), I was startled to see four ladies in their 50s carrying Stereophile bags full of brochures. They'd just left a demonstration of Martin-Logan CLSes driven by Aragon electronics and were talking animatedly among themselves as they busily made their way to the next exhibit room. My surprise was repeated throughout the show as I saw an amazingly diverse group of people who had enough interest in high-end audio to get themselves to the Taipei Hilton and pay the show's admission price. Young couples, old couples, entire families, and women were all there to see and hear high-end audio. This was in sharp contrast to the narrow demographic group seen at US and European hi-fi shows: predominantly young to middle-aged males to whom audio is a hobby.
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John Marks Posted: Mar 31, 2002 0 comments
In my January "The Fifth Element" column, I discussed the concept of value in the context of audio component manufacture. This month's "Letters" includes a response to that column from Austrian distributor Hans Hirner. In his letter, Herr Hirner writes about some of his Web-surfing non-customers: "If that weren't enough, they also call me or my dealers to tell them how proud they are, after having taken all from me that is possible in system matching and trial—and even denoising their systems—to have been able to find 'our' products cheaper out there."
J. Gordon Holt Posted: Jun 09, 2007 Published: Oct 09, 1982 0 comments
The October 1982 issue of Stereo Review published what must be hailed (or derided) as the first reasoned assessment of high-end audio ever presented in a mass-circulation hi-fi publication. We disagreed with a few of the author's points, but our main gripe about the piece prompted a letter to Stereo Review. This is what we wrote:

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