As We See It

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John Atkinson Posted: Nov 25, 1991 0 comments
"Phonograph, n. An irritating toy that restores life to dead noises."—Ambrose Bierce (in The Devils's Dictionary, Dover, 1958)
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Jason Victor Serinus Posted: Oct 25, 2013 Published: Nov 01, 2013 13 comments
Thanksgiving will mark two years since Charles died. I still miss him.

I first met Charles in the 1990s, around the time I began to review recordings and audio equipment. I had just left my apartment and was driving slowly down the street when I spied a somewhat bent-over, wizened-looking man carrying a copy of Stereophile under his arm. My astonishment at discovering another Stereophile reader whom, it turned out, living just two buildings away, brought my car to a sudden halt.

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Steve Guttenberg Posted: Mar 01, 2012 6 comments
There's an old Woody Allen bit about his mother running the family's food through a "deflavorizing machine" a couple of times, just to make sure dinner was completely tasteless. Well, that's what a lot of contemporary music sounds like to me. Booker T. Jones's recent album The Road from Memphis has some great tunes, but the sound of the album pales in comparison with his seriously funky work with Booker T. & the MG's in the 1960s. It's not just that the new CD is maximally compressed and processed to a fare-thee-well—it's a totally lifeless recording. But this isn't just another analog vs digital diatribe. The problems have little to do with the recording format; it's the way recordings are now made. Too many are assembled out of bits and pieces of sound to create technically perfect, Auto-Tuned, Pro Tooled music. It's not that great music can't be made that way, but it's sure as hell less likely to get my mojo workin'.
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Jim Austin Posted: Dec 12, 2004 0 comments
In early 2000, the British magazine The Economist published a lead editorial addressing America Online's acquisition of media giant Time Warner. In the editors' view, TW was a clunky, old-style media company that needed a fresh injection of dot-com blood to help them reach a more narrowly targeted audience. "Sex, shopping and violence," the editors wrote, echoing Internet visionary George Gilder, "...are what people have in common. What differentiates them is their enthusiasm for folk music, tropical fish, or Viennese waltzes."
J. Gordon Holt Posted: Apr 08, 2010 Published: Oct 08, 1983 0 comments
A persistent complaint from some of our readers concerns our seeming preoccupation with exotic components. (Presumably what they mean are scarce, unusual, or hard-to-find components, because "exotic" really means "from a foreign country," and there is sure as hell nothing hard-to-find about a Panasonic receiver.) "Why," you ask, "do you devote so much space to reports on components we can't buy from our local audio discounter? Why can't we have more reports about products from the old, established, reliable companies like KLH, Harman/Kardon, Electro-Voice and Sansui, whose stuff we can listen to at a local dealer before we commit our hard-earned dollars to a purchase?" One subscriber even cancelled his subscription because of this, claiming that the unavailability of the products we review makes our reports "irrelevant." Well, he had a point, but not a very good one.
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John Atkinson Posted: Jan 05, 2003 0 comments
Surfing the Usenet newsgroups and the Web audio forums recently, it struck me that the old wisdom is correct: If you keep your mouth shut, you won't say anything with which anyone can disagree. A topic that seems to be of perennial interest is how Stereophile chooses the products it reviews. Yet the more I have explained how it's done, the greater the criticism that is heaped on the magazine.
J. Gordon Holt Posted: Jul 08, 2015 Published: Oct 01, 1974 5 comments
Some years ago, we attended a hi-fi show in New York City where one of the exhibitors was RCA Victor. Their presence there would have been forgotten were it not for the fact that their exhibit, featuring their own discs played on their own line of phonographs, was producing some of the filthiest sound at the entire show. And that, in the proverbial nutshell, is why you never see reports in Stereophile on equipment made by RCA, Philco or General Electric.
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Doug Sax Posted: Nov 04, 2007 Published: Dec 04, 1982 0 comments
The following was submitted as a letter to J. Gordon Holt, in response to his Editorial "Digital Revenge," in issue #53 (August 1982, Vol.5 No.6). We are publishing it as a guest editorial, because the writer is one of the few audio people whose judgement we respect who disagrees with us about digital's merits. The feeling, it would seem, is mutual.Ed.
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J. Gordon Holt Posted: Jun 01, 1973 Published: Sep 01, 1973 0 comments
Hey, kids, here's the Big News. We've been deluding ourselves all along, worrying about piddling little bits of distortion that we can't hear at all. How's your preamp distortion? 1% at 1 volt out? You have a perfect preamp—a veritable straight wire with gain! That ear-shattering shrillness is all in your mind, because it has now been demonstrated that the human ear cannot perceive distortion levels of less than 6–12% on "normally complex music." If you think you can hear 0.1%, you are deluding yourself.
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John Atkinson Posted: Mar 24, 1996 0 comments
"A newspaper can flout an advertiser...but if it alienates the buying public, it loses the one indispensable asset of its existence."—Walter Lippman, 1922, reprinted in Public Opinion, New York: Free Press, 1965.
John Atkinson Posted: Sep 09, 2007 Published: Nov 09, 1994 1 comments
If there's a phrase that increasingly gets my dander up, it's "mid-fi." I'm even starting to lose patience with the term "High End."
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John Atkinson Posted: Sep 19, 1997 Published: Sep 19, 1993 0 comments
"To be an influence in any can be a little different, but only a little; a little above one's neighbours, but not too much."---C.P. Snow, The Masters, 1951
Jon Iverson Posted: May 15, 2010 2 comments
In an e-mail exchange with Stephen Mejias about why the mere mention of cassette decks on can so easily inflame our readers (and John Atkinson), I began to develop the idea that the brains of audiophiles and music lovers are governed by three complementary needs, or desires, that define who we are. I joked to SM that these desires, which apparently shift over time, constitute the Holy Trinity of Audiophiledom. They are, respectively, the love, desire, and need for:
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John Atkinson Posted: Sep 24, 1994 0 comments
During a recent visit to Canada's National Research Council, I noticed stuck to the wall of the prototype IEC listening room a page of results from one of Floyd Toole's seminal papers on the blind testing of loudspeakers. The scoring system was the one that Floyd developed, and that we adopted for Stereophile's continuing series of blind tests. "0" represents the worst sound that could possibly exist, "10" the perfection of live sound—a telephone, for example, rates a "2." The speakers in Floyd's test pretty much covered the range of possible performance, yet their normalized scoring spread, from the worst to the best, was just 1.9 points.
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John Atkinson Posted: Apr 15, 2007 0 comments
"The whole band was in the hot tub. As water frothed over my bare breasts in the moonlight..."


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