As We See It

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Jon Iverson Posted: Dec 05, 2004 Published: Aug 05, 1999 0 comments
Audiophiles have a mess on their hands. In a somewhat surreal press conference in May, a half dozen audio luminaries—representing Sony, Philips, and several titans of the high-end recording business—stood on a HI-FI '99 stage looking awkwardly at the audience.
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Jon Iverson Posted: Apr 05, 2003 Published: Apr 06, 2003 0 comments
At the 2003 Consumer Electronics Show in January—see the report in this issue—Sony and Philips held an SACD Event at the Hard Rock Hotel in Las Vegas. There were trippy lights. There were the Grand Pooh-Bahs of Sony, Philips, and the record labels. There was loud multichannel Big Brother and the Holding Company. And there was Sony's main SACD man in the US, David Kawakami, supplying the pep talk.
J. Gordon Holt Posted: Jan 04, 2010 Published: Jun 04, 1986 0 comments
Although inclined to mood swings bordering on the manic-depressive, I am generally a very patient, tolerant person, willing to accept and overlook the foibles of those less perfect than myself. But even my incredible equanimity has its limits, beyond which the milk of my human kindness curdles, becoming as lumpy as last month's yogurt.
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John Atkinson Posted: Oct 06, 2002 0 comments
"Ever wondered how the snowplow driver gets to work?"—Doyle Dane Bernbach TV ad for Volkswagen, 1963
J. Gordon Holt Posted: Nov 30, 1971 Published: Nov 30, 1979 2 comments
Alicia Holt, aged 18 months, devours her father's magazine

After much searching of soul and of bank account, we have reached an earth-shattering decision. The Stereophile is going to start taking ads.

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Steve Guttenberg Posted: Aug 28, 2013 Published: Sep 01, 2013 32 comments
No one ever had to pay for recorded music—it was always "free" on the radio—and the home taping of LPs, the copying of cassettes, and, later, burning CDs made buying music optional. Then Napster and other file-sharing sites kicked it up a notch and made it very easy to assemble a 10,000-song collection without spending a dime. Now, Spotify, BitTorrent, SoundCloud, MOG, and YouTube make music instantly accessible on demand. It raises the question: Will music lovers continue to buy music? Paying for recorded music is now, more than ever, a voluntary act.
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John Atkinson Posted: Aug 17, 2003 0 comments
Perhaps it's the air in San Francisco, or more likely the fact that exhibitors and attendees were equally upbeat, but I came back from Home Entertainment 2003, held at the grand old Westin-St. Francis Hotel days before I write this month's column, jazzed. I was one of 15,123 consumer, international press, and trade attendees, according to the official stats, and we were treated to more than 100 exhibit rooms showing and demonstrating 225 brands of audio and home-theater gear. Stereophile's full report on what we saw and heard at the Show will appear in our September and October issues, while our web coverage can be found starting here(footnote 1).
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John Atkinson Posted: Nov 14, 2007 Published: Jun 01, 1996 0 comments
"Rave on down through the corridors,
"Rave on words on printed page!"
—Van Morrison, "Rave On John Donne"
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Art Dudley Posted: Aug 28, 2012 Published: Sep 01, 2012 27 comments
In the old days, when audio-show reports routinely appeared in the print edition of Stereophile, life was easier. I spent my show days visiting exhibitors and listening to new gear, but I decorated those days with record shopping, dining out, and staying up late to visit with friends in the industry. And because hard-copy deadlines always seemed to be at least a few days away, I would wait until I'd returned home before doing any actual writing.
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Art Dudley Posted: Nov 30, 2013 Published: Dec 01, 2013 12 comments
It began innocently enough. In June, Slate.com published a sampling from an exhibit by the photographer Kai Schaefer, in which classic LPs of different eras were partnered with the similarly classic record players on which they might have been played: Tea for the Tillerman on a Dual 1219, Kind of Blue on a Rek-O-Kut Rondine, Sgt. Pepper's on a Thorens TD 124—you get the idea. The photos worked as cultural documents, as good-natured kitsch, as surprisingly beautiful and compelling industrial art. I was thoroughly charmed.
J. Gordon Holt Posted: Jan 12, 1985 0 comments
A number of recent letters have accused us of snobbishness and elitism because we devote so much space to reports about components that "common folk" can't afford. We are "snobbish" because we seem to look down on anything less perfect than a Wilson WAMM speaker system or an Audio Research SP-10 preamplifier. And we are "elitist" because we seem to show little interest in any components which fall short of state of the art. Far from being chastened by these letters, I am proud, to declare that they are right on target.
Chip Stern Posted: Jul 16, 2000 0 comments
As often as not, it ain't the heat—it's the stupidity. When confronted by the smattering of self-referential dilettantes, acrimonious Internut wannabes, and obsessive-compulsive types who suck the air out of our aural fun-house, I find myself overcome with the desire to program my phaser for CLIP.
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John Atkinson Posted: Jan 30, 2002 0 comments
Trees. All I could see from Route 44 was trees. Many, many trees. How many trees? Exactly 251.1 million maples, hickories, pines, hemlocks, ashes, and oaks of all colors, with trunks 5" or greater in diameter, according to an online survey I later found on the Web. Once you get away from I-95 and the coast, Connecticut seems to be one large forest, its towns peeking out from barely adequate clearings. And not just "seems"—the same online survey says that 57% of the Constitution State's 3,205,760 acres are officially classified as "forest."
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John Atkinson Posted: Jan 22, 1990 0 comments
"Hoom! Hoom-hoom! HOOM!"
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John Marks Posted: Dec 10, 2010 4 comments

There is something about the performance of music that is in the nature of a spectator sport. By this I do not mean big-arena stagecraft and lights and fireworks and dance routines. I mean the actual making of the music.

To see Eric Johnson's fingers flying over his Fender Stratocaster as he hits "Cliffs of Dover" out of the park one more time is to enjoy something that is every bit as much an athletic performance and a spectator sport as baseball is. There is a thrill to watching people do difficult things exceptionally well, things that most of us can only take random sidelong swipes at.

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