Art Dudley Listening

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Art Dudley Posted: Sep 27, 2016 39 comments
They don't make 'em like they used to.

That aphorism has few fans among people shopping for cancer drugs, contact lenses, GPS receivers, and laptop computers, all of which seem to get better with each passing year. Hell, even I know that.

It earns a more positive reply from anyone who's shopping for an oriental rug, or a fly rod, or a tweed jacket, or a musical instrument—people who will tell you that their fond response to the market for vintage examples of such goods is motivated by two things: older products were better made than their newer counterparts (better designs, better materials, better manufacturing techniques), and some, if not all, of those products, over time, actually improve with use.

Art Dudley Posted: Oct 28, 2016 21 comments
Keith Aschenbrenner, proprietor of Auditorium 23, based in Frankfurt, Germany, has long been associated with the people and products of Shindo Laboratory: From the early 1990s until the EU's 2006 implementation of the RoHS 1 regulation, which banned the sale of various old-style electrolytic materials—and thus most of Shindo's products—Auditorium 23 was the brand's European distributor and, arguably, one of its most empathetic and enthusiastic retailers worldwide. Throughout that time, and continuing through to today, Aschenbrenner has also worked as a designer and manufacturer of Shindo-friendly ancillaries and loudspeakers.
Art Dudley Posted: Nov 17, 2016 7 comments
I'm a progressive who enjoys the company of his conservative friends, a Catholic who's thankful for his atheist friends, and a carnivore who cherishes his vegetarian friends. I'm also a vintage-audio enthusiast who loves his audiophile friends who aren't so inclined—so I was doubly happy to see, in the September 2016 edition of Michael Fremer's "Analog Corner," a hearty endorsement of Ortofon's latest SPU: a 58-year-old phono-cartridge design that, like the coelacanth, continues to thrive despite expectations.

Mikey is a longtime friend who harbors no love for vintage phonography—yet after playing his first record with the new SPU #1E ($659), he wrote: "I immediately, and much to my surprise, got what the SPU cult is all about."

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Art Dudley Posted: Dec 22, 2016 11 comments
On a bright, warm day in September, at the memorial gathering for our colleague Wes Phillips, I overheard John Atkinson, in pre-ceremony conversation, discussing men's fashions: "What's popular these days," he said, with a degree of puzzlement that stopped short of disapproval, "is very long hair on just the top, with nothing on the sides and back." Then he added, this time with disdain, "What I don't understand is this trend where men wear dress shoes without socks—which I have actually seen!" The fact that we were in Park Slope, Brooklyn—the very jaw of the hipster possum—may have triggered his observations, which I overheard while chatting with Stereophile alum Laura LoVecchio. I remember reflexively looking down at my own ankles, to make sure I was wearing socks. I was.
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Art Dudley Posted: May 22, 2004 Published: May 01, 2004 0 comments
"As I was saying before I was interrupted..."—Jack Paar, 1918-2004
Art Dudley Posted: Jan 24, 2017 3 comments
My first attempt at writing this piece began with a list of the Top Ten Audio Products I Wish Were Still in Production. Unfortunately, that proved unworkable. Although some of my selections—the Audio Research SP-6C preamplifier, the Stax ELS-F81 loudspeaker—were straightforward, it turned out that most of the others were burdened with complications. Examples: It's no longer feasible to mass-produce Bakelite headshells for a revival of the original Ortofon SPU or similar phono pickup. It's no longer possible to obtain the precisely correct vacuum tubes and other components required to return to production the Leak Stereo 20 amplifier. And I'm certain that a torch- and pitchfork-wielding mob would prevent the manufacture of an authentic Altec 604B drive-unit, unless those audio villagers were first allowed to "improve" the design.
Art Dudley Posted: Feb 21, 2017 3 comments
In contrast with such line-level source components as DACs and CD players, record players generate a lower-voltage signal that requires extra gain from either a standalone phono preamplifier or the phono stage of another, more comprehensive component in one's system—typically, a full-function preamplifier or an integrated amp.

But when the phono cartridge of choice is a moving-coil (MC) type, which generates even less voltage than its moving-magnet (MM) and moving-iron (MI) friends, even more gain is required. This presents the user with an additional choice: he or she can select from among the many standalone phono preamps that offer sufficient gain, or augment an existing phono or full-function preamp or integrated amplifier with a phono step-up transformer, which boosts gain passively, without using tubes or transistors.

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Art Dudley Posted: Jun 19, 2004 Published: Jun 01, 2004 0 comments
A grainy film is said to exist that proves the viability of a mechanical antigravity device. The inventor, a native of Syracuse, New York named Harry W. Bull (footnote 1) placed his so-called "bootstrap machine" on a bathroom scale, focused a borrowed home movie camera on the dial, powered up the machine, and watched as the numbers spun backward. This event, and the development work that led to it, were the basis for a series of articles—and a subsequent exchange of heated letters—in Popular Science magazine. The year was 1935.
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Art Dudley Posted: Jul 10, 2004 Published: Jul 01, 2004 0 comments
All the world, even you
Should learn to love the way I do
—Bryan Ferry, "Take a Chance with Me"
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Art Dudley Posted: Feb 16, 2003 0 comments
Consider the coelacanth. In 1938, a healthy specimen of this Paul Simon-sized fish was pulled from the Indian Ocean, not far from the mouth of South Africa's Chalumna River. But prior to that happy event (depending on your perspective, of course: the sight of the coelacanth's long, fleshy fins probably made for some very unhappy creationists), the scientific community believed the animal in question was extinct, and had been for 65 million years.
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Art Dudley Posted: Sep 09, 2004 Published: Sep 01, 2004 0 comments
"How could there be a bad song called 'Iron Man,' or 'War Pigs,' or—my cup runneth over—'Rat Salad'?"—Nick Hornby, explaining his youthful fondness for Black Sabbath
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Art Dudley Posted: Oct 26, 2004 Published: Oct 01, 2004 0 comments
Once upon a time there was a violin maker who had two quarrelsome sons, and their names were John and Rudolf. When the boys came of age, their father put them to work in his shop, but John and Rudolf found it difficult to get along with one another, and they quarreled even more bitterly after the old man died.
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Art Dudley Posted: Nov 29, 2004 Published: Nov 27, 2004 0 comments
When I was a boy, silent dog whistles were all the rage. They were sold mail-order from the backs of comic books, alongside whoopee cushions and sneeze powder and X-ray spex. The whistles aren't so easy to find anymore, but don't read too much into that fact. Don't read into that at all.
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Art Dudley Posted: Dec 26, 2004 0 comments
You dodged a bullet.
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Art Dudley Posted: Jan 30, 2005 0 comments
First Watt isn't a real company, and the F1 power amplifier isn't a real product. Consequently, this isn't a real review.

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