Features
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Features
Jack English Jan 23, 2013 Published: Jan 01, 1994 78 comments
Slowly, painfully, high-end audio seems to be dying. We all know it but we're apparently unable to resuscitate the patient. US dealers are closing at alarming rates—it must be the economy. Women continue to avoid the High End—it must be the technobabble combined with male equipment fetishism. Younger people aren't hopping aboard—it must be all those other things competing for their money. (Then again, it might be the High End's abhorrence of rock'n'roll.)
Features
Stereophile Staff Oct 02, 2005 0 comments
FM Antennae
Features
Stereophile Staff Mar 16, 2005 Published: Apr 16, 2005 0 comments
FM Antennae
Features
Stereophile Staff Apr 01, 2006 Published: Apr 12, 2006 0 comments
Loudspeaker Cables & Interconnects
Editor's Note: Rather than place cables in the usual "Recommended Components" classes, we've just listed those cables that members of the magazine's review team either have chosen to use on a long-term basis or have found to offer good value for money. They are therefore implicitly recommended. Where a cable has been found to have specific matching requirements or an identifiable sonic signature, it is noted in the text. "Try before you buy" is mandatory with cables; many dealers have a loaner stock to make this easier.
Features
Stereophile Staff Sep 21, 2006 Published: Oct 21, 2006 0 comments
FM Antenna
Features
Stereophile Staff Mar 17, 2007 Published: Apr 17, 2007 0 comments
Recommended Components Addendum
Features
Stereophile Staff Sep 07, 2007 Published: Oct 01, 2007 0 comments
Phono Accessories & Record Cleaners
Features
Mar 24, 2009 Published: Apr 24, 2009 0 comments
Phono Accessories & Record Cleaners
Features, Reference
Keith Howard Feb 05, 2006 Published: Jan 05, 2006 0 comments
106howard.1.jpgMuch as I like the prospect of being able to grunt a heartfelt Je ne regrette rien immediately before expiring, I know there will be too many what-ifs and wish-I-hadn'ts to make that even remotely possible. But here is one missed opportunity that won't flash before me, because John Atkinson has granted me a second chance.
Features
Jonathan Scull Feb 11, 2011 Published: Jan 11, 2011 7 comments
Illustration: Jeff Wong

John Atkinson and I were On the Road, whistling down I-95 in a big, Kona Blue Metallic 2011 Ford Edge Ltd with voice-command everything. To paraphrase Raoul Duke at the very beginning of Hunter S. Thompson's Fear and Loathing in Las Vegas, we were somewhere around Princeton, New Jersey—not quite the edge of the desert—when the drugs began to take hold. Just as in the original text, "there was a terrible roar all around us, and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car . . ." I decided that there was no point in mentioning the bats to JA. He'd bought the Criterion Collection DVD of Terry Gilliam's film version of Fear and Loathing at Princeton Record Exchange. He knew about the bats.

Features, Interviews
Steve Guttenberg Oct 30, 2002 0 comments
We all know that women generally have better hearing than men and enjoy music at least as much as men do, but women are conspicuously absent from every segment of the high-end audio scene. The vast majority of high-end companies are owned by men, and any head count of female designers, retailers, reviewers, or consumers will yield a pitifully small number. High-end audio is a man's, man's, man's world.
J. Gordon Holt Mar 17, 1994 0 comments
High-end audiophiles are space freaks---we relish the warmth and spaciousness of a fine, old performing hall almost as much as we do the music recorded in it. But my attendance at a series of orchestral concerts held last summer brought home to me---as never before---the sad fact that our search for the ultimate soundstage is doomed to failure: we're trying to reproduce three-dimensional space from a two-dimensional system, and it simply can't be done.
Features, Reference
John Atkinson Nov 15, 2000 0 comments
In his very English way, Sony's then managing director for the UK, Tim Steele, was getting a touch, er, desperate. His oh-so-cultured voice rose a smidgen as he resorted to a direct selling of the benefits of what he was talking about. "Look, you're all sitting on riches," was his fundamental pitch. "You can sell music-lovers your entire back catalog all over again—at a higher price!"
Features, Reference
David Rich Nov 15, 2000 2 comments
Although Philips invented the Compact Disc, it was only when Sony got involved in the early 1980s that it was decided—at the prompting of conductor Herbert von Karajan, a close friend of Sony's then-president Akio Morita—that the CD should have a long enough playing time to fit Beethoven's Ninth Symphony on a single disc (footnote 1). Even if the conductor was using very slow tempos, and even given the minimum pit size and track pitch printable at the time, the 16-bit data and 44.1kHz sampling rate they settled on gave them a little margin.
Features, Think Pieces
Linda Tasker Oct 29, 1990 0 comments
PO/SSSLQs (footnote 1), SOs (footnote 2), & Spouses of audiophiles: Linda Tasker (aka Mrs. Kevin Conklin) has some advice for you!
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