DON BYRON: Bug Music Don Byron, clarinet, baritone saxophone, vocals; Steve Wilson, alto saxophone; Robert DeBellis, tenor saxophone; Charles Lewis, Steve Bernstein, James Zollar, Trumpet; Craig Harris, trombone; Uri Crane, piano; Paul Meyers, banjo; David Gilmore, guitar; Kenny Davis, bass; Pheeroan akLaff, Billy Hart, Joey Baron, drums; Dean Bowman, vocals. Nonesuch 79438-2 (CD only) 1996. Don Byron, prod.; Danny Kapilian, assoc. prod.; Tom Lazarus, eng.; David Merrill, assist eng.; Alan Tucker, mastering eng. Carol Yaple, exec. prod. ??? TT: 51:07 Music **** Sonics ****
SANTIAGO DE MURCIA: ¡Jácaras! Paul O'Dette, Pat O'Brien, Steve Player, baroque guitars; Andrew Lawrence-King, harp, psaltery; Pedro Estevan, percussion Harmonia Mundi 907212 (CD). 1998. Robina G. Young, exec. prod.; John Hadden, prod., eng. DDD. TT: 78:21 Performance ***** Sonics *****
Geminiani: Concerti Grossi Concerto 1 in D, Concerto 2 in B-flat, Concerto 3 in C, Concerto 4 in F, eight others. Andrew Manze, Academy of Ancient Music; Alison McGillivray, cello; Richard Egarr, harpsichord. Harmonia Mundi HMU 907261.62 (2 CDs). 2000. Robina G. Young, prod.; Geoff Miles, Mike Clements, engs. AAD? TT: 2:24:19 Performance ****? Sonics ****?
J.S. BACH: Morimur Partita No.2 in d for Solo Violin, BWV 1004; 11 Chorales; Chaconne from BWV 1004 and "Auf meinen lieben Gott" realized by Helga Thoene for solo violin & four voices Christoph Poppen, baroque violin. The Hilliard Ensemble: Monika Mauch, soprano; David James, countertenor; John Potter, tenor; Gordon Jones, baritone ECM New Series 1765 (CD). 2001. Manfred Eicher, prod.; Peter Laenger, eng. DDD. TT: 61:42 Performance ***** Sonics *****
STEVE TIBBETTS: A Man About a Horse Steve Tibbetts, guitar, percussion; Jim Anton, bass; Marc Anderson, Marcus Wise, percussion ECM 1814 (CD). 2002. Steve Tibbetts, prod., eng. ADD. TT: 45:07 Performance ***** Sonics ****½
BEETHOVEN: Complete Music for Cello & Piano
Cello & Piano Sonatas: in F, Op.5 No.1; in g, Op.5 No.2; in F, Op.17; in A, Op.69; in C, Op.102 No.1; in D, Op.102 No.2. Variations: in F on Mozart's "Ein Mädchen oder Weibchen," Op.66; in E-flat on Mozart's "Bei Männern," WoO 46; in G on Handel's "See, the Conquering Hero Comes," WoO 45
András Schiff, piano; Miklós Perényi, cello
ECM New Series 1819/20, B00003389-02 (2 CDs). 2004. Manfred Eicher, exec. prod.; Stephan Schellmann, eng. DDD. TT: 2:31:19
WAGNER: Tristan und Isolde
Plácido Domingo, Tristan; Nina Stemme, Isolde; Mihoko Fujimura, Brangäne; René Pape, Marke; Olaf Bär, Kurwenal; Jared Holt, Melot; Ian Bostridge, Shepherd; Matthew Rose, Steersman; Rolando Villazón, A Young Sailor; Orchestra & Chorus of the Royal Opera House, Covent Garden; Antonio Pappano
EMI 5 58006 2 (3 CDs, 1 DVD). 2005. David Groves, prod.; Jonathan Allen, John Dunkerly, Roland Heap, engs. DDD. TT: 3:46:29
NEIL YOUNG: Chrome Dreams II
Reprise 311932-2 (CD). 2007. Neil Young, prod.; Niko Bolas, prod., eng.; John Hausmann, Rob Clark, Brent Walton, Tim McColm, Colin Suzuki, asst. engs. AAD? TT: 66:17
MOGWAI: The Hawk Is Howling
Rock Action/Matador OLE 832-1 (LP), -2 (CD). Gareth Jones, James Aparicio, prods.; Andy Miller, Tony Doogan, Andi Whitelock, engs. AAA/AAD. TT: 63:29
Sun City Girls Funeral Mariachi
Abduction ABD 045LP (LP). 2010. Alan Bishop, prod., eng.; Scott Colburn, Randall Dunn, engs. AAA. TT: 37:12
There are musicians for whom fame and fortune hold no allure, whose goal is to fulfill a more esoteric vision. Nearly 50 albums and 25 years ago, three mad punk polyglots, their brains baked by the Arizona sun, and all of them in love with the Middle EastNorth Africa axis of what, in the 1980s, was ineptly titled "world music," decided to make music without borders. With no fear of influences and no burning ambition for commercial success, they zestfully and successfully mixed comedy, noise, Zappa, Beefheart, Middle Eastern drones, jazzy horns, psychedelia in all its forms, film composer Ennio Morricone's inventive moodiness, Indonesian Gamelan mojo, lots of real and made-up languages, and, yes, some actual singing. Rougher in the beginning, the records began to sound better as time went on.
Tom Waits Bad As Me
Anti- 87151-1 (LP). 2011. Tom Waits, Kathleen Brennan, prods.; Julianne Deery, prod. coord.; Karl Derfler, eng.; Zack Summer, asst. eng. ADA? TT: 44:37
They only come out at night. Or when recession, wars, and gridlock rule. On Bad As Me, Tom Waits's first record of new material since 2004's Real Gone, things having gone bad all over gives his uniquely American narratives a fresh resonance: "Well we bailed out all the millionaires / they got the fruit, we got the rind / and everybody's talking at the same time / everybody's talking at the same time." ("Talking at the Same Time"). But lest anyone get the idea it's all politics and no licentiousness, the next track, "Get Lost," dives deep into loopy rockabilly slap beats as two of the three stellar guitarists who dominate this album, Marc Ribot and David Hidalgo (Los Lobos), conjure a twitchily convincing froth over which Waits revels in the simpler pleasures of Wolfman Jack and "real tight sweaters."