Recording of the Month

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Thomas Conrad Posted: Apr 19, 1996 0 comments
DAVE HOLLAND: Ones All
Dave Holland, acoustic bass
Intuition INT 21482 (CD only). Dave Holland, Clare Holland, prods.; James Farber, eng. AAD. TT: 57:27
J. Gordon Holt Posted: Nov 18, 2013 Published: Dec 18, 1986 0 comments
REFLECTIONS
666rotm.reflections.jpgJim Walker, flute, Mike Garson, piano
Reference Recordings CD RR-18CD.

DEBUSSY: Quartet in g
RAVEL: Quartet in F

The Cleveland Quartet
Telarc CD-80111.

What do you listen to when you've heard Reference Recordings' Symphonie Fantastique, Telarc's 1812 Overture, and Sheffield's Firebird, the last of your audiophile guests have gone home, and tomorrow's a workday but you're too hyped up to go to bed?

These.

Both are from record companies whose reputations were built on sonic blockbusters, but the subjects of this review are about as true to expectation as Mr. T flouncing about with a limp wrist.

Reflections is a program of short works for flute and piano. It's quiet, restful, and, in an age when it seems that nothing is worth listening to unless it's high-powered or "significant," this laidback program is a delightful change of pace.

Richard Lehnert Posted: Dec 15, 1994 0 comments
WAGNER: Siegfried
Teldec 4509-94193-2 (4 CDs only). TT: 4:00:09
WAGNER: Götterdämmerung
Teldec 4509-94194-2 (4 CDs only). TT: 4:27:03
Siegfried Jerusalem, Siegfried; Anne Evans, Brünnhilde; John Tomlinson, Wanderer; Günter von Kannen, Alberich; Graham Clark, Mime; Philip Kang, Fafner, Hagen; Bodo Brinkmann, Gunther; Waltraud Meier, Waltraute; Birgitta Svendén, Erda, First Norn; Eva-Maria Bundschuh, Gutrune; Hilde Leidland, Forest Bird, Woglinde; others; 1991 Bayreuth Festival Orchestra & Chorus, Daniel Barenboim
Both: John Mordler, prod.; Gernot R. Westhäuser, eng. DDD.
Robert Baird Posted: Dec 03, 1996 0 comments
EMMYLOU HARRIS: Portraits
Reprise Archives 45308-2 (3 CDs only). Gregg Geller, prod.; Keith Blake, eng.; Jo Motta, project coordinator. 1996. TT: 3:42:11
John Swenson Posted: Dec 16, 1999 0 comments
THE WHO: Who's Next
MCA/Mobile Fidelity Sound Lab UDCD 754 (gold CD). 1971/1999. The Who, Glyn Johns, prods.; Andy MacPherson, Jon Astley, engs. AAD. TT: 77:57
Performance *****
Sonics *****
Robert Baird Posted: Dec 09, 2001 0 comments
HANK WILLIAMS: Timeless
Lost Highway 088 170 239-2 (CD). 2001. Luke Lewis, Mary Martin, Bonnie Garner, prods.; Bob Brockman, Michael Hopkins, Mark Johnson, others, engs.; Hank Williams (no relation), mastering. AAD. TT: 43:19
Performance ****
Sonics *****
Richard Lehnert Posted: Apr 02, 2009 Published: Feb 02, 1991 0 comments
THE BEACH BOYS: Sunflower
Caribou/Brother/Epic ZK 46950. Stephen W. Desper, eng. TT: 36:48
THE BEACH BOYS: Surf's Up
Caribou/Brother/Epic ZK 46951. Stephen W. Desper, eng. TT: 33:36
THE BEACH BOYS: Holland
Caribou/Brother/Epic ZK 46952. Stephen Moffitt, Rob Fraboni, engs. TT: 48:13
All three: CD only. The Beach Boys, prods. Digitally remastered by Joe Gastwirt. AAD.
Robert Baird Posted: Jan 15, 2010 0 comments
CARLA BLEY: Carla's Christmas Carols
Carla Bley, piano, celeste; Steve Swallow, bass, chimes; Partyka Brass Quintet
WATT 35 (CD). 2009. Carla Bley, Steve Swallow, prods.; Gerard de Haro, Nicolas Baillard, engs. DDD? TT: 60:36
Performance ****
Sonics ****½
Michael Ullman Posted: Jul 27, 1994 0 comments
LYNN ARRIALE: The Eyes Have It
Lynn Arriale, piano; Jay Anderson, bass; Steve Davis, drums
DMP CD-502 (CD only). Lynn Arriale, Tom Jung, prods.; Tom Jung, eng. DDD. TT: 62:22
J. Gordon Holt Posted: Aug 13, 2014 Published: Jun 01, 1984 4 comments
684rotm.250.jpgBeethoven: Piano Concerto No.5 "The Emperor"
Rudolph Serkin, piano; Boston Symphony Orchestra, Seiji Ozawa, cond.
Telarc CD-80065 (CD). Robert Woods, prod., Jack Renner, eng.

Vivaldi: "The Four Seasons"
Joseph Silverstein, violin; Boston Symphony Orchestra, Seiji Ozawa, cond.
Telarc CD-80070 (CD). Robert Woods, prod., Jack Renner, eng.

I have never been a fan of Seiji Ozawa, feeling that his interpretive approach is too often cold and attached. That's not true of this performance of the "Emperor" Concerto. In fact, my only criticism is that the performance seems at time a little too broadly Romantic, where somewhat tighter phrasing would have been in order. Ozawa and Serkin have turned in one of the most satisfying performances in Telarc's catalog, which contains a remarkable number of lackluster performances.

Wes Marshall Posted: Feb 21, 2014 Published: Jun 01, 1986 4 comments
The four works in Private Music's initial release represent such a consistently high level of creation that it is remarkable to see them released all at once. The label's owner, Peter Bauman, was one of the founders of Tangerine Dream, the pioneering electronic music group from Germany (footnote 1). His influence infuses all the releases.
Barbara Jahn Posted: Dec 04, 2010 Published: Jun 15, 1989 0 comments
These are two very fine discs. Both convey to perfection the full weight of Richard Strauss's opulent orchestration for Zarathustra without the slightest hint of distortion, despite the huge dynamic range both employ. Both have the measure of the venues they are recorded in: Denon's Lukaskirche actually gives the impression of an acoustically superior concert hall, and it is astonishing to discover from the insert notes that the well tuned-in and integrated organ has been post-synchronized from the Schauspielhaus, Berlin.

Telarc's disc is their first of the Vienna Philharmonic, and their first from the Musikvereinsaal. It can hardly be faulted, except perhaps for the consistent richness of its more tonally refulgent sound—some may find this oppressive. But it does reflect perfectly Previn's more emotionally charged, almost maniacal response to this score. It is the kind of music he excels in; the meditative, almost ponderous fugue giving way to the near hysteria of "The Convalescent," and reflecting real joy at the climax of the "Dance Song." Previn is living these colorful swings of emotion, and if he makes great demands of the score in doing so (just as Blomstedt does), then his intuitive balance renders this all the more convincing.

Wes Phillips Posted: Mar 26, 1996 0 comments
COPLAND: Piano Concerto
MENOTTI: Piano Concerto in F
Earl Wild, piano; Jorge Mester (Menotti), Aaron Copland (Copland), Symphony of the Air
Analogue Productions APC 029 (LP). Seymour Solomon, prod.; Jack Bryant, Ed Fiedner, engs.; Doug Sax, Gavin Lurssen, Ron Lewter. remastering engs. AAA. TT: 49:23
Also available on a spectacular CD transfer: Vanguard SVC-3.
John Atkinson Posted: May 11, 2003 0 comments
THE POLICE: Every Breath You Take: The Classics
A&M Chronicles 069 493 607-2 (hybrid SACD/CD). 2003. The Police, Hugh Padgham, Laurie Latham, orig. prods.; Nigel Gray, Chris Gray, Hugh Padgham, Phil Nicolo, orig. engs.; David Tickle, Martin Pradler, 5.1 remixes (tracks 1-12); Bob Ludwig, 5.1 remixes (tracks 13-14) and SACD mastering; Bill Levenson, reissue supervision. A?D. TT: 59:43
Performance *****
Sonics ** to *****
J. Gordon Holt Posted: Nov 18, 2013 Published: Nov 18, 1986 1 comments
666rotm.earl.jpgBERLIOZ: Symphonie Fantastique
Royal Philharmonic Orchestra, Massimo Fraccia
Chesky CR-1.

RACHMANINOV: Piano Concerto No.2 in c
Earl Wild, Royal Philharmonic Orchestra, Jascha Horenstein
Chesky CR-2.

Chesky? Massimo Fraccia? Is this a put-on?

No, it's not. Chesky is a new record company which, at a time when everyone is predicting the imminent demise of the LP, has just launched its first two LPs and is threatening to follow them with more.

David Chesky is a young composer/musician who, despite some impressive credentials in the classical music world, remains singularly unrenowned. But he is also a musical reactionary after my own heart, who feels that all the best performances of the so-called Romantic repertoire were done years ago and will probably never be equalled. But rather than just bitch about this in record reviews, he is doing something about it, by releasing some of those early, possibly definitive performances on the best-sounding recordings he knows how to produce.

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