Recording of the Month

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John Swenson Posted: Dec 16, 1999 0 comments
THE WHO: Who's Next
MCA/Mobile Fidelity Sound Lab UDCD 754 (gold CD). 1971/1999. The Who, Glyn Johns, prods.; Andy MacPherson, Jon Astley, engs. AAD. TT: 77:57
Performance *****
Sonics *****
Robert Baird Posted: Dec 09, 2001 0 comments
HANK WILLIAMS: Timeless
Lost Highway 088 170 239-2 (CD). 2001. Luke Lewis, Mary Martin, Bonnie Garner, prods.; Bob Brockman, Michael Hopkins, Mark Johnson, others, engs.; Hank Williams (no relation), mastering. AAD. TT: 43:19
Performance ****
Sonics *****
Richard Lehnert Posted: Apr 02, 2009 Published: Feb 02, 1991 0 comments
THE BEACH BOYS: Sunflower
Caribou/Brother/Epic ZK 46950. Stephen W. Desper, eng. TT: 36:48
THE BEACH BOYS: Surf's Up
Caribou/Brother/Epic ZK 46951. Stephen W. Desper, eng. TT: 33:36
THE BEACH BOYS: Holland
Caribou/Brother/Epic ZK 46952. Stephen Moffitt, Rob Fraboni, engs. TT: 48:13
All three: CD only. The Beach Boys, prods. Digitally remastered by Joe Gastwirt. AAD.
Robert Baird Posted: Jan 15, 2010 0 comments
CARLA BLEY: Carla's Christmas Carols
Carla Bley, piano, celeste; Steve Swallow, bass, chimes; Partyka Brass Quintet
WATT 35 (CD). 2009. Carla Bley, Steve Swallow, prods.; Gerard de Haro, Nicolas Baillard, engs. DDD? TT: 60:36
Performance ****
Sonics ****½
Michael Ullman Posted: Jul 27, 1994 0 comments
LYNN ARRIALE: The Eyes Have It
Lynn Arriale, piano; Jay Anderson, bass; Steve Davis, drums
DMP CD-502 (CD only). Lynn Arriale, Tom Jung, prods.; Tom Jung, eng. DDD. TT: 62:22
Wes Marshall Posted: Feb 21, 2014 Published: Jun 01, 1986 4 comments
The four works in Private Music's initial release represent such a consistently high level of creation that it is remarkable to see them released all at once. The label's owner, Peter Bauman, was one of the founders of Tangerine Dream, the pioneering electronic music group from Germany (footnote 1). His influence infuses all the releases.
Barbara Jahn Posted: Dec 04, 2010 Published: Jun 15, 1989 0 comments
These are two very fine discs. Both convey to perfection the full weight of Richard Strauss's opulent orchestration for Zarathustra without the slightest hint of distortion, despite the huge dynamic range both employ. Both have the measure of the venues they are recorded in: Denon's Lukaskirche actually gives the impression of an acoustically superior concert hall, and it is astonishing to discover from the insert notes that the well tuned-in and integrated organ has been post-synchronized from the Schauspielhaus, Berlin.

Telarc's disc is their first of the Vienna Philharmonic, and their first from the Musikvereinsaal. It can hardly be faulted, except perhaps for the consistent richness of its more tonally refulgent sound—some may find this oppressive. But it does reflect perfectly Previn's more emotionally charged, almost maniacal response to this score. It is the kind of music he excels in; the meditative, almost ponderous fugue giving way to the near hysteria of "The Convalescent," and reflecting real joy at the climax of the "Dance Song." Previn is living these colorful swings of emotion, and if he makes great demands of the score in doing so (just as Blomstedt does), then his intuitive balance renders this all the more convincing.

Wes Phillips Posted: Mar 26, 1996 0 comments
COPLAND: Piano Concerto
MENOTTI: Piano Concerto in F
Earl Wild, piano; Jorge Mester (Menotti), Aaron Copland (Copland), Symphony of the Air
Analogue Productions APC 029 (LP). Seymour Solomon, prod.; Jack Bryant, Ed Fiedner, engs.; Doug Sax, Gavin Lurssen, Ron Lewter. remastering engs. AAA. TT: 49:23
Also available on a spectacular CD transfer: Vanguard SVC-3.
John Atkinson Posted: May 11, 2003 0 comments
THE POLICE: Every Breath You Take: The Classics
A&M Chronicles 069 493 607-2 (hybrid SACD/CD). 2003. The Police, Hugh Padgham, Laurie Latham, orig. prods.; Nigel Gray, Chris Gray, Hugh Padgham, Phil Nicolo, orig. engs.; David Tickle, Martin Pradler, 5.1 remixes (tracks 1-12); Bob Ludwig, 5.1 remixes (tracks 13-14) and SACD mastering; Bill Levenson, reissue supervision. A?D. TT: 59:43
Performance *****
Sonics ** to *****
J. Gordon Holt Posted: Nov 18, 2013 Published: Nov 18, 1986 1 comments
666rotm.earl.jpgBERLIOZ: Symphonie Fantastique
Royal Philharmonic Orchestra, Massimo Fraccia
Chesky CR-1.

RACHMANINOV: Piano Concerto No.2 in c
Earl Wild, Royal Philharmonic Orchestra, Jascha Horenstein
Chesky CR-2.

Chesky? Massimo Fraccia? Is this a put-on?

No, it's not. Chesky is a new record company which, at a time when everyone is predicting the imminent demise of the LP, has just launched its first two LPs and is threatening to follow them with more.

David Chesky is a young composer/musician who, despite some impressive credentials in the classical music world, remains singularly unrenowned. But he is also a musical reactionary after my own heart, who feels that all the best performances of the so-called Romantic repertoire were done years ago and will probably never be equalled. But rather than just bitch about this in record reviews, he is doing something about it, by releasing some of those early, possibly definitive performances on the best-sounding recordings he knows how to produce.

Richard Lehnert Posted: May 24, 2012 Published: Nov 01, 1987 0 comments
Arvo Pärt: Tabula Rasa and Arbos
Tabula Rasa: Fratres (2 versions); Cantus in memory of Benjamin Britten; Tabula Rasa
Gidon Kremer, Tatjana Grindenko, violins; Keith Jarrett, piano; Alfred Schnittke, prepared piano; Staatsorchester Stuttgart, Dennis Russel Davies, conductor; Lithuanian Chamber Orchestra, Saulus Sondeckis, conductor; cellists of the Berlin PO
ECM New Series 1275 (CD). Heinz Wildhagen, Peter Laenger, Eberhard Sengpiel, Dieter Frobeen, engs.; Manfred Eicher, prod. AAD. TT: 55:04

Arbos: Arbos; An den Wassern zu Babel; Pari Intervallo; De Profundis; Es sang for langen Jahren; Summa; Stabat Mater
Gidon Kremer, violin; Christopher Bowers-Broadbent, organ; The Hilliard Ensemble; Brass of the Staatsorchester Stuttgart; others
ECM New Series 1325 (CD). Peter Laenger, Andreas Neubronner, engs.; Manfred Eicher, prod. DDD. TT: 59:21

Wes Phillips Posted: Nov 28, 1995 0 comments
BIG SUGAR: 500 Pounds
Silvertone 42160-2 (CD). Geordie Johnson, prod.; Peter Prilesnik, prod., eng. TT: 47:42
BIG SUGAR: Ride Like Hell EP
Silvertone 42287-2 (CD). Geordie Johnson, Peter Prilesnik, Dan Gallagher, prods.; Alfie Annabelini, T. Murray, M. Peters, engs. TT: 20:50
Guy Lemcoe Posted: Sep 30, 2007 Published: Oct 30, 1992 0 comments
EDDIE DANIELS: ...This Is Now
Eddie Daniels, clarinet; Billy Childs, piano; Tony Dumas, Jimmy Johnson, bass; Ralph Penland, Vinnie Colaiuta, drums
GRP GRD-9635 (CD only). Bernie Kirsh, eng.; Eddie Daniels, Billy Childs, prods. DDD. TT: 64:31
Richard Lehnert Posted: Oct 15, 2006 0 comments
KEITH JARRETT: Tokyo Solo & The Carnegie Hall Concert
Robert Baird Posted: Sep 25, 2012 Published: Oct 01, 2012 1 comments
Patricia Barber: Nightclub & Modern Cool
Nightclub
Premonition 90763-1 (2 LPs). Patricia Barber, prod.; Michael Friedman, exec. prod.; Jim Anderson, eng.; Bob Ludwig, mastering; Doug Sax, mastering (LP). AAA? TT: 51:20
Performance ****
Sonics *****

Modern Cool
Premonition 90761-4 (BD-A). Patricia Barber, prod.; Michael Friedman, exec. & surround prod.; Jim Anderson, eng. & surround eng. Robert Gatley, asst. surround eng. ADD? TT: 67:49
Performance ****
Sonics *****

Much as the music world at large supremely values so-called original compositions (as if . . . but then that's a discussion for another day), it takes a special talent to make a song written by someone else—in common parlance, a cover—your very own. Take Burt Bacharach and Hal David's "Alfie," from the 1966 film with Michael Caine in the title role. Recorded for the soundtrack by Cilla Black, and later cut by everyone from Babs and Bill Evans to the Delfonics and Sarah Vaughan—not to mention a pair of laughably bad versions from Cher—the song is nothing if not overexposed. Bacharach's own soaring arrangement for the film sticks in the world's collective head. For lesser performers, that alone would be more than enough to keep them well clear of trying to cover it.

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