Recording of the Month
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Recording of the Month
Richard Lehnert Aug 28, 2012 Published: Sep 01, 2012 0 comments
Jarrett, Garbarek, Danielsson, Christensen: Sleeper
Keith Jarrett, piano, percussion; Jan Garbarek, tenor & soprano saxophone, flute, percussion; Palle Danielsson, double bass; Jon Christensen, drums, percussion
ECM 2290/91 (2 CDs; hi-rez FLAC files from HDTracks). 1979/2012. Manfred Eicher, prod., mix; Jan Erik Kongshaug, eng., mix. ADD. TT: 106:56
Performance *****
Sonics ****

Keith Jarrett's American quartet (with Redman, Haden, Motian) was prolifically inventive. His Standards trio (Peacock, DeJohnette) continues endlessly rich and ebullient at the end of its third decade. But Jarrett's Scandinavian quartet of saxophonist Jan Garbarek, drummer Jon Christensen (both Norwegian), and bassist Palle Danielsson (Swedish), was something else again. Each player's technical mastery, combined with their collectively perfect attunedness to one other, an apparently effortless intimacy of interplay that sounds telepathic, made them special even in a career as brilliant as Jarrett's—who wrote his best tunes for this band.

Recording of the Month
Robert Baird Aug 28, 2013 Published: Sep 01, 2013 3 comments
David Chesky: Jazz in the New Harmonic
David Chesky, piano; Javon Jackson, tenor saxophone; Jeremy Pelt, trumpet; Peter Washington, bass; Billy Drummond, drums
Chesky JD358 (CD). 2013. Norman Chesky, exec prod.; David Chesky, prod.; Nicholas Prout, prod., eng. DDD.? TT: 69:15.
Performance ****
Sonics *****

If there's a word that describes the feeling, the vibe present throughout Jazz in the New Harmonic, it's trance. Pianist and session leader David Chesky even uses it without prompting when asked how, among all his music endeavors—an album of difficult non–Joplin-like New York Rags in 2012, a children's ballet later this year, not to mention running Chesky Records—he found the time or inspiration to make a straight-ahead jazz record.

J. Gordon Holt Jan 30, 2012 Published: Apr 01, 1988 0 comments
Beethoven: Sonata No.32, Op.111; Sonata No.21, Op.53 ("Waldstein")
Tibor Szasz, piano
Bainbridge BCD-6275 (CD). Leo de Gar Kulka, eng. & prod. DDD. TT: 58:03

Mozart: Piano Concerto No.13, K.415; Overture to Lucio Silla, K.135
Jeremy Menuhin, piano; George Cleve, 1987 Midsummer Mozart Festival Orchestra
Bainbridge BCD-6273 (CD). Leo de Gar Kulka, eng. & prod. DDD. TT: 36:58

Prokofiev: Alexander Nevsky, Lieutenant Kije
Andre Previn, Los Angeles Philharmonic
Telarc CD-80143 (CD). Jack Renner, eng.; Robert Woods, prod. DDD. TT: 63:37

Rachmaninov: Sonata for Cello and Piano, Op.19
Steven Kates, Montagnana cello; Carolyn Pope Kobler, Bösendorfer piano
Bainbridge BCD-6272 (CD). Leo de Gar Kulka, eng. & prod. DDD. TT: 40:42

The Sounds of Trains, Vols.1 & 2*
Bainbridge BCD-6270, -6271* (CDs). Brad Miller, eng. & prod. DDD. TTs: 60:45, 50:14*

If you read my article in these pages about recording the Cumbres and Toltec Scenic Railway steam trains (January 1987, Vol.10 No.1), you may recall the mention of Colossus. Colossus is the name of a new digital recording system which designer Lou Dorren claims to be different from every other digital system in several ways, none of which has ever been disclosed to us. I had a chance to listen to some tapes made on it shortly after writing the C&TSRR article, but since they were made with a completely unfamiliar microphone (Mobile Fidelity Productions of Nevada's own design) and featured mainly the sounds of trains, airplanes, and other sources of potential ear damage, I couldn't really tell anything about the recording system, except that it had the kind of low end I expect from any respectable digital audio. A sonic evaluation had to wait until I heard Colossus on more familiar terms—that is, with music recordings. Now, that time has come.

Recording of the Month
Thomas Conrad Apr 19, 1996 0 comments
DAVE HOLLAND: Ones All
Dave Holland, acoustic bass
Intuition INT 21482 (CD only). Dave Holland, Clare Holland, prods.; James Farber, eng. AAD. TT: 57:27
Recording of the Month
J. Gordon Holt Nov 18, 2013 Published: Dec 18, 1986 0 comments
REFLECTIONS
666rotm.reflections.jpgJim Walker, flute, Mike Garson, piano
Reference Recordings CD RR-18CD.

DEBUSSY: Quartet in g
RAVEL: Quartet in F

The Cleveland Quartet
Telarc CD-80111.

What do you listen to when you've heard Reference Recordings' Symphonie Fantastique, Telarc's 1812 Overture, and Sheffield's Firebird, the last of your audiophile guests have gone home, and tomorrow's a workday but you're too hyped up to go to bed?

These.

Both are from record companies whose reputations were built on sonic blockbusters, but the subjects of this review are about as true to expectation as Mr. T flouncing about with a limp wrist.

Reflections is a program of short works for flute and piano. It's quiet, restful, and, in an age when it seems that nothing is worth listening to unless it's high-powered or "significant," this laidback program is a delightful change of pace.

Recording of the Month
Richard Lehnert Dec 15, 1994 0 comments
WAGNER: Siegfried
Teldec 4509-94193-2 (4 CDs only). TT: 4:00:09
WAGNER: Götterdämmerung
Teldec 4509-94194-2 (4 CDs only). TT: 4:27:03
Siegfried Jerusalem, Siegfried; Anne Evans, Brünnhilde; John Tomlinson, Wanderer; Günter von Kannen, Alberich; Graham Clark, Mime; Philip Kang, Fafner, Hagen; Bodo Brinkmann, Gunther; Waltraud Meier, Waltraute; Birgitta Svendén, Erda, First Norn; Eva-Maria Bundschuh, Gutrune; Hilde Leidland, Forest Bird, Woglinde; others; 1991 Bayreuth Festival Orchestra & Chorus, Daniel Barenboim
Both: John Mordler, prod.; Gernot R. Westhäuser, eng. DDD.
Recording of the Month
Robert Baird Dec 03, 1996 0 comments
EMMYLOU HARRIS: Portraits
Reprise Archives 45308-2 (3 CDs only). Gregg Geller, prod.; Keith Blake, eng.; Jo Motta, project coordinator. 1996. TT: 3:42:11
Recording of the Month
John Swenson Dec 16, 1999 0 comments
THE WHO: Who's Next
MCA/Mobile Fidelity Sound Lab UDCD 754 (gold CD). 1971/1999. The Who, Glyn Johns, prods.; Andy MacPherson, Jon Astley, engs. AAD. TT: 77:57
Performance *****
Sonics *****
Recording of the Month
Robert Baird Dec 09, 2001 0 comments
HANK WILLIAMS: Timeless
Lost Highway 088 170 239-2 (CD). 2001. Luke Lewis, Mary Martin, Bonnie Garner, prods.; Bob Brockman, Michael Hopkins, Mark Johnson, others, engs.; Hank Williams (no relation), mastering. AAD. TT: 43:19
Performance ****
Sonics *****
Recording of the Month
Richard Lehnert Apr 02, 2009 Published: Feb 02, 1991 0 comments
THE BEACH BOYS: Sunflower
Caribou/Brother/Epic ZK 46950. Stephen W. Desper, eng. TT: 36:48
THE BEACH BOYS: Surf's Up
Caribou/Brother/Epic ZK 46951. Stephen W. Desper, eng. TT: 33:36
THE BEACH BOYS: Holland
Caribou/Brother/Epic ZK 46952. Stephen Moffitt, Rob Fraboni, engs. TT: 48:13
All three: CD only. The Beach Boys, prods. Digitally remastered by Joe Gastwirt. AAD.
Recording of the Month
Robert Baird Jan 15, 2010 0 comments
CARLA BLEY: Carla's Christmas Carols
Carla Bley, piano, celeste; Steve Swallow, bass, chimes; Partyka Brass Quintet
WATT 35 (CD). 2009. Carla Bley, Steve Swallow, prods.; Gerard de Haro, Nicolas Baillard, engs. DDD? TT: 60:36
Performance ****
Sonics ****½
Recording of the Month
Michael Ullman Jul 27, 1994 0 comments
LYNN ARRIALE: The Eyes Have It
Lynn Arriale, piano; Jay Anderson, bass; Steve Davis, drums
DMP CD-502 (CD only). Lynn Arriale, Tom Jung, prods.; Tom Jung, eng. DDD. TT: 62:22
Recording of the Month
Wes Marshall Feb 21, 2014 Published: Jun 01, 1986 4 comments
The four works in Private Music's initial release represent such a consistently high level of creation that it is remarkable to see them released all at once. The label's owner, Peter Bauman, was one of the founders of Tangerine Dream, the pioneering electronic music group from Germany (footnote 1). His influence infuses all the releases.
Recording of the Month
Barbara Jahn Dec 04, 2010 Published: Jun 15, 1989 0 comments
These are two very fine discs. Both convey to perfection the full weight of Richard Strauss's opulent orchestration for Zarathustra without the slightest hint of distortion, despite the huge dynamic range both employ. Both have the measure of the venues they are recorded in: Denon's Lukaskirche actually gives the impression of an acoustically superior concert hall, and it is astonishing to discover from the insert notes that the well tuned-in and integrated organ has been post-synchronized from the Schauspielhaus, Berlin.

Telarc's disc is their first of the Vienna Philharmonic, and their first from the Musikvereinsaal. It can hardly be faulted, except perhaps for the consistent richness of its more tonally refulgent sound—some may find this oppressive. But it does reflect perfectly Previn's more emotionally charged, almost maniacal response to this score. It is the kind of music he excels in; the meditative, almost ponderous fugue giving way to the near hysteria of "The Convalescent," and reflecting real joy at the climax of the "Dance Song." Previn is living these colorful swings of emotion, and if he makes great demands of the score in doing so (just as Blomstedt does), then his intuitive balance renders this all the more convincing.

Recording of the Month
Wes Phillips Mar 26, 1996 0 comments
COPLAND: Piano Concerto
MENOTTI: Piano Concerto in F
Earl Wild, piano; Jorge Mester (Menotti), Aaron Copland (Copland), Symphony of the Air
Analogue Productions APC 029 (LP). Seymour Solomon, prod.; Jack Bryant, Ed Fiedner, engs.; Doug Sax, Gavin Lurssen, Ron Lewter. remastering engs. AAA. TT: 49:23
Also available on a spectacular CD transfer: Vanguard SVC-3.
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