GEORGE JONES: Cold Hard Truth Asylum 62368-2 (CD). 1999. Keith Stegall, prod.; John Kelton, eng.; Mark Nevers, Brady Barnett, Steven Crowder, John Stolpe, asst. engs. AAD? TT: 34:16 Performance ****? Sonics ****?
CHARLES LLOYD: The Water is Wide Charles Lloyd, tenor saxophone; Brad Mehldau, piano; John Abercrombie, guitar; Larry Grenadier, Derek Oleszkiewicz (one track), bass; Billy Higgins, drums ECM 1734 (CD). 2000. Manfred Eicher, prod.; Michael C. Ross, eng. AAD. TT: 68:29 Performance ***** Sonics *****
AVALON BLUES: A Tribute to the Music of Mississippi John Hurt Dave Alvin, Beck, Peter Case, Bruce Cockburn, Justin Earle, Steve Earle, Richard Greene, Ben Harper, Alvin Youngblood Hart, John Hiatt, Taj Mahal, Bill Morrissey, Clare Muldaur, Geoff Muldaur, Jenni Muldaur, David Rawlings, Mark Selby, Chris Smither, Gillian Welch, Lucinda Williams, Victoria Williams Vanguard 79582-2 (CD). 2001. Peter Case, prod.; Francisco Lugo, Dawn Hopkins, Ray Kennedy, Mark Raines, Mark Wilkins, Jeff Landrock, Matt Andrews, David Rawlings, engs. AAD.? TT: 51:29 Performance **** Sonics ***?
CHARLIE HADEN LIBERATION MUSIC ORCHESTRA: Not In Our Name
Charlie Haden, bass; Carla Bley, piano, arranger, conductor; Seneca Black, Michael Rodriguez, trumpet; Miguel Zenón, alto sax; Chris Cheek, Tony Malaby, tenor sax; Curtis Fowlkes, trombone; Ahnee Sharon Freeman, French horn; Joe Daley, tuba; Steve Cardenas, guitar; Matt Wilson, drums
Verve B000494902 (CD). 2005. Charlie Haden, Carla Bley, Ruth Cameron, prods.; Gerard de Haro, eng. DDD? TT: 68:55
J.S. BACH: The Goldberg Variations, BWV 988
Glenn Gould, piano (1955); Yamaha Disklavier Pro piano, "Re-Performance" by Zenph Studios
Sony Classical 8697-03350-2 (SACD/CD). 2007. Howard H. Scott, prod. (1955 mono sessions); Steven Epstein, prod. (2007 stereo, multichannel, and binaural sessions); Peter Cook, Richard King, eng. (2007); Dennis Patterson, asst. eng. (2007); Marc Wienert, piano voicer (worked with Gould); Ron Giesbrecht, calibration. Zenph project team: Mikhail Krishtal, Anatoly Larkin, Peter J. Schwaller, John Q. Walker. DDD. TT: 77:02.
John Adams Son of Chamber Symphony, String Quartet
John Adams, International Contemporary Ensemble; St. Lawrence String Quartet
Nonesuch 523014-2 (CD). 2011. Judith Sherman, prod.; John Kilgore, John D.S. Adams, engs.; Chris Allen, Tom Gloady, Nathan Chandler, asst. engs. DDD? TT: 54:00
When John Adams was working on his Chamber Symphony (1992), he became aware that his son Sam was in the next room watching old American cartoons, presumably those by Warner Bros. that used music by the great Raymond Scott. Hyperkinetic borrowings from Scott's witty scores made their way into that earlier work, and now into its successor, a fact hinted at by its humorous title: Son of Chamber Symphony. There's even a moment early on in this new work when the distinctive rhythmic rumble of Scott's masterpiece, "Powerhouse," can be fleetingly heard in what is, overall, a short but very sweet triumph.
Jarrett, Garbarek, Danielsson, Christensen: Sleeper
Keith Jarrett, piano, percussion; Jan Garbarek, tenor & soprano saxophone, flute, percussion; Palle Danielsson, double bass; Jon Christensen, drums, percussion
ECM 2290/91 (2 CDs; hi-rez FLAC files from HDTracks). 1979/2012. Manfred Eicher, prod., mix; Jan Erik Kongshaug, eng., mix. ADD. TT: 106:56
Keith Jarrett's American quartet (with Redman, Haden, Motian) was prolifically inventive. His Standards trio (Peacock, DeJohnette) continues endlessly rich and ebullient at the end of its third decade. But Jarrett's Scandinavian quartet of saxophonist Jan Garbarek, drummer Jon Christensen (both Norwegian), and bassist Palle Danielsson (Swedish), was something else again. Each player's technical mastery, combined with their collectively perfect attunedness to one other, an apparently effortless intimacy of interplay that sounds telepathic, made them special even in a career as brilliant as Jarrett'swho wrote his best tunes for this band.