Recording of the Month

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Thomas Conrad Posted: Apr 14, 2008 0 comments
ENRICO RAVA/STEFANO BOLLANI: The Third Man
Enrico Rava, trumpet; Stefano Bollani, piano
ECM 2020 (CD). 2007. Manfred Eicher, prod.; Stefano Amerio, Gabriele Kamm, engs. DDD. TT: 72:06
Performance ****1/2
Sonics ****
Robert Baird Posted: Apr 10, 2009 0 comments
JASON ISBELL: Jason Isbell and the 400 Unit
Lightning Rod/Thirty Tigers LRR-99682 (CD). 2009. Jason Isbell, prod.; Matt Pence, prod., eng. AAD? TT: 52:09
Performance ****½
Sonics ****
Robert Baird Posted: Apr 12, 2010 0 comments
London Concertante: Piazzolla and Beyond
Works by Astor Piazzolla, David Gordon, Adam Summerhayes
London Concertante; Adam Summerhayes, dir.
Harmonia Mundi HMU 907491 (CD). 2009. Chris Grist, prod.; Matt Butler, eng. DDD. TT: 52:01
Performance ****
Sonics ****
Robert Levine Posted: Apr 08, 2011 1 comments
MOZART: Piano Concertos 22 & 25
David Fray, piano; Jaap van Zweden, Philharmonia Orchestra
Virgin 5099964196404 (CD). 2010. Etienne Collard, prod.; René Möller, eng. DDD. TT: 66:04
Performance *****
Sonics *****

From 1782 to the end of 1785 were successful, fertile years in Vienna for Mozart. He was sought by the aristocracy and the upper classes as a pianist, teacher, and composer. Throughout this period—and the following year, during which he ran out of money—he composed piano sonatas, songs, marches, wind serenades, a horn quintet, Die Entführung aus dem Serail, arias, quartets, works for violin and/or viola, horn concertos, the C-minor Mass, symphonies 35, 36, and 38 (37 was written by Michael Haydn), piano concertos 14–25, Le Nozze di Figaro, and dozens of other works.

Richard Lehnert Posted: Apr 04, 2012 0 comments
Tord Gustavsen Quartet: The Well
Tord Gustavsen, piano; Tore Brunborg, tenor saxophone; Mats Eilertsen, bass; Jarle Vespestad, drums
ECM 2237 (CD). 2012. Manfred Eicher, prod.; Jan Erik Kongshaug, eng. DDD. TT: 53:19
Performance *****
Sonics *****

The first time I heard J.S. Bach's Well-Tempered Klavier, I heard an endless sameness, lovely but undifferentiated. Only over many hearings did each pairing of prelude and fugue begin to emerge from the background, as what Bach did in each iteration of the same received form began to be revealed as an inexhaustible richness of difference. Gradually, I was learning Bach's musical language; only then did I begin to get an idea of what he might be saying.

Thomas Conrad Posted: Mar 28, 2013 Published: Apr 01, 2013 3 comments
Around the last decade of the previous century, something significant happened in jazz. Suddenly, many of the best players were no longer Americans. Actually, it was not sudden. It was a gradual flowering that achieved critical mass and could no longer be overlooked.
Robert Levine Posted: Mar 26, 2014 Published: Apr 01, 2014 3 comments
Beethoven: The Symphonies and Reflections
Symphonies 1–9; works by Giya Kancheli, Misato Mochizuki, Raminta Šerkšnyte, Rodion Shchedrin, Johannes Maria Staud, Jörg Widmann
Mariss Jansons, Bavarian Radio Symphony Orchestra. Christiane Karg, soprano; Mihoko Fujimura, mezzo-soprano; Michael Schade, tenor; Michael Volle, baritone.
BR Klassik 900119 (6 CDs). 2013. Wilhelm Meister, prod.; Ulrike Schwarz, Peter Urban, Sunao Shimazaki, engs; Mechtild Homburg, Elisabeth Panzer, Bernadette Rüb, asst. engs. DDD. 6:27:31
Performance ****
Sonics *****

These live performances of Beethoven's nine symphonies were recorded mostly in Tokyo's Suntory Hall, October through December 2012 (except 3 and 6, recorded in Munich's Herkulessaal); the ancillary material—the Reflections of this set's title—are works by contemporary composers commissioned by conductor Mariss Jansons and recorded in Munich and Tokyo in 2008, 2009, and 2012. Intended as homages to Beethoven (as if he needed any), they are supposed to reflect what these composers feel Beethoven might be writing if he were alive today. Each new work is meant to denote an aspect of a specific symphony, and the CDs are (mostly) arranged so that we can hear each after the symphony that inspired it. Some of these pieces are daring and innovative, and add value to these marvelous performances of the symphonies themselves.

J. Gordon Holt Posted: Aug 04, 2014 Published: Aug 01, 1984 6 comments
884rotm.ssph.jpgSaint-Saëns: Carnival of the Animals
Ravel: Mother Goose Suite

Pittsburgh Symphony Orchestra, André Previn, cond.
Philips CD 400-016 2 (CD).

The whimsical Carnival, with its nose-thumbing at Saint-Saëns' contemporaries (eg a lugubrious "Can-Can" and a stately cello rendition of Berlioz's Dance of the Sylphs, from The Damnation of Faust), is given a delightful treatment here, and put on one of the best-sounding CDs I've heard to date from a major record company.

Philips has been less up-front about the roots of its CDs than most other record manufacturers, If fact, they have been downright sneaky about it. This release—billed prominently on the CD jacket as a "Digital Recording"—sounds very much as if it was analog-mastered. The is certainly nothing Philips should ashamed of, because this is a better-sounding recording than most digitally mastered ones.

J. Gordon Holt Posted: Apr 15, 2014 Published: Aug 01, 1985 6 comments
885rotm.250.jpgMozart: Eine Kleine Nachtmusik, Posthorn Serenade
Prague Chamber Orchestra, Charles Mackerras conducting.
Telarc CD 80108 (CD). Robert Woods, prod., Jack Renner, eng. DDD.

Holt's First Law of Recording states: "The better the performance, the worse the recording—and vice versa." It's true; really fine recordings of superb musical performances are so rare that the discovery of one such gem is cause for rejoicing. Well, you can rejoice: this is one of them.

J. Gordon Holt Posted: Nov 13, 2013 Published: Aug 01, 1986 1 comments
886rotmjgh.1.jpgStravinsky: The Firebird (1910 Suite)
Debussy: Prelude to the Afternoon of a Faun
Los Angeles Philharmonic, conducted by Erich Leinsdorf
Sheffield Lab Direct-to-Disc Lab 24 (LP). Lincoln Mayorga, prod.; Doug Sax, James Boyk, engs.

For some reason, Stereophile didn't receive an early pressing of Sheffield's latest orchestral recording, their first since the Wagner and Prokofiev discs back in 1977. So, guess where my review copy of this finally came from? From Harry Pearson, that's who. How did this come about? Well, I had seen a passing comment in The Absolute Sound to the effect that HP didn't like the recording, and since I was favorably impressed with what I'd heard of it at the last two Consumer Electronics Shows, I phoned HP to ask what he didn't like about it. "Dull high end, closed-in sound, not enough spaciousness" was the reply. Thank you, I said. Several days later, a copy of the disc arrived, postmarked Sea Cliff, NY.

Thank you Harry, but I must disagree with you about this recording.

Richard Lehnert Posted: Sep 29, 2011 Published: Aug 01, 1988 0 comments
888rotm.jpgJane Siberry: The Walking
Reprise/Duke Street 25678-1 (LP), 25678-2 (CD). John Naslen, eng.; Jane Siberry, John Switzer, John Naslen, prods. DDD. TT: 53:03

I came to Jane Siberry's music pretty late in the game. This is her fourth album, and the third released by a major label—No Borders Here and The Speckless Sky were released by Open Sky/Windham Hill a few years ago. Hadn't heard 'em (footnote 1). Didn't need to. On the basis of The Walking alone, it was clear Siberry is one of the most important singer/songwriters we've got.

Richard Lehnert Posted: Oct 01, 2010 Published: Aug 01, 1989 0 comments
MAHLER: Das Lied von der Erde
James King, tenor; Dietrich Fischer-Dieskau, baritone; Vienna Philharmonic, Leonard Bernstein
London (CD only). Gordon Parry, eng.; John Culshaw, prod. AAD. TT: 66:32
Richard Lehnert Posted: Oct 05, 2009 Published: Aug 05, 1990 0 comments
LUKA BLOOM: Riverside
Reprise 26092-1 (LP), -2 (CD). Mike Krowiak, eng.; Jeffrey Wood, prod. ADA/ADD. TT: 44:31
Richard Lehnert Posted: Oct 29, 2008 Published: Aug 29, 1991 0 comments
KEITH JARRETT TRIO: Tribute
Keith Jarrett, piano; Gary Peacock, bass; Jack DeJohnette, drum
ECM 1420/21 (847 135-2, 2 CDs only). Jan Erik Kongshaug, O. Fries, engs.; Manfred Eicher, prod. DDD. TT: 115:05
Richard Lehnert Posted: Dec 02, 2007 Published: Aug 02, 1992 0 comments
Veljo Tormis: Forgotten Peoples
Tõnu Kaljuste, Estonian Philharmonic Chamber Choir
ECM New Series 1459/60 (434 275-2, 2 CDs only). Paul Hillier, prod.; Peter Laenger, eng. DDD. TT: 2:06:01

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