London Concertante: Piazzolla and Beyond
Works by Astor Piazzolla, David Gordon, Adam Summerhayes
London Concertante; Adam Summerhayes, dir.
Harmonia Mundi HMU 907491 (CD). 2009. Chris Grist, prod.; Matt Butler, eng. DDD. TT: 52:01
MOZART: Piano Concertos 22 & 25
David Fray, piano; Jaap van Zweden, Philharmonia Orchestra
Virgin 5099964196404 (CD). 2010. Etienne Collard, prod.; René Möller, eng. DDD. TT: 66:04
From 1782 to the end of 1785 were successful, fertile years in Vienna for Mozart. He was sought by the aristocracy and the upper classes as a pianist, teacher, and composer. Throughout this periodand the following year, during which he ran out of moneyhe composed piano sonatas, songs, marches, wind serenades, a horn quintet, Die Entführung aus dem Serail, arias, quartets, works for violin and/or viola, horn concertos, the C-minor Mass, symphonies 35, 36, and 38 (37 was written by Michael Haydn), piano concertos 1425, Le Nozze di Figaro, and dozens of other works.
Tord Gustavsen Quartet: The Well
Tord Gustavsen, piano; Tore Brunborg, tenor saxophone; Mats Eilertsen, bass; Jarle Vespestad, drums
ECM 2237 (CD). 2012. Manfred Eicher, prod.; Jan Erik Kongshaug, eng. DDD. TT: 53:19
The first time I heard J.S. Bach's Well-Tempered Klavier, I heard an endless sameness, lovely but undifferentiated. Only over many hearings did each pairing of prelude and fugue begin to emerge from the background, as what Bach did in each iteration of the same received form began to be revealed as an inexhaustible richness of difference. Gradually, I was learning Bach's musical language; only then did I begin to get an idea of what he might be saying.
Around the last decade of the previous century, something significant happened in jazz. Suddenly, many of the best players were no longer Americans. Actually, it was not sudden. It was a gradual flowering that achieved critical mass and could no longer be overlooked.
Beethoven: The Symphonies and Reflections
Symphonies 19; works by Giya Kancheli, Misato Mochizuki, Raminta erknyte, Rodion Shchedrin, Johannes Maria Staud, Jörg Widmann
Mariss Jansons, Bavarian Radio Symphony Orchestra. Christiane Karg, soprano; Mihoko Fujimura, mezzo-soprano; Michael Schade, tenor; Michael Volle, baritone.
BR Klassik 900119 (6 CDs). 2013. Wilhelm Meister, prod.; Ulrike Schwarz, Peter Urban, Sunao Shimazaki, engs; Mechtild Homburg, Elisabeth Panzer, Bernadette Rüb, asst. engs. DDD. 6:27:31
These live performances of Beethoven's nine symphonies were recorded mostly in Tokyo's Suntory Hall, October through December 2012 (except 3 and 6, recorded in Munich's Herkulessaal); the ancillary materialthe Reflections of this set's titleare works by contemporary composers commissioned by conductor Mariss Jansons and recorded in Munich and Tokyo in 2008, 2009, and 2012. Intended as homages to Beethoven (as if he needed any), they are supposed to reflect what these composers feel Beethoven might be writing if he were alive today. Each new work is meant to denote an aspect of a specific symphony, and the CDs are (mostly) arranged so that we can hear each after the symphony that inspired it. Some of these pieces are daring and innovative, and add value to these marvelous performances of the symphonies themselves.
Mozart: Eine Kleine Nachtmusik, Posthorn Serenade
Prague Chamber Orchestra, Charles Mackerras conducting.
Telarc CD 80108 (CD). Robert Woods, prod., Jack Renner, eng. DDD.
Holt's First Law of Recording states: "The better the performance, the worse the recordingand vice versa." It's true; really fine recordings of superb musical performances are so rare that the discovery of one such gem is cause for rejoicing. Well, you can rejoice: this is one of them.
Stravinsky: The Firebird (1910 Suite) Debussy: Prelude to the Afternoon of a Faun
Los Angeles Philharmonic, conducted by Erich Leinsdorf
Sheffield Lab Direct-to-Disc Lab 24 (LP). Lincoln Mayorga, prod.; Doug Sax, James Boyk, engs.
For some reason, Stereophile didn't receive an early pressing of Sheffield's latest orchestral recording, their first since the Wagner and Prokofiev discs back in 1977. So, guess where my review copy of this finally came from? From Harry Pearson, that's who. How did this come about? Well, I had seen a passing comment in The Absolute Sound to the effect that HP didn't like the recording, and since I was favorably impressed with what I'd heard of it at the last two Consumer Electronics Shows, I phoned HP to ask what he didn't like about it. "Dull high end, closed-in sound, not enough spaciousness" was the reply. Thank you, I said. Several days later, a copy of the disc arrived, postmarked Sea Cliff, NY.
Thank you Harry, but I must disagree with you about this recording.
Jane Siberry: The Walking
Reprise/Duke Street 25678-1 (LP), 25678-2 (CD). John Naslen, eng.; Jane Siberry, John Switzer, John Naslen, prods. DDD. TT: 53:03
I came to Jane Siberry's music pretty late in the game. This is her fourth album, and the third released by a major labelNo Borders Here and The Speckless Sky were released by Open Sky/Windham Hill a few years ago. Hadn't heard 'em (footnote 1). Didn't need to. On the basis of The Walking alone, it was clear Siberry is one of the most important singer/songwriters we've got.
KEITH JARRETT TRIO: Tribute
Keith Jarrett, piano; Gary Peacock, bass; Jack DeJohnette, drum
ECM 1420/21 (847 135-2, 2 CDs only). Jan Erik Kongshaug, O. Fries, engs.; Manfred Eicher, prod. DDD. TT: 115:05