Recording of the Month

Sort By: Post Date | Title | Publish Date
Stephen Mejias Posted: May 29, 2013 Published: Jun 01, 2013 3 comments
Though classically trained in flute and exceedingly capable on a wide range of other instruments, including drums, trombone, piano, and various electronics, Aidan Baker is best known for his work on acoustic and electric guitar. A perusal of his unofficial discography on Discogs.com reveals some 80 full-length albums, and another couple dozen singles, EPs, and compilation credits. Beyond merely prolific, Baker's recorded output is profound—and nearly impossible to chart.
Robert Baird Posted: May 22, 2014 Published: Jun 01, 2014 0 comments
The link between jazz and the works of Igor Stravinsky is well known. In Conversations with Igor Stravinsky, his landmark 1959 collaboration with Robert Craft, the composer mentions jazz artists like Art Tatum and Charlie Christian. The fact that Stravinsky was captivated by the improvisational freedom of jazz and its insistent, inventive rhythms makes all his work, especially Le Sacre du Printemps (The Rite of Spring), a natural for jazz players to play and quote from, and over the years they have more than obliged.
Robert Baird Posted: May 21, 2015 0 comments
José James: Yesterday I Had the Blues, The Music of Billie Holiday
Blue Note B002283102 (CD). 2015. Yoshihisa Saito, exec. prod.; Don Was, prod.; Chris Allen, eng., mix. DDD? TT: 49:33
Performance ****
Sonics *****

Unlike the conundrum of today's country music, whose lyrics celebrate family and tradition even as the country-music community ignores and disrespects the giants of the music's past, jazz and rock have for the most part remembered and celebrated their musical pioneers and game changers, and the singular, monumental virtuosity of artists like Billie Holiday.

J. Gordon Holt Posted: Jul 14, 2015 Published: Mar 01, 1982 5 comments
82award.250pr.jpgElgar: Orchestral Works
Falstaff, The Sanguine Fan, Fantasia and Fugue in c (transcribed from J.S. Bach), excerpt from The Starlight Express
London Philharmonic Orchestra, Sir Adrian Boult
Mobile Fidelity Sound Lab 2-501 (half-speed–mastered LP, pressed in Japan, 1981). Originally released as HMV ASD 2970 (LP, 1974). Reissued as EMI CDM 7 63133 2 (CD, 1989). Christopher Bishop, prod.; Christopher Parker, Stuart Eltham, engs.

We have never before bestowed an award on anyone for anything. We felt obliged to do it on Mobile Fidelity for their remastering of the EMI Elgar Falstaff recording because it is the first time to our knowledge that a single classical release has combined a performance and a recording which are both good enough that neither need be done again. Our congratulations to Mobile Fidelity's Gary Giorgi. Now, let's have some more, from Mobile Fidelity or any other source. We have more awards to hand out when and if.—J. Gordon Holt

Richard Lehnert Posted: Feb 22, 2012 Published: Mar 01, 1988 1 comments
Wagner: Lohengrin
Placido Domingo, Lohengrin; Jessye Norman, Elsa; Eva Randova, Ortrud; Siegmund Nimsgern, Telramund; Hans Sotin, Heinrich; Dietrich Fischer-Dieskau, Heerrufer; Vienna State Opera Chorus; Georg Solti, Vienna Philharmonic Orchestra
London 421 053-1 (4 LPs), 421 053-2 (4 CDs). James Lock, John Pellowe, engs.; Christopher Raeburn, prod. DDD. TT: 222:54

It's always surprised me that Lohengrin, Wagner's most awkward, transitional, and static opera, was, for its first 100 years, his most popular. It didn't help, I suppose, that I began my study of things darkly Teutonic with The Ring and Tristan, working forward and backward from there. In Lohengrin we can hear the last reluctant pullings away from operatic conventions—especially choral—of the first half of the 19th century, and the gropings toward full-blown musikdrama—especially in Act II, scene i.

Richard Lehnert Posted: Mar 04, 2011 Published: Mar 01, 1989 0 comments
KEITH JARRETT: Dark Intervals
Keith Jarrett, piano
ECM 1379 (837 342-1, LP; -2, CD). Kimio Oikawa, eng.; Manfred Eicher, prod. DDA/DDD. TT: 58:22

After a five-year hiatus in which he explored jazz standards, classical music, the clavichord, and the unclassifiable Spirits, Keith Jarrett has returned, however briefly, to the form that gained him his widest reputation: solo piano improvisations. But with a difference—only a single LP this time (instead of two, three, or ten), that LP composed of eight short sections, each with a title. This is a far cry from unbroken piano improvs spanning three LP sides, titled only with the name and date of the venue.

Richard Lehnert Posted: Mar 03, 2010 Published: Mar 03, 1990 0 comments
THE PERSUASIONS: Live in the Whispering Gallery
Hammer n' Nails HNCD 1988 (CD only). Frank Kulaga, Larry Collen, engs.; David Ackerman, prod. D–D. TT: 34:39
Richard Lehnert Posted: Mar 20, 2009 Published: Mar 20, 1991 0 comments
WYNTON MARSALIS: Tune In Tomorrow (soundtrack)
Wynton Marsalis, trumpet; Alvin Batiste, Dr. Michael White, clarinet; Wes Anderson, Harvey Estrin, alto sax; Todd Williams, tenor & soprano sax, clarinet; Joe Temperley, baritone sax; Herb Harris, tenor sax; Wycliffe Gordon, trombone; Marcus Roberts, piano; Warren Bernhardt, Lucky Peterson, organ; Reginald Veal, bass; Herlin Riley, drums; Johnny Adams, Shirley Horn, vocals
Columbia CK 47044 (CD only). Tim Geelan, eng.; Steve Epstein, Delfeayo Marsalis, prods. DDD. TT: 63:37
Richard Lehnert Posted: Apr 02, 2008 Published: Mar 02, 1992 0 comments
WAGNER: Siegfried
Siegfried Jerusalem, Siegfried; James Morris, Wanderer; Peter Haage, Mime; Eva Martón, Brünnhilde; Theo Adam, Alberich; Jadwiga Rappé, Erda; Kurt Rydl, Fafner; Kiri Te Kanawa, Forest Bird; Bavarian Radio Symphony Orchestra, Bernard Haitink
EMI CDS 7 54290 2 (4 CDs only). Wolfram Graul, prod.; Martin Wöhr, eng. DDD. TT: 3:49:25
Richard Lehnert Posted: Dec 21, 2003 Published: Mar 01, 1993 0 comments
PJ HARVEY: Dry
Too Pure/Indigo/Island 162-555 001-2 (CD only). Head, PJ Harvey, Robert Ellis, prods.; Head, eng. AAD? TT: 40:06
Les Berkley Posted: Mar 31, 1994 0 comments
PÄRT: Te Deum, Silouans Song, Magnificat, Berliner Messe
Tõnu Kaljuste, Estonian Philharmonic Chamber Choir, Talinn Chamber Orchestra
ECM 1505 (CD only). Manfred Eicher, prod.; Peter Laenger, Andreas Neubronner, engs. DDD. TT: 66:01
Paul L. Althouse Posted: Mar 18, 1995 0 comments
J.S. BACH: Secular Cantatas
"Coffee Cantata," BWV 211; "Peasant Cantata," BWV 212; Durchlauchtster Leopold, BWV 173a
Dorothea Röschmann, soprano; Hugues Saint-Gelais, tenor; Kevin McMillan, baritone; Les Violons du Roy, Bernard Labadie
Dorian DOR-90199 (CD only). Craig D. Dory, eng.; Brian C. Peters, eng., prod. DDD. TT: 73:13
Robert Baird Wes Phillips Posted: Mar 06, 1997 0 comments
MILES DAVIS QUINTET: The Great Prestige Recordings
Includes: The New Miles Davis Quintet, Cookin', Relaxin', Workin', Steamin'
Miles Davis, trumpet; John Coltrane, tenor sax; Red Garland, piano; Paul Chambers, bass; Philly Joe Jones, drums.
Analogue Productions APJ 035 (5 LPs). 1996. Bob Weinstock, original prod.; Rudy Van Gelder, original eng.; Chad Kassem, reissue prod.; Stan Ricker, mastering eng. AAA. TT: 3:11:09
Music *****
Sonics *****
Robert Baird Posted: Mar 23, 1998 0 comments
THE MAVERICKS: Trampoline
MCA MCAD-70018A (HDCD). 1998. Raul Malo, Don Cook, prods. AAD? TT: 57:50
Performance *****
Sonics *****
Robert Baird Posted: Mar 03, 1999 0 comments
BRUCE SPRINGSTEEN: Tracks
Columbia CXK 69475 (4 CDs). 1998. Bruce Springsteen, Chuck Plotkin, prods., engs.; Jon Landau, Stevie Van Zandt, Roy Bittan, Mike Appel, Jim Cretecos, John Hammond, orig. engs.; Ed Thacker, Bob Clearmountain, Thom Panunzio, remix engs. AAD? TT: 4:13:30
Performance *****
Sonics ****?

Pages

X
Enter your Stereophile.com username.
Enter the password that accompanies your username.
Loading