Solid State Power Amp Reviews

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Corey Greenberg Posted: May 06, 2007 Published: Apr 06, 1991 0 comments
What's in a name? Quite a bit, when you stop and think about it. Would you rather have prostate surgery by Dr. Steadyhand or Dr. Whoops? Names imply a lot, even if we don't consciously make the connection; that's why your Polo shirt was made by Ralph Lauren instead of Ralph Lipshitz.
Jonathan Scull Posted: Aug 16, 2013 Published: Nov 01, 1995 0 comments
Things didn't start off auspiciously. I'd been after Symphonic Line's Klaus Bunge for more than a year to send me the Kraft 400 Reference monoblocks. Finally he called. He said he was going to be in town for a few days, and he had with him a pair of what he described as his "traveling" Kraft 400s, which he proposed to leave with me.
John Marks Posted: Sep 28, 2003 1 comments
Let's start with some music—three discs I recently have been using to evaluate equipment as well as listen to for enjoyment. They are as contrasting in style as one could hope for, but all on an enviably high musical plane. (Space considerations compel brevity approaching that necessary to sell screenplays to producers at cocktail parties, footnote 1)
Jonathan Scull Posted: May 12, 2002 0 comments
As we all know, it's the sound that counts. However, good looks enhance pride of ownership, and Theta Digital's class-AB, 400W Citadel is as handsome a monoblock as these jaded eyes have laid eyes on.
Michael Fremer Posted: Mar 21, 2004 Published: Mar 01, 2004 0 comments
Monoblock power amplifiers seem to be moving in and out of my listening room faster than green-onion salsa from Chi-Chi's. Over the past six months I've had the Parasound Halo JC-1, the Halcro dm68, the Pass XA-160, the Musical Fidelity kW, and now these 300W (into 8 ohms), $4500-each beauties from Theta Digital. All of these amps sounded as different as they looked, which was no surprise; too bad the "measures the same, sounds the same" dogmatists remain open for business.
J. Gordon Holt Posted: Oct 08, 2006 Published: Jan 08, 1986 0 comments
Eleven years ago, Threshold Corporation entered the high-end audio market with the first amplifier ever to use sliding bias (footnote 1) in its output stages. Some 10 years later, Threshold spawned another innovation: their so-called Stasis circuitry, which yielded the S-series amplifiers. The SA-1 and its lower-powered sister SA-2 are the latest from Threshold, and are the first Threshold amps to abandon sliding bias for straight class-A operation. Both use the Stasis circuit.
Thomas J. Norton Posted: Oct 07, 2007 Published: Dec 07, 1990 0 comments
"Tomorrow we'll go over to Larry Archibald's house and pick up the Threshold amplifiers."
Michael Fremer Posted: Oct 17, 1997 0 comments
Prejudice is bad—whether it's directed at people, places, or things. You know how it goes: digital is "bright," analog is "warm," solid-state is "brittle and etched," tubes are "smooth and soft" dynamic drivers are "low-resolution," electrostats and planars are "high-resolution" copper wire is "smooth," silver is "bright," etc. While putting everything that crosses your path into one box or another makes life simpler and seemingly more organized, the truth, musical or otherwise, usually gets mutilated in the process. Not that we all don't have preferences—but those are not the same as prejudices.
Michael Fremer Posted: Apr 24, 2005 0 comments
"A guy's gotta carry a cow across a river. He's not strong enough, of course, so the only way he can do it is to cut the cow into pieces, carry them across a few at a time, and re-assemble the beast on the other side. When he's finished, he's got a cow on the other side of the river, but it's not exactly the same cow."
Robert Deutsch Posted: Jun 04, 1996 0 comments
The auteur theory of the cinema, first described in the 1950s by François Truffaut, states that a great movie represents the artistic vision of one person, usually the director. Moviemaking may involve collaboration, but it cannot be done successfully by a committee. There has to be a single individual in charge, one whose sensitivity and world view is reflected in the movie. In the same sense that the author of a novel is telling a story through the medium of print, the director of a movie is telling a story through the medium of film.
John Atkinson Posted: Jan 30, 1995 Published: Jan 30, 1994 0 comments
"My car is supercharged, not turbocharged, so you see there's no throttle lag," explained Yves-Bernard André as he reversed at what seemed like 80mph up a narrow cobbled Paris street. "D'accord," I mumbled, afraid to loosen the white-knuckled grip I had on the passenger grab handles. Yves-Bernard's car may have been pointing the right way down the one-way street, but it was not actually traveling in that direction. Okay, so it was 2am and the good residents of the Dix-septième Arrondissement were busy stacking Zs (en français, "emplier les ronflements"). But I still didn't think we would've been able to explain the logic of the situation to the gendarmes (les flics, en français).
Jonathan Scull Posted: Oct 10, 2004 Published: Jan 01, 1999 0 comments
Without passion man is a mere latent force and possibility, like the flint which awaits the shock of the iron before it can give forth its spark.—Henri-Frédéric Amiel

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