Floor Loudspeaker Reviews

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Steven Stone Posted: Dec 04, 2005 Published: Jun 04, 1994 0 comments
I live in a house that has a pyramid-shaped roof, so I guess you could say that I have a thing for pyramids (footnote 1). That's probably why I was immediately drawn to the Green Mountain Audio Diamante. I'm also attracted to floorstanding speakers with small footprints, since my listening/video room is only 13' by 16'. My Holy Grail of loudspeakers is a small speaker that's flat between 20Hz and 20kHz, can do 110dB sound-pressure–levels without straining, and costs less than $1000/pair.
Robert Harley Posted: Oct 29, 2006 Published: Jul 29, 1990 0 comments
When a loudspeaker designer produces a world-class product, it is usually the result of years, perhaps decades, of experience gained from designing less ambitious products. To review a particular designer's product history is to witness the learning curve in action as both his skill and technology advance. Successfully battling the laws of physics to produce a truly exceptional loudspeaker is thus thought of as the domain of the seasoned veteran whose vast knowledge and experience culminate in the pinnacle of his career—a world-class loudspeaker. Moreover, it is just these designers, working their way up to their masterpiece, who are the most successful at getting an ambitious design right. The high-end loudspeaker business is littered with the remains of companies that attempted to build a first product far too lofty for their skills.
Wes Phillips Posted: Feb 27, 2005 Published: Jan 27, 1997 0 comments
Paul Hales does things differently. "I set out to build a true reference speaker," he asserted when I asked him about the, er, concept behind his Concept Five loudspeaker. For a mere six grand? The other guys don't even blink at $20k, $30k, even $70k statement speakers.
Robert Deutsch Posted: Jul 03, 2005 Published: Jun 03, 1999 0 comments
Paul Hales has been a busy guy lately. In little over a year, he has designed and brought to production four new speakers in his Revelation series (footnote 1); his cost-no-object flagship, the Alexandra, which had been seen but not heard at a number of shows, was finally demonstrated at the 1999 CES; and he has introduced the new Transcendence series, which replaces the Concept series. (He's also produced a brand-new baby girl during this period, although I believe his wife made a significant contribution to that project.)
Robert Deutsch Posted: Feb 13, 1998 0 comments
What's in a name? One of my favorite Rodrigues cartoons (footnote 1) shows a meeting of a loudspeaker manufacturer's marketing people, trying to come up with a name for the company's latest product:
Robert Harley Posted: Feb 08, 2011 Published: Apr 01, 1991 3 comments
Last July I reviewed the $4850/pair Hales System Two Signature loudspeakers and enthusiastically recommended them. In fact, they displaced the B&W 801 Matrix 2 as my reference loudspeaker, and have become a fixture in my listening room. Over the past seven months, my impressions of the Signatures have been largely confirmed: transparent and uncolored midrange, resolution of fine detail, precise imaging, superb transient abilities, and, most importantly, an ability to thoroughly involve the listener in the music. These qualities earned the Signature a Class A recommendation in Stereophile's "Recommended Components." I've greatly enjoyed the many hours spent with the Signatures.

Hales Audio makes another loudspeaker—the System Two reviewed here—that is very similar to the Signature, but much less expensive (footnote 1). Because the System Two is such a close relation to the Signature—it uses identical drivers, a nearly identical crossover, and similar cabinet construction—and costs nearly 2 kilobucks less, I was eager to hear what the smaller system had to offer. Because the Signature was recommendable at $4850, the System Two just might be a bargain at $3000 if it even came close to the Signature's musicality.

Wes Phillips Posted: Apr 15, 2008 0 comments
No matter how well you think you know the specialized world of high-end audio, there are always new companies, new technologies, and new products you just haven't gotten around to knowing yet.
J. Gordon Holt Posted: Jun 09, 2014 Published: Apr 01, 1980 18 comments
Dr. Alan Hill, president of Plasmatronics Inc., was previously employed by the US Government in laser research. His assignment: To increase the efficiency of lasers so that they could do something more impressive than produce holograms, mend leaky retinal blood vessels, and punch pinholes in steel blocks. Dr. Hill earned his keep, thus advancing laser technology a giant step closer to Star Wars, and then retired from government service to design. . . a loudspeaker?!!!?
Art Dudley Posted: Jan 25, 2004 Published: Jan 01, 2004 0 comments
Like most people, I'm not interested in long, windy essays about audio reviewing, having barely enough time and interest for audio itself. But I do perk up when the debate turns to the audio reviewer's purpose in life: Should I write about everything that crosses my path, or should I limit my attention to those products that interest me, and that stand a chance of being good?
John Atkinson Posted: Jun 30, 2009 Published: Dec 30, 1990 0 comments
"My vision for the future is one where all manufacturers sell their products directly to the end user. In this way, even the audiophiles in Dead Horse, Alaska can have access to all the audio manufacturing community has to offer." Thus wrote loudspeaker designer David Fokos in a letter introducing his new company Icon Acoustics to the press at Stereophile's High End Hi-Fi show in San Mateo, CA last April (footnote 1). Mr. Fokos, a Cornell graduate who for some years worked for Conrad-Johnson Design and designed that company's well-regarded Synthesis and Sonographe loudspeaker models, feels very strongly that the traditional retailing setup is inefficient when it comes to exposing audiophiles to a wide enough choice of product, particularly when it comes to loudspeakers. With 300 speaker manufacturers listed in the Audio directory issue but even a major retailer restricted to probably six brands, even big-city audiophiles will only be able to audition a fraction of the total number of brands. "Our industry is suffering from product saturation of its retail distribution network."
John Atkinson Posted: Sep 07, 2010 Published: Aug 07, 1988 1 comments
I like reviewing loudspeakers. The more you become familiar with the art, the greater the sense of anticipation as you open up a pair of cartons. A visual inspection of the speaker always reveals a challenging mixture of the familiar and the new. The size of the cabinet is always the first clue—has sensitivity been a design priority or was low-frequency extension uppermost in the designer's thoughts? You espy a known drive-unit—has this tweeter's propensity for upper-presence sizzle been tamed? You find a reflex port on the rear panel—has the temptation to go for a "commercial," under-damped bass alignment been successfully resisted? You spot factors which intuitively seem wrong for precise stereo—a wide baffle lacking any kind of absorbent covering for diffraction control; a grille frame which puts acoustic obstacles in the way of the wavefront emerging from the tweeter.
Brian Damkroger Posted: Jun 25, 2002 0 comments
"You're a toy junkie!" laughed Trish, my fiancée. "Your life is a search for bigger and better toys!"
Robert Harley Posted: Sep 19, 2012 Published: Sep 01, 1995 0 comments
I can't think of two products at further ends of the audio spectrum than a single-ended triode tubed amplifier and a mass-market Home Theater loudspeaker. Single-ended tubed amplifiers are about reproducing subtlety, delicacy, nuance, and communicating the music's inner essence. Conversely, a Home Theater loudspeaker system—particularly one made by a mass-market manufacturer—would appear to put the emphasis on booming bass and reproducing shotgun blasts, with little regard for musical refinement.

What a bizarre marriage it was, then, to pair the new Infinity Composition Prelude P-FR loudspeakers with the Cary Audio Design CAD-300SEI 11W single-ended triode amplifier (reviewed elsewhere in this issue). This combination didn't happen by accident; as you'll see, these apparently disparate products are a match made in heaven.

I discovered the Infinity Preludes while surveying Home Theater loudspeaker systems for the upcoming second issue of the Stereophile Guide to Home Theater. In addition to evaluating the loudspeaker systems under review with video soundtracks, I assessed their musical qualities—or lack thereof. The Preludes were such a musical standout that I rescued them from the Home Theater room (where they had been powered by mass-market receivers and fed with a laserdisc source) and gave them a new lease on life in the larger music room, with reference-quality source and amplification components. The Preludes' extraordinary musical performance and unique design compelled me to tell you about how they performed in an audiophile-quality two-channel playback system.

Larry Archibald Posted: Dec 31, 2005 Published: Oct 01, 1988 2 comments
In 1966, two avid audiophile/music lovers—a nuclear physicist named Arnold Nudell and an airline pilot named Cary Christie—labored over weekends and evenings for 18 months in Nudell's garage to put together the world's first hybrid electrostatic/dynamic loudspeaker system. It cost them $5000 for materials, launched a company (New Technology Enterprises), and helped contribute to the popular myth that all of the really important audiophile manufacturers got started in somebody's basement or garage (footnote 1). The system was marketed as the Servo-Statik I, for the princely sum of $1795. (At the time, the most expensive loudspeaker listed in Stereo Review's "Stereo/Hi-Fi Directory" was JBL's "Metregon," at $1230.)
Thomas J. Norton Posted: Mar 05, 2009 Published: Jan 05, 1995 0 comments
Like all companies that have been in business long enough to become fixtures in the marketplace, Infinity has seen its share of changes. It has long been that audio rarity—a company with one foot in the High End and one in the mass market. For the past few years, however, and despite continuing production of the now-classic IRS in its Series V incarnation, Infinity's mass-market foot has been the more firmly planted. Infinity, now a large company, is part of an even larger conglomerate, Harman International.

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