Fred Mills reviews Beirut’s new record, The Rip Tide, in the November issue of Stereophile, due to hit newsstands on October 18th. The album, released by Zach Condon's Pompeii Records, is in stores now. Here's Sunset Television’s video for the lead track, “Santa Fe.”
Yes! The first track from Oneohtrix Point Never’s upcoming Mexican Summer release, Replica, is now available for our listening pleasure. Simultaneously playful and sensual, the track is called “Sleep Dealer” and showcases Daniel Lopatin’s knack for combining electronic and human sounds in distinct and curious fashion.
I love it! If “Sleep Dealer” is any indication of what Replica has to offerand I think it iswe are in for a treat.
Replica is an electronic song cycle based around lo-fi audio procured from television advertisement compilations. These sample-based meditations are as lyrical as they are ecological, featuring repurposed “ghost vocals” which serve as narration for Lopatin’s signature amorphous, ambient passages.
Sounds about right. Replica will be released on November 8.
MBL, the German manufacturer of lavishly constructed high-end gear, has been working hard to reinvigorate their corporate image, strengthening their bonds with existing customers while reconnecting with music enthusiasts in North America. Today the company releases its new corporate video.
Here’s a new track from Zola Jesus’ upcoming record, Conatus, to be released by Sacred Bones Records on October 4. The track is called “Seekir” and suggests a more polished sound for Miss Nika Rosa Danilova. Combining elements of goth, industrial, pop, opera, and noise, Danilova seems to still be searching for her voice, which is exactly as it should be for a 22-year old with an extremely promising future.
Let her keep searching. I'll follow wherever she goes.
This morning, I walked right by electrician and idiosyncratic amplifier designer, Nori Komuro, and I didn’t say a word. Not even hello. Why didn’t I say anything? I don’t know. I had just emerged from the subway, and was walking up 32nd Street, toward Herald Square, and I wasn’t expecting to see an idiosyncratic amplifier designer. I was looking, instead and as usual, at the ground, at the sky, at high-heels and at skirts. I saw plenty of those. I was pulling a small handcart carrying a box of loudspeakers. Nori Komuro and I would have had something to talk about.
A look inside the impressive Emotiva ERC-2 CD player.
Audiophiles have been buzzing about Emotiva for a few years now. The attraction is no mystery: Emotiva’s products are solidly built and modestly priced, and the company takes pride in its strong relationships with customers. Yet, other than in the usual show report, Emotiva’s products have been absent from Stereophile’s pages.
While listening to Keith Freund’s lovely Constant Comments, it’s often difficult to discern whether the sounds are coming from inside or outside the listening room. Voices, birdsong, honking horns, barking dogs, the opening and closing of doors, ocean waves and rainfall mingle, freely and happily, with crystalline and gently strummed electric guitars, synthesizer sounds, electronic burps and gurgles, tape hiss, and more.
The result is a comforting and thought-provoking ramble. Listening to Constant Comments is like walking down 3rd Street, between Coles and Monmouth, late at night, glancing into the glowing windows of strangers’ homes: I can’t help but make up stories for these scattered shards of song. The 12 tracks of Constant Comments, then, are glimpses into other worlds, at once foreign and familiar, and altogether compelling.
I won’t be in the office tomorrow. I’ll be down in Hunterdon County, NJ, helping a very good friend set up a very special hi-fi system. This is bigBIGnews, but I can’t say anything else about it yet.
If I could attend just one music festival each year, it would be Iceland Airwaves, held October 1216, in downtown Reykjavik, Iceland. Launched in 1999 (in an airplane hangar!), Iceland Airwaves holds parties and performances in a handful of the city’s best venues and sets exciting local talent alongside outstanding international actsall within a landscape of stunning beauty.
Forum member “jgrossman” wants to know what’s stopping more people from getting into hi-fi. Is it the high cost of audio components, the hobby’s steep learning curve, the lack of hi-fi dealers, or something else?
Anton argues that audiophiles are the problem. “I have seen the enemy of high end audio,” he writes, “and it is us.”
Oneohtrix Point Never is young electronic composer Daniel Lopatin. His critically acclaimed Returnal shook my listening room walls, clattered around in my mind, and stirred my soul. While more lighthearted recent collaborations with Joel Ford (first under the guise of “Games” and later simply as “Ford and Lopatin”) haven’t reached the same emotional depths, news of Lopatin’s upcoming album, Replica, is intriguing.
Already flooded with contenders offering innumerable models in various shapes, sizes, and colors, the headphone market grows even larger today with the launch of SOL Republic, a “music lifestyle company” dedicated to “delivering innovation in sound, style, and durability.” Four SOL Republic models will initially be offered: Amps ($59.99) and Amps HD ($99.99) in-ear models, and Tracks ($99.99) and Tracks HD ($149.99) on-ear models.
The company, whose initials stand for “Soundtrack of Life,” is led by three music lovers with impressive backgrounds in business development and marketing:
During the final episode of Radio Happy Hour, held at Manhattan’s Le Poisson Rouge on Friday, August 12, we were treated to performances by New York five-piece, Twin Sister. The band played a selection of songs from In Heaven, an unabashed pop album full of hooks and charms, to be released by Domino on September 27.
I was drawn to this music from its earliest momentsthose celestial and far-reaching chimes, old-school synth beats, and Andrea Estella’s arresting vocal delivery, a strange and glittering coo, reaching out to “Daniel”: