Wilson Audio WATT/Puppy System 5 loudspeaker Page 2

Some products are destined never to be seen for what they are. Instead, they exist as avatars, the very embodiment of their ages or concepts. The Wilson Audio WATT (Wilson Audio Tiny Tot) and its nigh-unto-ubiquitous subwoofer, the Puppy, have achieved this legendary status—no, have manifested it almost from their creation 10 years ago—to such a degree that they've come to stand for the entire class of no-holds-barred-monitor loudspeaker. They serve as the focus for a whole realm of the industry; indeed, to show any customer an expensive speaker possessing a modest footprint and not to invoke the incantation "better than a WATT" seems to abjure any pretense of serious sales strategy. At the same time, this speaker system has polarized the industry and its followers, strongly praised by some for its staggering accuracy, and equally dismissed by others for having little soul (musicality, to the initiated).
Thu, 11/23/1995

Wilson Audio WATT/Puppy System 5 loudspeaker

Some products are destined never to be seen for what they are. Instead, they exist as avatars, the very embodiment of their ages or concepts. The Wilson Audio WATT (Wilson Audio Tiny Tot) and its nigh-unto-ubiquitous subwoofer, the Puppy, have achieved this legendary status—no, have manifested it almost from their creation 10 years ago—to such a degree that they've come to stand for the entire class of no-holds-barred-monitor loudspeaker. They serve as the focus for a whole realm of the industry; indeed, to show any customer an expensive speaker possessing a modest footprint and not to invoke the incantation "better than a WATT" seems to abjure any pretense of serious sales strategy. At the same time, this speaker system has polarized the industry and its followers, strongly praised by some for its staggering accuracy, and equally dismissed by others for having little soul (musicality, to the initiated).
Thu, 11/23/1995

Bose 901 loudspeaker Manufacturer's Comments

The Bose 901 has created more of a stir in audio circles than any other loudspeaker we can think of, with the possible exception of the original Acoustic Research system. Much of the 901's popularity is attributable to Julian Hirsch's rave report in Stereo Review, and there is no doubt but that Amar Bose's compellingly convincing ads had their effect, too. But these things alone could hardly account for the 901's popularity.
Wed, 11/07/1979

COMMENTS
dalethorn's picture

So far I haven't been able to find the original Bose 901 review on the Internet - the review which contained the phrase "Bose is best, big or small, high or low."  I've always wanted the 901, just like I always wanted a set of Klipschorns.  But getting the best that either of those systems are capable of (and the only reason to have them) requires a listening room the likes of which I've never had.

GKearny's picture

I've had some BOSE 901s since 1999, and they ROCK when set up in my front yard. With the complete ABSENCE of room resonance, and connected to an ACURUS linear power amplifier, they SOUND LIKE WE ARE ATTENDING A LIVE CONCERT! I have rocked my entire neighborhood with Wagner's Ride of the Valkyrie, and the original BOSTON album! I think that the BOSE 901s are, with the addition of a LOT of horsepower ala a linear power amp, sound WONDERFUL. Our house is made of concrete blocks, and we have a solid rock veneer wall, and when we set up the BOSE 901s to reflect off of this heavy, rock-hard surface, the amount of sound that is projected is worth WHATEVER it costs! WE LOVE OUR BOSE 901s ! Gerry K in Arizona

drblank's picture

I know a lot of people want to get their audio system sound like they are at a concert. The problem is that concerts don't have really good room acoustics or sound systems.  Obviously, if the recording is a live recording, we hope that it sounds like we are at the concert, but having the speakers basically rely on bouncing audio from the back as the main source is actually bad.   Some people like omni directional speakers like MBL, or others that are simlar in design, but they don't rely mostly on bouncing the sound from the rear.   With the 901's, you are actually listening to what you want less of, reflected sound.

I had an acoustic engineer come to my home to take some measurements and give me his recommondations for room treatment as my room measurements were probably the worst you could have.  a square room with a pitched vaulted cieling with a drastic slope to it.  He explained to me that it's good to have reflected sound, but you don't want too much as it removes detail and coherancy from the music.

When companies like ASC and others work with a client to measure room acoustics, they work with Articulation measurements of the room and they measure the direct sound compared to the reflections and they want to create a natural room sound rather than having it too dead, too live where the reflected sound is as loud as the direct sound coming from the speakers.

The 901's just simply do it wrong.  If the front had a bunch of drivers and the rear sides had only one driver, that might be better.

One thing to note.  When you walk into a Bose dealership or Bose Store, don't let them use those CDs that are produced by BOSE.  I talked to a dealer that carried BOSE for a short period of time and they explained to me that BOSE produced demo CDs that were mastered to sound good on BOSE systems, but when you listened to the same CD on another, they sounded like crap so those demos they use to sell the speakers mislead the consumer because most of the recordings you listen to weren't mastered specifically for BOSE speakers.  The local dealership that told me this doesn't carry BOSE anymore and the only reason why they carried the line is they got a lot of people asking for BOSE because of BOSE marketing and they seccumbed under the pressure of customers, and in the process, they got ribbed by their higher end customers like myself, but in the end, they dropped the line as people would actually walk into a higher end store and once they started listening to companies like Paradigm and others, they became disinterested in BOSE and then sales started to wain.

Best advice I can give someone is use your own CDs, and go to a variety of audio stores (not the big box stores) and start REALLY listening to a variety of speakers, there are plenty of really good products on the market that walk all over BOSE.  Paradigm is just one of many, there are Martin Logan, and many other small companies that make nice affordable products these days.  If I wanted the omni directional sound, but couldn't afford MBLs or something in that price range, I would be looking at Martin Logan, Magnapan and a few others that sound so much better than 901's.

machelp's picture

Pages

Bose 901 loudspeaker Specifications

The Bose 901 has created more of a stir in audio circles than any other loudspeaker we can think of, with the possible exception of the original Acoustic Research system. Much of the 901's popularity is attributable to Julian Hirsch's rave report in Stereo Review, and there is no doubt but that Amar Bose's compellingly convincing ads had their effect, too. But these things alone could hardly account for the 901's popularity.
Wed, 11/07/1979

COMMENTS
dalethorn's picture

So far I haven't been able to find the original Bose 901 review on the Internet - the review which contained the phrase "Bose is best, big or small, high or low."  I've always wanted the 901, just like I always wanted a set of Klipschorns.  But getting the best that either of those systems are capable of (and the only reason to have them) requires a listening room the likes of which I've never had.

GKearny's picture

I've had some BOSE 901s since 1999, and they ROCK when set up in my front yard. With the complete ABSENCE of room resonance, and connected to an ACURUS linear power amplifier, they SOUND LIKE WE ARE ATTENDING A LIVE CONCERT! I have rocked my entire neighborhood with Wagner's Ride of the Valkyrie, and the original BOSTON album! I think that the BOSE 901s are, with the addition of a LOT of horsepower ala a linear power amp, sound WONDERFUL. Our house is made of concrete blocks, and we have a solid rock veneer wall, and when we set up the BOSE 901s to reflect off of this heavy, rock-hard surface, the amount of sound that is projected is worth WHATEVER it costs! WE LOVE OUR BOSE 901s ! Gerry K in Arizona

drblank's picture

I know a lot of people want to get their audio system sound like they are at a concert. The problem is that concerts don't have really good room acoustics or sound systems.  Obviously, if the recording is a live recording, we hope that it sounds like we are at the concert, but having the speakers basically rely on bouncing audio from the back as the main source is actually bad.   Some people like omni directional speakers like MBL, or others that are simlar in design, but they don't rely mostly on bouncing the sound from the rear.   With the 901's, you are actually listening to what you want less of, reflected sound.

I had an acoustic engineer come to my home to take some measurements and give me his recommondations for room treatment as my room measurements were probably the worst you could have.  a square room with a pitched vaulted cieling with a drastic slope to it.  He explained to me that it's good to have reflected sound, but you don't want too much as it removes detail and coherancy from the music.

When companies like ASC and others work with a client to measure room acoustics, they work with Articulation measurements of the room and they measure the direct sound compared to the reflections and they want to create a natural room sound rather than having it too dead, too live where the reflected sound is as loud as the direct sound coming from the speakers.

The 901's just simply do it wrong.  If the front had a bunch of drivers and the rear sides had only one driver, that might be better.

One thing to note.  When you walk into a Bose dealership or Bose Store, don't let them use those CDs that are produced by BOSE.  I talked to a dealer that carried BOSE for a short period of time and they explained to me that BOSE produced demo CDs that were mastered to sound good on BOSE systems, but when you listened to the same CD on another, they sounded like crap so those demos they use to sell the speakers mislead the consumer because most of the recordings you listen to weren't mastered specifically for BOSE speakers.  The local dealership that told me this doesn't carry BOSE anymore and the only reason why they carried the line is they got a lot of people asking for BOSE because of BOSE marketing and they seccumbed under the pressure of customers, and in the process, they got ribbed by their higher end customers like myself, but in the end, they dropped the line as people would actually walk into a higher end store and once they started listening to companies like Paradigm and others, they became disinterested in BOSE and then sales started to wain.

Best advice I can give someone is use your own CDs, and go to a variety of audio stores (not the big box stores) and start REALLY listening to a variety of speakers, there are plenty of really good products on the market that walk all over BOSE.  Paradigm is just one of many, there are Martin Logan, and many other small companies that make nice affordable products these days.  If I wanted the omni directional sound, but couldn't afford MBLs or something in that price range, I would be looking at Martin Logan, Magnapan and a few others that sound so much better than 901's.

machelp's picture

Pages

Bose 901 loudspeaker Page 4

The Bose 901 has created more of a stir in audio circles than any other loudspeaker we can think of, with the possible exception of the original Acoustic Research system. Much of the 901's popularity is attributable to Julian Hirsch's rave report in Stereo Review, and there is no doubt but that Amar Bose's compellingly convincing ads had their effect, too. But these things alone could hardly account for the 901's popularity.
Wed, 11/07/1979

COMMENTS
dalethorn's picture

So far I haven't been able to find the original Bose 901 review on the Internet - the review which contained the phrase "Bose is best, big or small, high or low."  I've always wanted the 901, just like I always wanted a set of Klipschorns.  But getting the best that either of those systems are capable of (and the only reason to have them) requires a listening room the likes of which I've never had.

GKearny's picture

I've had some BOSE 901s since 1999, and they ROCK when set up in my front yard. With the complete ABSENCE of room resonance, and connected to an ACURUS linear power amplifier, they SOUND LIKE WE ARE ATTENDING A LIVE CONCERT! I have rocked my entire neighborhood with Wagner's Ride of the Valkyrie, and the original BOSTON album! I think that the BOSE 901s are, with the addition of a LOT of horsepower ala a linear power amp, sound WONDERFUL. Our house is made of concrete blocks, and we have a solid rock veneer wall, and when we set up the BOSE 901s to reflect off of this heavy, rock-hard surface, the amount of sound that is projected is worth WHATEVER it costs! WE LOVE OUR BOSE 901s ! Gerry K in Arizona

drblank's picture

I know a lot of people want to get their audio system sound like they are at a concert. The problem is that concerts don't have really good room acoustics or sound systems.  Obviously, if the recording is a live recording, we hope that it sounds like we are at the concert, but having the speakers basically rely on bouncing audio from the back as the main source is actually bad.   Some people like omni directional speakers like MBL, or others that are simlar in design, but they don't rely mostly on bouncing the sound from the rear.   With the 901's, you are actually listening to what you want less of, reflected sound.

I had an acoustic engineer come to my home to take some measurements and give me his recommondations for room treatment as my room measurements were probably the worst you could have.  a square room with a pitched vaulted cieling with a drastic slope to it.  He explained to me that it's good to have reflected sound, but you don't want too much as it removes detail and coherancy from the music.

When companies like ASC and others work with a client to measure room acoustics, they work with Articulation measurements of the room and they measure the direct sound compared to the reflections and they want to create a natural room sound rather than having it too dead, too live where the reflected sound is as loud as the direct sound coming from the speakers.

The 901's just simply do it wrong.  If the front had a bunch of drivers and the rear sides had only one driver, that might be better.

One thing to note.  When you walk into a Bose dealership or Bose Store, don't let them use those CDs that are produced by BOSE.  I talked to a dealer that carried BOSE for a short period of time and they explained to me that BOSE produced demo CDs that were mastered to sound good on BOSE systems, but when you listened to the same CD on another, they sounded like crap so those demos they use to sell the speakers mislead the consumer because most of the recordings you listen to weren't mastered specifically for BOSE speakers.  The local dealership that told me this doesn't carry BOSE anymore and the only reason why they carried the line is they got a lot of people asking for BOSE because of BOSE marketing and they seccumbed under the pressure of customers, and in the process, they got ribbed by their higher end customers like myself, but in the end, they dropped the line as people would actually walk into a higher end store and once they started listening to companies like Paradigm and others, they became disinterested in BOSE and then sales started to wain.

Best advice I can give someone is use your own CDs, and go to a variety of audio stores (not the big box stores) and start REALLY listening to a variety of speakers, there are plenty of really good products on the market that walk all over BOSE.  Paradigm is just one of many, there are Martin Logan, and many other small companies that make nice affordable products these days.  If I wanted the omni directional sound, but couldn't afford MBLs or something in that price range, I would be looking at Martin Logan, Magnapan and a few others that sound so much better than 901's.

machelp's picture

Pages

Bose 901 loudspeaker Page 3

The Bose 901 has created more of a stir in audio circles than any other loudspeaker we can think of, with the possible exception of the original Acoustic Research system. Much of the 901's popularity is attributable to Julian Hirsch's rave report in Stereo Review, and there is no doubt but that Amar Bose's compellingly convincing ads had their effect, too. But these things alone could hardly account for the 901's popularity.
Wed, 11/07/1979

COMMENTS
dalethorn's picture

So far I haven't been able to find the original Bose 901 review on the Internet - the review which contained the phrase "Bose is best, big or small, high or low."  I've always wanted the 901, just like I always wanted a set of Klipschorns.  But getting the best that either of those systems are capable of (and the only reason to have them) requires a listening room the likes of which I've never had.

GKearny's picture

I've had some BOSE 901s since 1999, and they ROCK when set up in my front yard. With the complete ABSENCE of room resonance, and connected to an ACURUS linear power amplifier, they SOUND LIKE WE ARE ATTENDING A LIVE CONCERT! I have rocked my entire neighborhood with Wagner's Ride of the Valkyrie, and the original BOSTON album! I think that the BOSE 901s are, with the addition of a LOT of horsepower ala a linear power amp, sound WONDERFUL. Our house is made of concrete blocks, and we have a solid rock veneer wall, and when we set up the BOSE 901s to reflect off of this heavy, rock-hard surface, the amount of sound that is projected is worth WHATEVER it costs! WE LOVE OUR BOSE 901s ! Gerry K in Arizona

drblank's picture

I know a lot of people want to get their audio system sound like they are at a concert. The problem is that concerts don't have really good room acoustics or sound systems.  Obviously, if the recording is a live recording, we hope that it sounds like we are at the concert, but having the speakers basically rely on bouncing audio from the back as the main source is actually bad.   Some people like omni directional speakers like MBL, or others that are simlar in design, but they don't rely mostly on bouncing the sound from the rear.   With the 901's, you are actually listening to what you want less of, reflected sound.

I had an acoustic engineer come to my home to take some measurements and give me his recommondations for room treatment as my room measurements were probably the worst you could have.  a square room with a pitched vaulted cieling with a drastic slope to it.  He explained to me that it's good to have reflected sound, but you don't want too much as it removes detail and coherancy from the music.

When companies like ASC and others work with a client to measure room acoustics, they work with Articulation measurements of the room and they measure the direct sound compared to the reflections and they want to create a natural room sound rather than having it too dead, too live where the reflected sound is as loud as the direct sound coming from the speakers.

The 901's just simply do it wrong.  If the front had a bunch of drivers and the rear sides had only one driver, that might be better.

One thing to note.  When you walk into a Bose dealership or Bose Store, don't let them use those CDs that are produced by BOSE.  I talked to a dealer that carried BOSE for a short period of time and they explained to me that BOSE produced demo CDs that were mastered to sound good on BOSE systems, but when you listened to the same CD on another, they sounded like crap so those demos they use to sell the speakers mislead the consumer because most of the recordings you listen to weren't mastered specifically for BOSE speakers.  The local dealership that told me this doesn't carry BOSE anymore and the only reason why they carried the line is they got a lot of people asking for BOSE because of BOSE marketing and they seccumbed under the pressure of customers, and in the process, they got ribbed by their higher end customers like myself, but in the end, they dropped the line as people would actually walk into a higher end store and once they started listening to companies like Paradigm and others, they became disinterested in BOSE and then sales started to wain.

Best advice I can give someone is use your own CDs, and go to a variety of audio stores (not the big box stores) and start REALLY listening to a variety of speakers, there are plenty of really good products on the market that walk all over BOSE.  Paradigm is just one of many, there are Martin Logan, and many other small companies that make nice affordable products these days.  If I wanted the omni directional sound, but couldn't afford MBLs or something in that price range, I would be looking at Martin Logan, Magnapan and a few others that sound so much better than 901's.

machelp's picture

Pages

Bose 901 loudspeaker Page 2

The Bose 901 has created more of a stir in audio circles than any other loudspeaker we can think of, with the possible exception of the original Acoustic Research system. Much of the 901's popularity is attributable to Julian Hirsch's rave report in Stereo Review, and there is no doubt but that Amar Bose's compellingly convincing ads had their effect, too. But these things alone could hardly account for the 901's popularity.
Wed, 11/07/1979

COMMENTS
dalethorn's picture

So far I haven't been able to find the original Bose 901 review on the Internet - the review which contained the phrase "Bose is best, big or small, high or low."  I've always wanted the 901, just like I always wanted a set of Klipschorns.  But getting the best that either of those systems are capable of (and the only reason to have them) requires a listening room the likes of which I've never had.

GKearny's picture

I've had some BOSE 901s since 1999, and they ROCK when set up in my front yard. With the complete ABSENCE of room resonance, and connected to an ACURUS linear power amplifier, they SOUND LIKE WE ARE ATTENDING A LIVE CONCERT! I have rocked my entire neighborhood with Wagner's Ride of the Valkyrie, and the original BOSTON album! I think that the BOSE 901s are, with the addition of a LOT of horsepower ala a linear power amp, sound WONDERFUL. Our house is made of concrete blocks, and we have a solid rock veneer wall, and when we set up the BOSE 901s to reflect off of this heavy, rock-hard surface, the amount of sound that is projected is worth WHATEVER it costs! WE LOVE OUR BOSE 901s ! Gerry K in Arizona

drblank's picture

I know a lot of people want to get their audio system sound like they are at a concert. The problem is that concerts don't have really good room acoustics or sound systems.  Obviously, if the recording is a live recording, we hope that it sounds like we are at the concert, but having the speakers basically rely on bouncing audio from the back as the main source is actually bad.   Some people like omni directional speakers like MBL, or others that are simlar in design, but they don't rely mostly on bouncing the sound from the rear.   With the 901's, you are actually listening to what you want less of, reflected sound.

I had an acoustic engineer come to my home to take some measurements and give me his recommondations for room treatment as my room measurements were probably the worst you could have.  a square room with a pitched vaulted cieling with a drastic slope to it.  He explained to me that it's good to have reflected sound, but you don't want too much as it removes detail and coherancy from the music.

When companies like ASC and others work with a client to measure room acoustics, they work with Articulation measurements of the room and they measure the direct sound compared to the reflections and they want to create a natural room sound rather than having it too dead, too live where the reflected sound is as loud as the direct sound coming from the speakers.

The 901's just simply do it wrong.  If the front had a bunch of drivers and the rear sides had only one driver, that might be better.

One thing to note.  When you walk into a Bose dealership or Bose Store, don't let them use those CDs that are produced by BOSE.  I talked to a dealer that carried BOSE for a short period of time and they explained to me that BOSE produced demo CDs that were mastered to sound good on BOSE systems, but when you listened to the same CD on another, they sounded like crap so those demos they use to sell the speakers mislead the consumer because most of the recordings you listen to weren't mastered specifically for BOSE speakers.  The local dealership that told me this doesn't carry BOSE anymore and the only reason why they carried the line is they got a lot of people asking for BOSE because of BOSE marketing and they seccumbed under the pressure of customers, and in the process, they got ribbed by their higher end customers like myself, but in the end, they dropped the line as people would actually walk into a higher end store and once they started listening to companies like Paradigm and others, they became disinterested in BOSE and then sales started to wain.

Best advice I can give someone is use your own CDs, and go to a variety of audio stores (not the big box stores) and start REALLY listening to a variety of speakers, there are plenty of really good products on the market that walk all over BOSE.  Paradigm is just one of many, there are Martin Logan, and many other small companies that make nice affordable products these days.  If I wanted the omni directional sound, but couldn't afford MBLs or something in that price range, I would be looking at Martin Logan, Magnapan and a few others that sound so much better than 901's.

machelp's picture

Pages

Bose 901 loudspeaker

The Bose 901 has created more of a stir in audio circles than any other loudspeaker we can think of, with the possible exception of the original Acoustic Research system. Much of the 901's popularity is attributable to Julian Hirsch's rave report in Stereo Review, and there is no doubt but that Amar Bose's compellingly convincing ads had their effect, too. But these things alone could hardly account for the 901's popularity.
Sun, 11/07/1971

Bad Vibes! Sidebar 2

A thorough exploration in a magazine article of such a pervasive and complex topic as vibration control in audio systems is next to impossible; vibration and sound are so intimately bonded that it would be very easy to extend this discussion to just about any area of interest in audio. My intention here is simply to lay a foundation for understanding the basic mechanical forces affecting our quest for improved sonic fidelity, and in the process provide the tools for anyone to achieve good, practical vibration control in his or her system.
Mon, 11/06/1995

Bad Vibes! Sidebar 1

A thorough exploration in a magazine article of such a pervasive and complex topic as vibration control in audio systems is next to impossible; vibration and sound are so intimately bonded that it would be very easy to extend this discussion to just about any area of interest in audio. My intention here is simply to lay a foundation for understanding the basic mechanical forces affecting our quest for improved sonic fidelity, and in the process provide the tools for anyone to achieve good, practical vibration control in his or her system.
Mon, 11/06/1995

Pages

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