LATEST ADDITIONS

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Robert Baird Posted: Oct 10, 2014 4 comments
Streaming has taken over the world. Not so fast, at least to Sony’s way of thinking.
Michael Fremer Posted: Oct 08, 2014 3 comments
I've lost track of how many Transfiguration cartridges I've reviewed over the years. In all that time I've never met their designer, Immutable Music's Seiji Yoshioka, but every year he sends me an exceptionally tasteful holiday greeting card. I've never reciprocated. The truth isn't always pretty.

The Transfiguration cartridges I've reviewed, too, have always conveyed a midrange musical truth that hasn't been flashy or pretty. But it's always been honest and convincing, particularly of the reality of voices. If you said that the Transfigurations lacked character, you wouldn't be wrong—unless you intended it as a criticism.

Robert Baird Posted: Oct 08, 2014 1 comments
Fifty-four years after it was recorded, Hank Mobley's immortal Soul Station has become a tale of two LPs.

One, the original pressing (mono or stereo), is an artifact, an insanely valuable antique, the object of fevered jazz collectors the world over.

The other is a fresh vinyl reissue, cut from a high-resolution digital remastering of the original master tapes, that's meant to bring in younger listeners, or those interested enough in the music that they'll pay $19.95 for a new LP.

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Jason Victor Serinus Posted: Oct 06, 2014 1 comments
Could it only be the 11th time the annual Rocky Mountain Audio Fest has welcomed thousands of audiophiles to Denver? The three-day gathering, which takes place Friday, October 10–Sunday, October 12 at its comfortable location, the Marriott Denver Tech Center, has become such an essential part of the international audio scene that it feels like it's been here forever.
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Fred Kaplan Posted: Oct 06, 2014 7 comments
Joe Ferla is the preeminent jazz recording engineer of our time—or, I should say, was, as he recently decided to retire from the profession, after more than 42 years and nearly 400 albums, to run his attention to playing guitar. (I haven't heard him do that, but I hope he's good.) His last-released album, The New Standard, is out on CD and double-LP on the Rare Noise Records label, and it stands not only as another specimen of superlative sonics but also Ferla's return to analog.
John Atkinson Posted: Oct 05, 2014 1 comments
A reader recently asked if I preferred listening to loudspeakers or to headphones. There is no easy answer: Although I do most of my music listening through speakers, about 10% of that listening, for various reasons, takes place in the privacy of my headphones. I have also found that, since I purchased the Audeze LCD-X headphones following my review of them last March, I now tend to watch movies on my MacBook Pro, with the soundtrack reproduced by these headphones plugged into an AudioQuest DragonFly or whatever D/A headphone amplifier has been passing through my test lab. So when Meridian's PR person, Sue Toscano, asked me last Christmas if I'd be interested in reviewing the English company's new Prime D/A headphone amplifier ($2000) with its optional Prime Power Supply ($1295), it took me less than a New York minute to say "Yes."
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Stereophile Staff Posted: Oct 05, 2014 1 comments
Audiophiles who need something to do before RMAF begins on Friday October 10 should check out Soundings Fine Audio and Video. Situated just two blocks from the Marriott DTC, the Denver retailer is having a party Friday night, and all showgoers are invited. They are also invited to come take a listen throughout the week!
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Jon Iverson Posted: Oct 04, 2014 0 comments
I like big bass, but I cannot lie
Tubby thumpers need not apply
And when a speaker drops in with itty-bitty bass
It puts a frown upon my face
I get bummed . . .

—Sir BassaLot, first audiophile rapper, 1992

Some folks put a pair of bookshelf speakers on stands in their room and are happy as clams. I imagine that they imagine the missing bass and never give it another thought. Not me, and perhaps not you. Some of us want to hear it and feel it, just as we would real instruments. We want sex in the room.

Art Dudley Posted: Oct 02, 2014 0 comments
". . . with faithfully replicated artwork."

That's how a press release, dated June 16 of this year, described the manner in which the next wave of Beatles LPs—mono releases claimed to be mastered direct from the original analog mixdown tapes, and not the 44.1kHz digital files that Apple Records and Universal Music Enterprises (which now owns EMI) considered good enough for their last wave of Beatles LPs—are being packaged for sale. Hope, as Emily Dickinson once observed, is that thing with the feathers. Which, as we all know, evolved from the dinosaurs.

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Herb Reichert Posted: Oct 02, 2014 5 comments
My best old friend, "David Ray of Today," dropped out of school when he was 15 so that he could stock vegetables on the night shift at the IGA in a small Illinois farm town. By the time he'd turned 25, he owned five houses, 25 Cadillacs, and a barn full of knickknacks.

David chose to work nights so his days would be free to buy objets d'art at the local Salvation Army store. He bought Fiesta Ware, Bakelite radios, homemade quilts, and locally fashioned tin chicken-feeders. The quilts had to be hand-sewn and in perfect condition, with no stains. The radios had to work, have all their knobs, and their Masonite backboards had to be whole and unbroken. Most important, none of these things could cost over $5.

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