LATEST ADDITIONS

No, this blog isn't about slaughter. It's about the components in Seattle Hi-Fi of Redmond, WA's room, some of which were displayed on Butcher Block Acoustics shelving.

Nor was there anything about the sound Burt Goodman drew from his system deserving of slaughter. True, the music selections were all standard audiophile fare from previous generations, but the sound was here, now, and excellent. Diana Krall's "Let’s Fall in Love" was bright, lovely, clean, colorful, and fully detailed.

What a great way to start a show. I don't know what impelled me to choose my CD of Patricia Barber's Higher, but the combination of Constellation's smooth-talking Pictor line stage with DC blocker ($24,500) and DC filter ($8000) with the company's Centaur II 500 amplifier ($80,000) and Magico S5 MkII loudspeakers ($45,500/pair) was perfect for Barber's cool, no-nonsense presentation. This was one smooth, toned-down, ultra-clean system that all but guaranteed non-fatiguing listening for hours and hours upon end.

Spied in the hallway the night before the show opened was Lou Hinkley, PAF co-organizer (with Gary Gill of the Capital Audio fest). Since Lou also owns/designs WA State-based Daedalus Audio's speakers and will be running that room, who knows what shape he'll be in by end of Day 3. But when I discovered him at 6:30pm, he let on that assisting/troubleshooting/and reassuring exhibitors on the day before was one of the most humbling experiences of his life.

Like many fans of music on vinyl, I've grown accustomed to waiting for preordered records. For several years, record-pressing plants have been oversubscribed; there just aren't enough presses to keep up with demand. When vinyl declined in the 1980s—replaced first by cassette tape and then by CD—old presses were abandoned, falling to rust and disrepair before the vinyl revival, leaving the industry with limited capacity.