LATEST ADDITIONS

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Art Dudley Posted: Feb 13, 2015 8 comments
During last September's Brooklyn Audio Show, a thoughtful and amiable hobbyist explained to me his views on the purpose of an audio system. It seems that, for a great many years, he was told—by the powers that be, the holy on high, the gurus du jour (whose jour seems to have ended without anyone really noticing)—that a home audio system should transport the listener to the concert hall. Yet now he has come to realize that the very best gear brings the performance venue into the listener's living room.
Larry Greenhill Posted: Feb 12, 2015 0 comments
Powerful, massive, and expensive, Revel's Ultima Rhythm2 subwoofer ($10,000) swept me off my feet when I first saw it in Harman International's suite at the 2013 Consumer Electronics Show. It outsizes, by 49 lbs and 2.6 cubic feet, Revel's previous flagship model, the Ultima Sub30, which I reviewed in the November 2004 issue. Its specs read like no other sub's: 196 lbs; 18" cast-frame woofer; dual 4" voice-coils; 4kW peak power from twin internal amplifiers that generate 1kW RMS; 115dB peak acoustic output; a fully configurable, high-resolution, 10-band parametric equalizer (PEQ); an internal crossover with high- and low-pass outputs; and PC-based setup via USB. The Rhythm2's patent-pending design is said to let just enough air move in and out of the cabinet to prevent any distortion-inducing pressure due to heating of the voice-coils. And its veneer, shape, beveled top edges, and bottom plinth exude the quality found in Revel's top-of-the-line floorstanding speaker, the Ultima Salon2, with which I was familiar.
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Fred Kaplan Posted: Feb 12, 2015 2 comments
With Break Stuff, his third trio album and his first on the ECM label, Vijay Iyer comes into his own as a master pianist, composer, and conceptualizer—one of the truly great jazz musicians of our time.
Margaret Graham Posted: Feb 09, 2015 Published: Dec 01, 1982 6 comments
COPLAND: Appalachian Spring, Rodeo, Fanfare for the Common Man
Atlanta Symphony Orchestra, Louis Lane, cond.
Telarc Digital DG-10078 (LP). Robert Woods, prod., Jack Renner, eng. DAA. TT: 44:11.

I predict that this Fanfare for the Common Man will suffer the same fate as the opening measures of Also Sprach Zarathustra. The impact of the opening brass and tympani is stupendous. Even when I know it is coming, I tend to leap from my chair in surprise. All audiophile copies of this disc will become grey and worn on Band One of Side One.

Audiophile impact aside, please don't neglect the other two works on this disc. Both Rodeo and Appalachian Spring receive excellent interpretations, and they too contain sufficient brass and drum to excite a jaded audiophile.

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Jason Victor Serinus Posted: Feb 09, 2015 18 comments
In what may be the first collaboration of its kind, the San Francisco Audiophile Society (SFAS) has partnered with a major urban arts presenter, the SFJAZZ Center, to offer its members a prime block of "audiophile-approved" seats to major SFJAZZ Center events. The instant success of the SFAS Concert Series collaboration is reflected in the fact that all 30 tickets to the first event, a March 1 concert with Taj Mahal, sold out in four hours.
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Herb Reichert Posted: Feb 07, 2015 15 comments
Hats off and heads down. Let Joe Grado's passing fill our collective hearts with enduring feelings of gratitude (for what Joe brought to the quality and character of the audio industry over six decades) and respect (for his myriad inventions and human fortitude that delivered musical joy and aural insights to countless listeners and audio professionals throughout the world).
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Robert Baird Posted: Feb 06, 2015 5 comments
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Stereophile Staff Posted: Feb 05, 2015 23 comments
Are you trying to decide between high-resolution downloads and LP reissues? In the market for a hi-rez portable audio player? A zealot bravely fighting back in the Loudness Wars? Change is inevitable, and in the audiophile world it's the spice that keeps things interesting—there's always a new remastering or idea product just around the corner. Minds and tastes, too, can change. In answer to the eternal question "What are you listening to now?," we present the 2015 edition of "Records to Die For," our annual album of snapshots of the minds and ears of Stereophile's staff.
Herb Reichert Posted: Feb 05, 2015 11 comments
The more integrated amps I review, the more I want to tell manufacturers: Please, skip the DAC, omit the phono stage, lose the Bluetooth—just give me the best sound quality, and the most vivid, most transparent line stage and control center (with pre-out) you can design. Make sure this line stage has appropriate gain, and high input and low output impedances. Give me at least four balanced and single-ended inputs. Make sure the volume, balance, and tone controls are durable and degrade the sound as little as possible. That way, I can add a DAC, server, phono stage, or Bluetooth, of any quality level, any time I choose.
Robert Deutsch Posted: Feb 04, 2015 17 comments
I reviewed GoldenEar Technology's first speaker, the Triton Two ($2999.98; all prices per pair), in February 2012. It was and is an outstandingly good speaker, but I thought then that if GoldenEar would apply the same expertise to the design of a speaker with fewer cost constraints, the results could be better still. Sandy Gross, president and CEO of GoldenEar, must have been thinking along similar lines when he named the speaker Triton Two, leaving One for a more ambitious future product.

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