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Fred Kaplan Posted: Oct 16, 2015 2 comments
Charlie Haden, the most inventive bassist of his generation, died at the age of 76 a little more than a year ago, but his widow (and producer-manager), Ruth Cameron-Haden, says he left behind many unreleased tapes of live concerts. So it's likely, thankfully, that we haven't heard the last of him. The first nugget from the archive, Tokyo Adagio (on the Impulse! label)—live duets with the pianist Gonzalo Rubalcaba, taken from a four-night gig in 2005 at the Blue Note jazz club in Tokyo—is a gorgeous album, an auspicious beginning.
Herb Reichert Posted: Oct 15, 2015 8 comments
I used to get invited to these highly secret audio soirées, held in a basement workshop at the end of a dark, garbage-filled alley in Manhattan's Chinatown. There was no street address—only a wire-glass window in a metal door—and if you didn't know the password (ie, if you weren't carrying some type of audio amplification), you weren't allowed to enter. That said, sometimes nonmembers were allowed to attend, but only when a member needed help carrying monoblocks: There was no parking nearby.
John Marks Posted: Oct 15, 2015 3 comments
A mastering engineer's job is both to act as the final quality control before a recording goes out for manufacturing and, just as important, to apply to that recording the requisite technical finishing touches. Over the course of his career to date, mastering engineer Robert C. Ludwig has racked up more than 7500 album credits.
Robert Baird Posted: Oct 15, 2015 1 comments
Playing the blues gets old fast. Since this most fundamental American popular music, stopped being the African-American party music of choice, and became a traditional music, celebrated as the precursor of rock'n'roll, blues players face a stark choice: change, or be content with playing small clubs and bars.
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Fred Kaplan Posted: Oct 13, 2015 1 comments
Trumpeter-composer Dave Douglas seems to release an album every few months (it helps that he has his own label, Greenleaf Music), and his latest, Brazen Heart, ranks among his best in several years.
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Stereophile Staff Posted: Oct 13, 2015 0 comments
Maryland retailer JS Audio (4919 St. Elmo Avenue, Bethesda, Maryland 20814) is having an open house this coming Saturday (October 17, 2–9pm). Special guests will be John Quick, Director of Sales North America for dCS, who will be introducing the new Rossini DAC and disc player; Dave Gordon, National Sales Manager for Audio Research; Michael Taylor, VP Sales North America for Nordost; and Michael Latvis, Chief Engineer for Harmonic Resolution Systems...
J. Gordon Holt Posted: Oct 12, 2015 Published: Dec 01, 1979 4 comments
Long-time Stereophile readers May be dismayed by what appears to be our unfettered satisfaction with some of the recent crop of new components. Aren't we, after all, dedicated to the pursuit of perfection? Do we really feel that some products are all that close to it? The answer to both questions is "Yes."
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Jason Victor Serinus Posted: Oct 12, 2015 12 comments
Exciting news greeted the posse of press who headed to the Marriott Denver Tech Center's Atrium Saturday October 3 for a press conference entitled "MQA and Mytek Present: From Studio to Home." Both Bob Stuart of MQA, Ltd. (above right) and Michal Jurewicz of Mytek Digital (above center) were present, as well as Pål Bråtelund, Strategic Partnership Manager for Tidal (above left), and, for MQA partner AudioQuest, AQ VP Steve Silberman.
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Jason Victor Serinus Posted: Oct 12, 2015 4 comments
Burning Amp is back. Perhaps the world's largest DIY festival—only the European Triode Festival begins to rival it in size—the mostly annual festival returns to the San Francisco Bay Area on Saturday, October 17, after a year's break to regroup and scout out a new venue. Now ensconced in a far more comfy 16+ room office venue in the South Bay—Interana Headquarters at 305 Walnut Street in Redwood City—Burning Amp promises at least 15 DIY systems plus an exciting group of presentations.
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Herb Reichert Posted: Oct 11, 2015 0 comments
After I thought I had finished posting our coverage of the Rocky Mountain Audio Fest, I realized I still had a number of photos taken by Herb Reichert for which we had no accompanying text. So here are some brief notes from Herb to accompany those pictures.—John Atkinson


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