LATEST ADDITIONS

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Robert Baird Posted: Jan 19, 2016 109 comments
Can anybody still listen to Eagles records these days?
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Stereophile Staff Posted: Jan 19, 2016 20 comments
Available on newsstands and the Stereophile online Shop this week is a special 148-page "Collector's Edition" of Stereophile, in which we have compiled all of the reviews comprising the past 10 years' worth of R2D4—some 500 albums selected by 46 writers, organized by musical genre and listed alphabetically. Along with six short essays on recorded music by the magazine's music editor, Robert Baird, there are: 48 pages of Rock reviews, 20 pages of Jazz reviews, 15 pages of Opera & Vocal reviews, 14 pages of Classical Orchestral & Film Score reviews, 9 pages of Chamber Music & Instrumental reviews, and 10 pages of Folk, Blues & World Music reviews.
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Fred Kaplan Posted: Jan 18, 2016 6 comments
Mobile Fidelity's two-LP, 45rpm reissue of Miles Davis' Kind of Blue is one of the most eagerly awaited audiophile jazz reissues, which may seem strange given how many reissues already exist. Yet the 1959 album is that rare thing in any art form: an accessible, popular work (it's the best-selling jazz album of all time and continues to sell thousands of copies a year) and also an artistic breakthrough (marking a shift from harmonies based on chord changes at set intervals to those loosely patterned on scales). And Columbia's original six-eyes stereo pressing, miked by Fred Plaut, stands as one of the greatest-sounding studio jazz albums too.
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Stereophile Staff Posted: Jan 17, 2016 3 comments
"The Record Player Reborn" declare the new issue's cover, referring to reviews of LP players from Oracle, Acoustic Signature, and VPI. But digital isn't forgotten, with John Atkinson raving about about Chord's new $599 portable DAC, Larry Greenhill upgrading his Bryston BDP-2 file player with a new soundboard, and Digital Audio Review's John Darkø kicking off the issue with a guest editorial on the boom in personal listening in Japan. And topping it all off is our annual "Records to Die For" listing: 56 albums every audiophile should have in their collection.
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Jason Victor Serinus Posted: Jan 16, 2016 21 comments
See that huge line? It's a small indication of the huge, multi-national, multi-industry group of CES attendees whose numbers—170,000, if the former CEA (Consumer Electronics Association), now CTA (Consumer Technology Association) counts accurately—set new attendance records.

There's just one thing. That line was not at the Venetian Hotel, where all but a few of what CES dubs the "high-performance audio" exhibits were staged. Instead, it was at the Las Vegas Convention Center. Just about everyone you see had no idea that the High End of the audio industry was holding forth on floors 29, 30, 34, and 35 of the Venetian, because virtually all PR, including the multipage "CES 2016 Attendee Guide" that they received in the mail, failed to mention our existence. . .

Jon Iverson Posted: Jan 16, 2016 7 comments
Many of you have seen the posts about Graham Nash touring the high end audio exhibits at CES earlier this month. The experience taught me this: it isn't how good you hear, but how well you listen.

I'm not sure what readers expected from this, and I certainly wasn't sure what to expect, which is why it was an attractive idea. Yes Nash ended up liking what he heard, but for those cynical enough to think he was just being polite, I'm here to tell you first hand that he was excited by the experience, and his enthusiasm was genuine.

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Jason Victor Serinus Posted: Jan 16, 2016 49 comments
Digging MQA (from L–R): Peter McGrath, Jason Victor Serinus, and Michael Fremer, with Bob Stuart anxiously looking on and Winai Pawitwatana behind. (Photo: John Atkinson)

CES 2016 marked the first time that three writers for Stereophile—Editor-in-Chief, John Atkinson; AnalogPlanet analog guru, Michael Fremer; and this Contributing Editor—could sit down in the same room with Bob Stuart of MQA/Meridian and spend a concentrated amount of time comparing before- and after-MQA encoded (Master Quality Authenticated) tracks.

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John Atkinson Posted: Jan 16, 2016 1 comments
Brian Barr was showing the SAE 2-horsepower amplifiers described earlier by Larry Greenhill with his $100,000 California Audio Technology speaker system, comprising CT MBXS6 two-way satellites and two MBX900 subwoofers. This system played more loudly, more cleanly than any I heard at CES.
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John Atkinson Posted: Jan 16, 2016 1 comments
Synergistic Research's Ted Denney always puts on a good show at a show, and the 2016 CES was no exception. The sound in Synergistic's suite at the Mirage—Magico S7 speakers driven by McIntosh amplification (modified with Synergistic fuses)—was superb. Even though I didn't know the cut being played, "Hey Now" from London Grammar, there was an effortless sense of dynamics. Another of my best sounds at CES.
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John Atkinson Posted: Jan 16, 2016 4 comments
"For Unto Us a Boy is Born" was playing when I looked into MBL’s suite at the Venetian and the sound—open, spacious, uncolored, full-range, musically communicative—on MBL's unique 101E omnidirectional speakers was so appealing, I settled down in the hot set for the rest of the piece from Handel's Messiah. The speakers were being bi-amped by preproduction samples—US availability is scheduled for March—of new models from the German company’s Noble line...

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